How do you evaluate Jin Yucheng s Flowers ?

In a sense, it is quite in line with the original definition of "the flow of the family, covered by barnyard officials, street talk, and hearsay" recorded in the "Hanshu Art and Literature Chronicle". ** It is a world that is a little bit unrelated to the literary concept of the new literature, and the plaques of "for life" and "meaningful" have been completely removed. <>

I haven't read this book completely, but I know that it is a work that has won the Contradictory Literature Award, and I am a northerner, and I don't know the connotation of the southern discourse, but as far as the story written by the author is concerned, the author's writing skills are very thick, and when you read this story, you will involuntarily be substituted into the situation. Perhaps the social sense represented is too heavy for individuals to understand this kind of literature. <>

Being able to write in tongues is already remarkable.

The "complex" of "flowers" is trivial, trivial in people's affairs, and broken in the sorrow of passers-by. However, triviality is not lonely. "Complex" is also beautiful.

Hundreds of characters are disturbed; A little laugh, a little noisy. Others look sideways, and it has its own flavor. In the Shanghainese language, the scattered fragments of the life of the times are like plums and yellow rain, melting the water of the Pujiang River, the factory atmosphere of Puxi, the earthy smell of Pudong, and the steaming water, piecing together the most real Shanghai between the vertical and horizontal alleys and tearing off the gorgeous skin.

Flowers is the most accurate and exquisite modern depiction of Shanghai people I have seen so far. This book made me feel more deeply connected to my parents and my connection to the city. Some of my friends in the north have read this book, and some have praised it, while others have said that it is difficult to read.

Some of the Shanghainese dialects of the book "Flowers" may not be able to accurately appreciate its subtlety and beauty by non-Shanghainese or Wu-speaking people, but the rest of the 80% content, northerners should have no barriers to understanding.

The most objective and real world. It seems to be weak and weak, but it is still water flowing deeply. Several white strokes, black and white, readers have their own evaluations in a variety of flavors.

How difficult is such naturalism! Most of the works that construct the world introduce the author's value judgment, and a pure documentary-style ** "unintentionally inserts willows, and exhausts all efforts". Its auxiliary:

Fragmented language, Chinese-style narrative mode, strong regional characteristics, and distinctive creative personality are the gifts of "Flowers" in contemporary literature.

** Selected three characters from different families throughout the whole article, namely A Bao from a capitalist background, Hu Sheng from a revolutionary cadre family, and Xiao Mao from a working class background. Belonging to the clue of "now" are all kinds of "CEOs" who have achieved fame in the business field, all kinds of lovers or wives around these successful men, workers engaged in manual labor in the workshops and alleys or sisters-in-law and aunts who have nothing to do, and all kinds of foreigners who come to Shanghai to hunt for adventures and find marriage, a kaleidoscope of splendid world.

The recommendation is comparable to the Red Mansion, and even Zhang Ailing will climb out uncontrollably....I opened it with anticipation and looked at it, the text is a little Wu Nong characteristics, there is no beauty at all, there is no beauty at all...I don't know that the literary world has been absurd and decadent to this point, and it seems that the exquisiteness of the Chinese language still stops at Zhang Ailing's ......

It's hard to read.,It's so thick.,The text sentences are fine.,Always put it in front of people to say it's good to do gravity to make me patient,。 But I still didn't find the motivation to continue. I'm wondering if I'm a dyslexia for this book.

I've read it three times, I'm a northerner, and it's inevitable to struggle to read it for the first time, but I like this one very much, this is a true portrayal of life and history, the author's portrayal of characters, and descriptions of actual life, are all ** in our daily life, I think this ** is no less than Mr. Lu Yao's "Ordinary World".

For "Flowers", the least innovative feature is its two-line structure, which is the structure favored by many long-form writers, and its key skill lies in how to naturally tie the two threads together, the author not only marks the difference between the two, but also methodically connects the past and the present.

Blossom is the most Chinese flavor I've ever read. After reading it, I copied it again with a pen, and from time to time I wanted to go to Shanghai to visit alone. From various sources, it is known that he is currently retired and busy with his work after becoming famous for "Flowers".

I don't know how to find Mr. Jin Yucheng rashly!

The birth of "Flowers" is undoubtedly a cultural landmark in Shanghai, towering on the map of China, marking a peak of the city. It has a unique and flavorful appearance.

Trivial. Bleak. Broken. I didn't hear the tide of Shanghai, and I didn't see the light of humanity that people wanted to chase their dreams and hopes.

Buying such a book is a waste of money, there is no way to read it, it is all hype.

Look at a few pages and abandon it decisively. It's silent, it's not interesting.

At first, I couldn't read it, and then I couldn't pull it out.

Only Shanghainese understand the beauty of flowers.

