What is the reason for the success of Wang Xizhi s calligraphy art?

Wang Xizhi is a famous calligrapher in the Eastern Jin Dynasty, can write Kai, grass, line, Di and other calligraphy, his calligraphy is known as "floating like a cloud, like a dragon". Wang Xizhi has been studying hard for a long time, so he has outstanding calligraphy.

Exhibited the Qin and Han Dynasty seal master Chun Pu Mao fine products, fine study of the body, heart copy hand chasing, extensive collection of strengths, smelted in a furnace, to create a "natural nature, abundant God Gaidai" of the book, by the descendants known as the "book saint".

The calligraphy is agile and elegant, and the charm is full; Soaring like a frightening dragon! There is a kind of atmospheric beauty that everyone appreciates! Although art is the same as cooking (cooking is also a kind of art!)

It's hard to reconcile, but if someone really does it, he is a saint in the field of art! Or the god chef of chefs! Although the art of the whole people is now full of personality, even the signature is flying, but the real art can never be understood by only one person!

Love for calligraphy, hard work.

Needless to say, there are so many reasons. 500 characters per day. How long does it take for a word to be normal?

How much time does it take to 500 characters a day? How much can you write in a day? I remember whether it was 8 years or a few years (always in regular script).

I can't remember what the ancient text says.

If we want to be more thorough and frank, I think it is unfair and disrespectful to call Wang Xizhi a sage of books, or even to label and symbolize his life. First of all, I think we should give Wang Xizhi an identity. If we look at it from today's point of view, Wang Xizhi's most important identity is that of a calligrapher, a writer, and a scholar, followed by his official position.

<>But Wang Xizhi must have had more ideas than this in that era, or there must have been stronger ideas than this. What might Wang Xizhi really care about? I guess it's very simple, it's the ideal of the traditional scholar-bureaucracy.

We must be clear that not all calligraphers can leave an indelible mark on the history of calligraphy, and not all calligraphers deserve our remembrance and explain the significance of his calligraphy.

These people who were able to enter the world of calligraphy actually changed calligraphy, and their meaning was determined by them, and reflected the development of calligraphy in history, not that their calligraphy had to be beautifully written, or very beautiful, and to be able to enter the world of calligraphy, they must have had some kind of influence on the process of the development of calligraphy. Wang Xizhi as a nobleman of that era, his characters are very representative, first of all, let him have an excellent family environment of aristocratic status, there will be a deeper calligraphy culture education, secondly, his social status is very high, there is no need to worry about other things, you can focus on the creation of calligraphy, and finally he is personally committed to the pursuit of free nature, he has a higher artistic pursuit, beyond the sense of transcendence of the world, so his calligraphy can achieve so many achievements.

Do a detailed explanation of the problem for a detailed interpretation of the problem, I hope it will help you, if there are any questions, you can leave me a message in the comment area, you can comment with me more, if there is something wrong, you can also interact with me more, if you like the author, you can also follow me, the like is the biggest help to me, thank you.

It is related to development factors, ideological factors, human factors, cultural factors and environmental factors. Because Wang Xi's journey has not been easy, and he has always been looked down upon by others, but he has given himself a certain status in the literary world with his own strength, and the words he writes are very popular with people, so I admire Wang Xizhi very much.

It has a lot to do with his hard work, talent, education, ability, and family.

It has a relationship with the times, with personal ability, with calligraphy, with people's pursuit, and with education.

The main characteristics of Wang Xizhi's calligraphy are peace and naturalness, euphemism and subtlety, and beauty and beauty.

Wang Xizhi's greatest achievement lies in changing the simple calligraphy style of the Han and Wei dynasties into a delicate and beautiful calligraphy style, creating a precedent for Yanmei and smooth line and cursive calligraphy. In particular, the book "Orchid Pavilion Preface" is like flowing water, chic and elegant, delicate bones, beautiful dot painting, sparse and dense, and ingenious white cloth, which contains a very rich artistic beauty within the size. Regardless of horizontal, vertical, point, apostrophe, hook, fold, pinch, it can really be said that the pen is extremely wonderful.

Anecdotal allusionsPenetrating. Legend has it that the emperor at that time wanted to go to the northern suburbs to worship, and asked Wang Xizhi to write the greetings on a wooden board, and then sent workers to carve them. The letterer cut the wooden board layer after layer, and found that Wang Xizhi's calligraphy ink had been printed all the way to the wooden board.

He cut into three points of depth to see the bottom, carpentry marveled at Wang Xizhi's pen strength, calligraphy skills perfect, the strength of the pen can enter the wood three points. "Three points into the wood" is derived from this story.

Historical period: The Wei and Jin dynasties were an era of turmoil, but also an era of active thought. As a representative of scholars, Wang Xizhi's own era laid a good historical foundation for his success.

The development of the art of calligraphy: Xingshu was born around the time of the Later Han Dynasty and was invented to improve the speed of writing. Personal Artistic Attainments:

Wang Xizhi is good at calligraphy, when he was a teenager, he followed Mrs. Wei to learn calligraphy, and then followed Zhang Zhi to learn cursive, followed Zhong Xuan's school of Ming pants to write, learn from others' strengths, study the posture, a change since the Han and Wei dynasties, pick Huaipei with a pen, the original circle to fluent wind and dust Jane, subordinate, grass, positive, line each body is fine. As a calligrapher who is good at all bodies and diligent in the inkstone, he can't help but succeed.

