What do the various faces of Peking Opera represent, and what do the red faces, black faces, and whi

Today's Peking Opera masks are red, purple, black, white, blue, green, yellow, red, gray, gold, silver and other colors, which is an exaggerated description of the natural skin color of the characters and develops into an allegorical color for character symbols. Generally speaking, red depicts the brave and loyal characters and their bravery; Purple symbolizes wisdom, courage and righteousness; The black color reflects the noble character of the character, who is loyal and upright; The aqua white alludes to the hateful face of the characters who are treacherous by nature and vicious; Oil white shows a conceited and domineering character; Blue symbolizes strength and bravery; The green color outlines the chivalrous bones of the characters; Yellow means brutality; The old red mostly shows the loyal and brave veterans who are highly respected; The tile gray alludes to the old hero; Gold and silver are mostly used for gods, Buddhas, and ghosts to show their golden face and golden body, symbolizing the sense of illusion.

In Peking Opera, the red face represents loyalty, the black face represents integrity, and the white face represents cunning. In Peking Opera, the black face symbolizes a very serious character and does not smile, which is neutral and represents fierce wisdom, for example, Bao Zheng in "Bao Gong Opera" is a black face.

The red face symbolizes loyalty, uprightness and bloody characters, such as Guan Yu in the "Three Kingdoms Opera" is the representative character of the red face. The white face symbolizes the treacherous and suspicious character, which mostly contains derogatory connotations and represents fierceness, such as the role of Cao Cao in the "Three Kingdoms Opera".

The origin of Peking Opera masks. Peking Opera masks originated from life. The shape and contour of each person's facial organs are similar, the physiological layout also has certain rules, and the texture of facial muscles is closely related to the age, physiology, experience, and natural conditions of life of the characters.

As often said in life, the faces of people are tanned, frightened and white, flushed, and sick, etc., which are not only the revelation of the psychological activities and mental states of the characters in the play, but also the expression of their physiological characteristics.

The red face represents loyalty, the white face represents treachery, and the black face represents integrity.

A white face is more likely to represent treacherous and suspicious。In Peking Opera, the white face is divided into pink white face and oil white face. A white face indicates insidiousness and treachery, and good scheming.

Such as Cao Cao, Zhao Gao, Yan Song, etc. Oil white face: Most of them are arrogant martial artists who are rigid and self-serving.

Such as Ma Tan, Gordon and so on. White faces are mostly used for villains, but there are exceptions, such as Lu Zhishen, Yang Wulang, etc.

Pink white face, also known as wiping the face, that is, using white powder to paint the face to show that it does not show people with their true faces, which is mostly derogatory, and is generally a treacherous person. The white face, also known as the oil white face, has several intentions: one is used for old heroes and generals with children's faces and cranes; One is related to wiping the face, and the traitorous warriors often use white faces; the other is similar to the former, but only rigid; Some monks, who are physically strong and strong in martial arts, also use white faces.

Peking Opera mask refers to the makeup patterns on the faces of Peking Opera actors, which is a special makeup method with Chinese cultural characteristics. In Peking Opera, each historical figure or a certain type of character has a general spectrum, which is called a face mask. The artistic characteristics of Peking Opera masks are mainly manifested in three aspects: deformation, expressiveness, and meaning.

When creating faces, they must always permeate their aesthetic evaluation of the characters in the play. There are many forms in the face, which are both decorative and symbolic, as well as symbolic aspects of some essential aspect of the figure. The creative process of Facebook is often accompanied by a strong element of folk imagination.

Imagination itself is divided into positive and negative, and it will also be reflected in the symbolism of the face, which needs to be identified.

1. Red face: In Peking Opera, the red face represents loyal, upright, and bloody characters, such as Guan Yu, etc., and it also has irony, indicating that it is a fake good person; 2. Black face: Black face means an iron-faced selfless, unsmiling or reckless character, which is a neutral word; 3. White face:

The white face has a derogatory connotation, and it mostly symbolizes treacherous and suspicious characters.

What does the color of the face in Peking Opera represent?

1. Red face

nbsp;In Peking Opera, the red face has a positive meaning, symbolizing loyalty, uprightness and blood-type characters, such as Guan Yu, Guan Sheng, Wu Han and other characters, but in some dramas, the red face also has an ironic meaning, indicating a fake good person.

2. Black face

nbsp;The black face symbolizes a serious character and does not smile, and belongs to a neutral character, for example, the famous "Bao Gong Opera" in which the bread man is blackfaced, is an iron-faced, selfless, upright and intelligent character.

3. White face:

nbsp;Most of the white faces contain derogatory meanings, symbolizing treacherous and suspicious characters, representing fierceness, and Cao Cao in the "Three Kingdoms" is white-faced, suspicious and treacherous, and vicious in his heart.

Peking Opera masks come in several colors

From the color point of view, the common colors of Peking Opera masks are red, purple, black, white, blue, green, yellow, old red, tile gray, gold, silver, etc., which are exaggerated descriptions of the natural skin color of the characters to reflect the character characteristics of the characters, and the audience looks more immersed and easier to understand.