Who is Moshang Sangzhong Luofu s husband? Is it real?

Luo Fu is pretending to be Er Qiao, pretending that her husband is the captain of Changshui, Jiao Zhongqing is Guo Jia's secret agent, and Envoy Jun is Yuan Shu's old department and Lujiang is too shou Li Feng. Luo Fu plotted Lujiang for Sun Ce, and Jiao Zhongqing plotted for Cao Cao to assassinate Sun Ce.

It should be Wang Ren, Mo Shangsang was made by Luo Fu to reject King Zhao, and Liu Liang, King of Zhao, of course knew that Qin Luofu's husband was Wang Ren.

It must be fake, the envoy is in his 40s according to Luo Fu, and Luo Fu is less than 20 years old, this age gap is too big. And if she has such a good husband, then does she still need to plant silkworms and harvest mulberries? (unless she likes to).

There is no husband. The sentences in the article describing her husband just match the characteristics of silkworms, so Luo Shi has no husband, she is just talking about the silkworms she raises, scaring the envoy. Well, the Chinese teacher just finished talking today.

It's a fictional character from Rashiki, and it doesn't exist.

There is a virtuous woman in the owner's family, whose name is Qin Luofu, who is extremely pitiful, and her mother begs for you.

Thus it is said that they are unmarried.

The story of "Mo Shang Sang" is very simple and the language is quite shallow, but there is a key question that is not easy to explain: what is the identity of Qin Luofu in the poem? According to the explanation at the beginning of the poem, she is a mulberry picking girl, but her dress is extremely luxurious; According to the last paragraph of Rashiki's own statement, she is a lady of Taishou, but how could this lady run to the side of the road to pick mulberry?

Mr. Xiao Difei's "The Literary History of Yuefu in the Six Dynasties of the Han and Wei Dynasties" looks at it like this: "The last paragraph is Luo Fu's answer as a mirage, and it cannot be seen and killed!" Twenty is not enough, and since his husband is forty, he knows that there must be nothing.

The author's intention is only to make Luo Fu happy, so that Jun will naturally be disappointed to listen, and there is no need to refuse strictly. Later, some people made further claims that Luo Fu was a working woman, and the description of her clothing in the poem was purely exaggerated; The last paragraph is Luo Fu's strategy to scare the other party away. This has become the prevailing view.

But these are all wishful thinking, and the poem itself does not provide such a basis. It is not surprising that a woman of less than 20 is married to a husband who is already 40 years old, even todayBesides, literature is a product of fiction, so why bother to "watch and kill" it?

As for the latter theory, it seems to be seamless, but in fact it is still full of contradictions: if the author can exaggerate the description of Rashiki's clothing without thinking that it destroys her identity, why can't he arrange for her a husband who will be an official? This is the same situation by different standards, and Qu Cheng has said.

She doesn't have a husband, because men are at least 40-50, and Luo Fu is only a teenager, it is impossible for a ** to marry a peasant woman, unless they are childhood sweethearts, and it turns out that they can't be childhood sweethearts, age is a big problem!!

If her husband were a high-ranking official, she would have had a lot of retinue!!

I haven't seen it yet, so of course I don't know much.

Fictional characters.

The poem is divided into three interpretations. Interpreted as a musical passage, the musical passage of this poem roughly coincides with the passage of the lyric content. The first explanation starts from the beginning to "but sit and watch Rashiki", which mainly describes the beauty of Rafu.

The second solution ranges from "making the king come from the south" to "Luo Fu has his own husband", writing that Taishou coveted Luo Fu Rongzi and wanted to return with her "share", but Luo Fu sternly refused. The third solution is from "More than 1,000 Rides in the East" to the end, writing that Luo Shi praised his husband in front of Taishou, with the intention of completely dispelling Taishou's evil thoughts and making him feel ashamed of his frivolous behavior.

The poet succeeded in creating a beautiful, witty, lively, kind and lovely female figure. Generally speaking, people know a person first by knowing their physical appearance and then penetrating their heart. The image of Luo Fu in "Mo Shang Sang" also follows the general order in which people identify the characters, and the writing is manifested by the appearance and character.

As the narration goes, through the beauty of her clothes and the various expressions that passers-by are all fascinated by after seeing him, the image of a "good girl" gradually becomes concrete and clear in front of the reader's eyes. Clause.

In the second and third explanations, the poet's pen and ink changed from copying her appearance to expressing her temperament, and through the dialogue between Luo Fu and the envoy, she resisted evil and resisted temptation, and her upright character was fully displayed. From her fluent and decreet answers, it can also be seen that she is cheerful, lively, generous, confident in herself, and good at using wisdom to protect herself from infringement. Of course, this is only a general generalization, and in fact, there is no lack of flexibility in this regard.

For example, although the first solution mainly writes about appearance, "Luo Fu Xi Silkworm" shows her good quality of loving labor; Clause.

Although the second and third explanations mainly reveal her inner emotions, the second solution makes Jun hesitate immediately, clearly and secretly reflecting the charm of Luo Fu's beauty and beauty, and the third solution Luo Fu teasing the hole to praise her husband's appearance, and the first solution summarizes Luo Fu's beautiful "remote opposite" (Zhang Yugu's "Ancient Poetry Appreciation" volume 5), isn't it just that you can see Luo Fu's own shadow? The poet's Luo Shi is beautiful, thus giving this artistic image a higher aesthetic value. After reading the poem, people's affection for Luo Fu is deeper and more sincere than the attitude of the forgetful observers in the poem, because they are only attracted by Luo Fu's appearance, but the reader admires Luo Fu's character.

In this sense, the difference between "Mo Shang Sang" and "Book of Songs: Shuoren" in the imitation of the image of the beauty is not only the difference in specific techniques (this point will be discussed below), but also in the fact that it is relatively simple to portray the beauty of the character's appearance and then to express the beauty of temperament, which is obviously of more important significance in the history of the creation of literary images.

There is a bun on his head and a bright moon pearl in his ears. Xiangqi is the lower skirt, and Ziqi is the upper skirt. "Mo Shang Sang".

People have joys and sorrows, and the moon is cloudy and sunny, and this matter is difficult to complete. (I think it's this, I'm not sure) "Water Tune Song Head".

Liu Yuxi's "Yangliu Qingjiang Level, Hearing the Singing of Langjiang River", "Bamboo Branch Words".

Han Qiaozhiyu's "The most is the benefit of the spring of the year, and the land elimination is better than the smoke and willows in the imperial capital", and the eighteenth member of the Wailang of the Water Department in early spring

Gao Ding's "Grass Warbler Flies in February Sky, Blowing the Embankment Willow Drunk Spring Smoke", "Village House".

Monk Zhinan's "wet clothes want to wet the apricot blossom rain, blowing the face is not cold willow wind." "Quatrains".

This article celebrates the great virtues of ancient working women.