Wang Xizhi lived in the Eastern Jin Dynasty, the Han Dynasty was mainly based on official scripts, and the known Wei Zhongxuan wrote a relatively standard regular script. By the time of the Eastern Jin Dynasty, Wang Xizhi had a complete evolutionary development of regular script techniques, and Wang Xizhi not only had a good understanding of regular script, but also reached the peak of his mastery in the style of calligraphy, cursive and other calligraphy.

His great achievements are due to the era in which he lived in the evolution of calligraphy and his diligent study to open up the road for the development of calligraphy.

Allusion: Wang Xizhi studied calligraphy since childhood, he admired the great calligrapher Zhang Zhi of the Eastern Han Dynasty very much, as soon as he had time, he figured out the structure and momentum of the font, thinking in his heart, his fingers were drawn on the placket, and after a long time, even the placket was clearly scratched, because of this, later generations called it "the saint of calligraphy".

Zhang Zhi is especially good at cursive, his academic spirit is very rigorous, he practices calligraphy and ordinary people are different, at home on the clothes and silk on the court repeatedly written, after writing, and then dyed and tailored, he insisted on every day in the pond by the pond dipped in the water to grind the ink to write, for a long time, the water in the pond has become black, so people call him "grass saint".

Wang Xizhi was determined to catch up with Zhang Zhi, and while traveling to the famous mountains and rivers of the motherland, he studied the calligraphy of his predecessors attentively, and gradually formed his own unique style. Every day after he finished writing, he had to go to the pond in front of his house to wash his pen and inkstone, and over time, the water in the pond became dark and dark. People call this pond the ink pond.

Wang Xizhi demolished the Wei and Jin dynasties, is the official script to the regular script, chapter grass, the grass development and evolution period, Wang Xizhi is good at regular script, regular script has also achieved high artistic achievements, such as "Le Yi Theory", "Huang Tingjing" and so on. Compared with the regular script and the seal book, the middle section of the line is not as heavy and heavy as the seal book, but the beginning and end of the pen are more delicate, rich and strict than the seal book and the official book; In the treatment of horizontal folding, the regular script is mainly turned, compared with the seal script and the official script twisting penmanship, although it is less heavy, but a little more refreshing, especially the gesture of folding the pen downward for the line of cursive to open the structure of a single word, strengthen the joint formation of word combinations and word groups, so that the whole work of the coherence has played a key role, this turn pen in the seal on the basis of the pen habits, but also for Wang Xizhi's line cursive creation provides another rich reference and reference.

A very important reason why Wang Xizhi can become a book saint is that he can inherit the past and the future. The reason why he can push the line of cursive to a new height, is that he is good at traveling to praise the repentance of the seal Li Yingnai, fine script, is committed to the development of the line of cursive, the real grass is the seal of all the calligraphy of the penmanship he is proficient, so he can summarize all his previous book style with pen experience, advantages for his use, take its essence, discard its dross, so that his penmanship has become a collection of real grass Li seal line calligraphy penmanship. Drawing heavily on the habit of using the regular script, paying attention to the richness, delicacy and perfection of the penmanship of starting and closing the pen, and increasing the turning point when the horizontal fold is most fully expressed in Wang Xizhi's "Feng Tang Post".

The three "white" characters in the post, the "mouth" on the right side of the word "such as", the lower right part of the word orange, and the horizontal fold of "hundred" fully reflect the characteristics and style of Wang Xizhi's regular script pen.

Wang Xizhi's "Aunt's Post" and "Early Moon Post" will find that the middle section of the line of each word is very full and heavy, especially the dot painting of the six characters of "November 13th" at the beginning of "Aunt's Post" is particularly solid, and the middle section of the line is full, thick and simple; There are also "early moon posts" in the "Twelfth Day Shanyin" five characters, "Tao melancholy", "Xi Zhi Bao" and other words of each dot painting with the pen sluggish, controlled, twisting and turning with the pen twisting action, so that the texture of the line is solid, the quality is very high, there is no pale and empty timidity.

Wang Xizhi's teacher and himself are both good at official scripts or chapter grass. Wang Xizhi learned Mrs. Wei's skills. From more than ten years old to twenty years old, he changed to his uncle Wang Xuan, and he won the wonder of the body.

After the age of 20, the teacher of the teacher, the main book, the book of the sect Shang Zhong Xuan, the grass law imitated Zhang Zhi. Whether it is Mrs. Wei or Wang Xuan, especially Zhong Xuan and Zhang Zhi, who were taught by Wang Xizhi in the later period, were respectively the top masters of Lishu, regular script and Zhangcao at that time, as well as the monuments of the teacher mentioned by Wang Xizhi himself, which shows that Wang Xizhi was deeply influenced by his predecessors Lishu, Zhangcao and Zhubei. Wang Xizhi's "Aunt's Post", the knot of many words in the post is directly taken from the law book, taking the momentum horizontally, the texture of the lines is simple and innocent, and it is ancient and ancient; With the pen on the dignified and heavy, not counting the delicate and rigorous pen pen, highlighting the beauty of the middle section of the line, the horizontal fold to make the main turn, showing the will of the seal.