Jin Yucheng's "Prosperity" writes about old things in a single chapter, and writes new things in two chapters, and finally converges in chapter 29.

Generally speaking, the old things have a long time span, from the early 60s to the 70s; The new thing was short-lived, concentrated in the mid-90s. There are very few things in the 80s, and that was the most upward time, and the author deliberately abbreviated it, perhaps related to the age memory of a 60-year-old person.

When combing through the timeline of the entire book, there are probably several latitudes:

1. Author's experience: Jin Yucheng was born in Shanghai in December 1952.

In 1969, he went to Nenjiang Farm in Heilongjiang to work as a farmer.

In 1976, after returning to Shanghai, he worked at the Workers' Cultural Palace.

In 1988, he was transferred to the Department of Shanghai Literature.

In 2012, he published the long story "Flowers".

2. Historical background events:

Wen G, May 1966-October 1976 (Bao, Betty);

Educated youth: 67-68 years of peak in the countryside, 68-80 years of return to the city (the influence of the eldest sister, Lan Lan, Shuhua).

Bao's father was affected by the Pan Yang case (September 1954 – August 1982);

Husheng's parents were later affected by the crash (sentenced from September 1971 to January 1981), and Husheng and Humin moved to Wuning Road;

Memorial service, September 1979 (after the marriage of Xiaomao and Haruka).

Philatelic 1960 edition ......Suppose 1961 saw ......Betty sings "7-year-old girl" (Betty was born in 1954).

One day in the early summer of the second year (the next year of Wen G), Ye's house: Xiaomao said, my name is my name, and I am only 15 years old.

Suzhou Fengbo Pavilion Night Tour: Bai Ping went abroad in 1989, more than five years (1994).

Miss Wang Changshu is pregnant: November; The ending freak was not born, and the following summer and autumn (1995).

Po is 10 years old, Betty is 6 years old;

Shanghai students ...... in the first semester of the third yearAt that time, Po was in the 6th grade and Betty was in the 1st grade.

Cathay Pacific Movie Buys Tickets: Shanghai Students "Line Up in Front of a Student of the Same Age". Husheng and Xiaomao are the same age.

Lanlan is smaller than Betty;

Chunxiang and Xiaomao have been married for 2 and a half years, Chunxiang was pregnant for 4 months, and after 5 months, she died of dystocia. (You can reverse the time of Xiaomao 3 people breaking up)

To sum up: First, it shows that Husheng and Xiaomao are the same age, born in 1952, and the same year as the author.

Second, it shows that Bao is 3 years older than Shanghai, but Bao is 4 years older than Betty and 5 years older, so Bao is 2-3 years older than Husheng, in comparison, Bao should be a person in 1960.

3. In the first chapter of the story, 10-year-old Po and 6-year-old Betty are sitting on the roof of the third floor, which is 1960.

Story New Time First Spring Outing, 1994.

At the end of the story, Li Li became a monk, in 1995, in the Huangmei season; Miss Wang conceived a freak, 1995; Xiao Xiao died in the late summer of 1995 at the age of 43. The story ends in the early autumn of 1995.

Fourth, Ah Bao is unmarried.

Hu Sheng and Bai Ping got married in the second half of 1987 (35 years old).

Xiaomao and Chunxiang got married in 1973 (21 years old), and Miss Wang got married in 1995 (43 years old).

I still like "Flowers", and my first feeling when I read it is surprise. Especially in the general trend of rampant modernity, everyone is used to talking about Jung and Freud, and the sudden appearance of such a book makes me wonder if we have gone too far on the road of marginalization of character portrayal.

Flowers" writes a few strokes of the characters' moods, not loud, very happy to shed two tears, point to the end, they refuse to be integrated into the blood of the reader, and the display is probably just an ordinary world.

So we feel that we have found the familiar touch, maybe this is the same Chinese style**, the market favors, one after another.

And the trivial daily life, Jing'an Temple vegetable market, everyone's little abacus, this is what most Shanghai residents call Shanghai. It doesn't learn from Zhang Ailing to write legends, and even lacks a fixed protagonist, our perspective is like the lens of the movie "Flowers of the Sea", switching on everyone's face. It opens up another possibility of writing for Shanghai's narrative inheritance, and makes the world ** re-enter people's field of vision.

Wang Anyi said that maybe we are not writing about Shanghai, but "Flowers" is.

Not only that, but its language is also trying to dissolve the normal narrative and build a bridge with the dialects of the characters, and the style is harmonious.

The story begins on a random day, and his whereabouts are unknown on a random day. Husheng and Ah Bao are all far away from us, life is still going on, and the bustling crowd, who can't bear to swallow hysterically into their stomachs and are silent, are all continuing.

There will be no miracles in this world.