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If it is just a piece of paper, a large character of tens of yuan square feet is okay, if it is four large characters of 100 yuan square feet, but if it is a small word, it is more than that, copying scriptures or poems, the number of words is hundreds of thousands, that is, thousands of yuan square feet, or even thousands of yuan square feet are required. It also depends on the paper, the ink, and how well it is written. In addition, the market has the final say on the quality of artworks, some buy high-end, some buy low-end.
In addition, the same and not the same calligraphy and painting are different in the eyes of different people, but no matter who has good or bad calligraphy and painting, there are valuable and worthless, expensive and relatively cheap, so you can't use a square foot in general, you can only say how much a square foot is. Runge didn't have any accuracy, it was just a reference, mainly relying on his own judgment and understanding of his calligraphy and painting, as well as the hype of the market at that time. A calligraphy and painting, in different places, different times, and different auctioneers, will be different.
For example, some of the calligraphy and painting of the same person are worth 10 yuan or 20 yuan a square foot, some are worth 50 yuan or 100 yuan a square foot, some are worth 1,000 yuan square foot, some are 2,000 yuan square foot, and some may be 3,000 square feet. Even 10,000, tens of thousands of square feet... And changing to another auctioneer or intermediary is another situation... So it's hard to judge, and it's not an absolute one. Any personal evaluation is only a one-sided, personal opinion. Personalities, distinctives, celebrities, and buyers who particularly like them want to make ** higher.
But if it is the same, imitated, or just because someone has a position now, or it is pure hype, it makes the calligraphy and painting high; Then when he retreats, or no one hypes it up, ** will soon come down, and it will not even be worth much. The same is true for any other work of art. As long as it's okay, it's collectible.
What is particularly mentioned here is that Runge is an unreliable reference, mainly looking at the market, as well as my own understanding of the work, as I said above. There are also imitations and prints and paintings that are worthless, except for the old and celebrity works, celebrity imitations will be worth a little money. I'm sorry, but I still have to take the idea myself, and what others say can only be used as a reference.
In my own opinion, please forgive me for saying something wrong.
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His four-character banner is usually about 1,500 yuan. I once saw him write a four-foot Bible prayer for 5,000 yuan a piece. In short, as long as it is genuine, the ** of his words will not be too low.
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Liu Yizhi's calligraphy is valuable.
Liu Yizhi's calligraphy is currently on the market for about 10,000 yuan.
Mr. Liu Yizhi's calligraphy works are very modern style, and we may wish to pay more attention to Mr. Liu Yizhi's calligraphy works when appreciating calligraphy - Liu Yizhi's four-foot couplet calligraphy work "The Sound of Geese from the Moon".
The breadth and profundity of Chinese calligraphy cannot be summed up in a few words, so how do so many Chinese calligraphers use their own brushwork to render their love for calligraphy?
Mr. Liu Yizhi's calligraphy because of the characteristics of the Han Dynasty and the Jin Dynasty regular script, and the six dynasties inscriptions, so it is said that the strengths of each family are widely adopted. The main characteristics of his calligraphy style are rigorous and neat, flat and sharp, although the glyphs are slightly longer, but they are divided into white cloths, neat and rigorous.
The middle palace is tight, the main pen is elongated, it seems to be unrestrained, there are sparse and dense, all sides are prepared, the eight sides are exquisite, the rhyme is vivid, just right. The dot painting is coordinated, the structure is arranged, it is flat and steep, and most of the fonts are expanded to the right, but the center of gravity is still very stable, and there is no sense of oblique tilting, and the fun of the danger is positive.
Calligraphy is a unique artistic expression of the beauty of words in China and the surrounding countries and regions that have been deeply influenced by Chinese culture. Including Chinese calligraphy, Mongolian calligraphy, Arabic calligraphy and English calligraphy. Its "Chinese calligraphy" is a traditional art unique to Chinese characters.
Broadly speaking, calligraphy refers to the rules of writing text symbols. In other words, calligraphy refers to the writing of words in accordance with their characteristics and meanings, in their style, structure and chapters, so as to make them aesthetically pleasing works of art. Chinese calligraphy is an original expressive art of the Han nationality and is known as:
Poetry without words, dance without lines; Painting without pictures, music without sound, etc.
In the superficial sense of the word, calligraphy refers to the law of writing. In life, the word calligraphy has the following meanings: first, the pronoun of a certain written work or the collective name of all written works.
Second, an art category, which generally refers to the art of writing Chinese characters. Kang Youwei said in "Guangyi Zhou Shuangji": "The structure of the Tang dialect, the interest of the Song Dynasty", it can be seen that the law of calligraphy in the Tang Dynasty pursued the highest and most rigorous, and the achievements of calligraphy in the Tang Dynasty were also the highest in the history of calligraphy.
Calligraphy is a traditional art unique to China. Chinese characters were created by working people, and began to be recorded in pictures, and after thousands of years of development, they evolved into today's writing, and because the ancestors invented writing with a brush, calligraphy was produced.
Throughout the ages, Chinese characters have been written with brushes, and other forms of writing, such as hard pens and finger books, have been written in a way that is not very different from that of brushes, but is basically the same.
Wang Xianzhi. The regular calligraphy and painting are charming, with the pen strength and thinness, the gesture is extended, the demeanor is sparse, and there is no tackyness. >>>More
I have seen his calligraphy, but I have not yet entered the stream.
1. The book becomes a goose.
Wang Xizhi, a calligrapher, likes geese very much, and he believes that raising geese can not only cultivate sentiment, but also realize some calligraphy theories from observing the movements of geese. Once Wang Xizhi went out to play, saw a group of very beautiful white geese, and wanted to buy them, and after asking, he knew that these geese were raised by a Taoist priest nearby, so he found the Taoist priest and wanted to discuss with him to buy the group of geese, and the Taoist priest heard that the famous Wang Xizhi wanted to buy, so he said: As long as Wang Youjun can copy a "Huang Ting Jing" for me, he will take some geese and give them to him, Wang Xizhi readily agreed, which made the book into a good story of changing white geese. >>>More
1000 words, I don't think anyone will come to you!
Wang Xizhi is a famous calligrapher in the Eastern Jin Dynasty, can write Kai, grass, line, Di and other calligraphy, his calligraphy is known as "floating like a cloud, like a dragon". Wang Xizhi has been studying hard for a long time, so he has outstanding calligraphy.