What does the golden face represent in Peking Opera What does the white face represent in Peking Ope

Blonde face. It symbolizes majesty and solemnity, and expresses the role of immortals. Such as: "Haunted Heavenly Palace" in the Buddha, Erlang God. Roc.

Golden pictogram face).

Net angle gold and silver face: Gold and silver are widely used in the face of gods and monsters, showing the face of the gods and the green fangs of ghosts, such as "An Tianhui".

Yang Jian in "Bottomless Pit" and "Pan Tao Club".

Erlang God), the money leopard in "Red Plum Mountain", Jin Zha's golden face in "Attacking Tong Pass", and Mu Zha's silver face in "Attacking Tong Pass". Some generals also use gold to express their heroism and invincibility, which is used to increase the prestige of their faces, such as "Pick a Pulley".

In the Golden Vulture Technique, Li Yuanba of "Siping Mountain", when it comes to the face of gods and monsters, it should be emphasized here that the famous actors of the predecessors are opposed to the strange or eerie depiction of the faces of gods and monsters, and do not approve of painting snakes and scorpions centipedes on their faces, and even more oppose the painting of skulls and other gloomy shapes in the face, they believe that this is not only detrimental to the artistic principle of stage beauty, but also makes people frightened, harmful to stage performances, is a shallow, low artistic attainment of the practice, although it is a god and monster face, it should also be close to the human face.

Only gods and monsters can be played in gold and silver, which is actually rare on the stage of Peking Opera, and only a few of them, such as the Buddha and Erlang God. The most distinctive are the Golden Horn King and the Silver Horn King.

It symbolizes majesty and solemnity, and expresses the role of immortals. Such as: "Haunted Heavenly Palace" in the Buddha, Erlang God.

In Peking Opera, gold and silver are often used to represent gods and monsters, such as Sun Wukong and Tuxing Sun.

In Peking Opera, the golden face should represent the god and the monster.

Gold, silver - to express a variety of gods and monsters.

In Peking Opera, the red face represents loyalty, the black face represents integrity, and the white face represents cunning. In Peking Opera, the black face symbolizes a very serious character and does not smile, which is neutral and represents fierce wisdom, for example, Bao Zheng in "Bao Gong Opera" is a black face.

The red face symbolizes loyalty, uprightness and bloody characters, such as Guan Yu in the "Three Kingdoms Opera" is the representative character of the red face. The white face symbolizes the treacherous and suspicious character, which mostly contains derogatory connotations and represents fierceness, such as the role of Cao Cao in the "Three Kingdoms Opera".

The origin of Peking Opera masks. Peking Opera masks originated from life. The shape and contour of each person's facial organs are similar, the physiological layout also has certain rules, and the texture of facial muscles is closely related to the age, physiology, experience, and natural conditions of life of the characters.

As often said in life, the faces of people are tanned, frightened and white, flushed, and sick, etc., which are not only the revelation of the psychological activities and mental states of the characters in the play, but also the expression of their physiological characteristics.

A white face is more likely to represent treacherous and suspicious。In Peking Opera, the white face is divided into pink white face and oil white face. A white face indicates insidiousness and treachery, and good scheming.

Such as Cao Cao, Zhao Gao, Yan Song, etc. Oil white face: Most of them are arrogant martial artists who are rigid and self-serving.

Such as Ma Tan, Gordon and so on. White faces are mostly used for villains, but there are exceptions, such as Lu Zhishen, Yang Wulang, etc.

Pink white face, also known as wiping the face, that is, using white powder to paint the face to show that it does not show people with their true faces, which is mostly derogatory, and is generally a treacherous person. The white face, also known as the oil white face, has several intentions: one is used for old heroes and generals with children's faces and cranes; One is related to wiping the face, and the traitorous warriors often use white faces; the other is similar to the former, but only rigid; Some monks, who are physically strong and strong in martial arts, also use white faces.

Peking Opera mask refers to the makeup patterns on the faces of Peking Opera actors, which is a special makeup method with Chinese cultural characteristics. In Peking Opera, each historical figure or a certain type of character has a general spectrum, which is called a face mask. The artistic characteristics of Peking Opera masks are mainly manifested in three aspects: deformation, expressiveness, and meaning.

When creating faces, they must always permeate their aesthetic evaluation of the characters in the play. There are many forms in the face, which are both decorative and symbolic, as well as symbolic aspects of some essential aspect of the figure. The creative process of Facebook is often accompanied by a strong element of folk imagination.

Imagination itself is divided into positive and negative, and it will also be reflected in the symbolism of the face, which needs to be identified.

One sings red face and one white face.

"Singing red face" is interpreted as "a metaphor that plays a friendly or endearing role in resolving conflicts", and "white faces" is interpreted as "metaphors play a harsh or annoying role in resolving conflicts"; Singing blackface means the same as singing redface.

In the drama mask, the white face is the villain, a symbol of treachery and insidiousness, and it is more typical of Cao Cao's face; The black face is a positive character, a symbol of loyalty and integrity, and it is more typical of Bao Zheng's face. One positive and one negative, one loyal and one traitor, originally opposites, but "white face" and "black face" express the same meaning, both of which are the meaning of a stern attitude.

Peking Opera Red Face, a red character in Peking Opera. In traditional opera, the red face is used to represent a positive or righteous character who plays a friendly or endearing role in the process of resolving conflicts (as opposed to "singing white faces"), representing a positive or righteous character.

It means that he is loyal, brave, upright, and bloody and brave. Such as Guan Yu, Zhao Kuangyin, Jiang Wei, etc., but there are exceptions, such as Liu Jin, the villain in "Tongyou Chafamen Temple", has a red face, which has a sense of irony, making people know at a glance that he is a eunuch who is in power. The flower face of "I" in Feng Jicai's work "Flower Face" is a red face.

The golden and silver Peking Opera masks represent various images of gods and monsters, and the main representative character is Erlang God. The Peking Opera mask pattern is very rich, which is roughly divided into forehead map, eyebrow shape map, eye orbit map, nose socket map, mouth fork map, and mouth bottom picture. The pattern of each part is varied, regular and inconclusive.

In addition, the green Peking Opera mask represents a tenacious and irascible character, and the main representative character is Wu Tianqiu; The yellow Peking Opera mask represents Xiao Yong, a fierce character, and the main representative figure - Yuwen Chengdu; The white Peking Opera mask represents the sinister, suspicious, flying, and solemn character image, and the main representative character is Cao Cao.

Do you know what the colors of Peking Opera masks represent, and each color has a different meaning.

Gold and silver are often used to express various images of gods and monsters.

What do the gold and silver represent?

Uncle Mikhail led hooligans to storm and attack his grandfather's house in order to fight for the family property. In this "battle" in which father and son went hand-to-hand, I took on the role of a scout in the line of fire. The kind-hearted grandmother was hit by a brick from a drunken rebel due to "persuasion", causing a fracture.