Collect and sort out several poems on the aesthetic description of landscape in ancient China by typ

View the sea. Cao Cao.

The east is adjacent to the Jieshi to view the sea.

The water is surging, and the mountains and islands are towering.

The trees are overgrown and the grass is abundant.

The autumn wind is bleak and the waves are surging.

The trip of the sun and the moon, if out of it.

The stars are splendid, if out of it.

Fortunately, even ya, the song is a song.

At the foot of the sub-Beigu Mountain (Wangwan).

Under the green hills of Klook, in front of the green water.

The tide is wide on both sides, and the wind is hanging.

The sea is born in the night, and the spring of the river enters the old year.

Where to reach the township book, return to the side of Yanluoyang.

The seven perspectives of classical poetry are as follows:

First, the front and side.

The description of the Jingluzhou Bridge can start from the front and directly describe the characteristics of the scenery; It is also possible to write from the side scene related to it to reveal the characteristics of the thing, and at the same time provide the reader with rich imagination.

2. Movement and stillness.

The combination of movement and stillness is a commonly used technique of scene painting. In the use of this technique, poets are often ingenious, "every word", and "the realm is all out".

3. Sound and color.

Ancient poems often involve sound and color, which is the poet's use of the senses to write about the scene from multiple angles, so that the reader is immersed in the scene, and has received a high artistic effect.

Fourth, the virtual and the real.

It is necessary to pay attention to which is real and which is virtual in the poem, and whether the poet intends to express the real or the virtual.

Fifth, points and surfaces.

Everything is interconnected, not in isolation, and the same is true of the scenery depicted, which is always inextricably linked to the surrounding scenery. Therefore, when the poet writes about the scenery, he does not write about the subject in isolation, but also writes about the connections around the subject, combining points and surfaces to make the main image fuller and more distinctive.

6. Time and space. In terms of time, the time of day or the time of year. There is always a order for writing scenes, far and near, high and low, up and down, inside and outside.

7. Subjectivity and objectivity.

From the subjective and objective perspectives of describing the scene, anthropomorphic techniques are often used.

Rhetorical methods: metaphor, personification, questioning, rhetorical questioning, borrowing, duality, exaggeration, foiling, allusion, intertextuality, repetition, etc.; Expressions and expressions: narrative, argumentative, descriptive, lyrical.

Expression: The figurative and lyrical nature of poetry should be expressed with the help of various artistic techniques, and we need to understand some common artistic techniques. In poetry, four modes of expression are mainly used: narration, description, argumentation, and lyricism, among which description and lyricism are the focus of examination.

Lyricism can be divided into direct lyricism (direct lyricism); Indirect lyricism (lyricism through scenes, words and aspirations, scene blending).Description: Combination of movement and static, combination of virtual and real, combination of point and surface, combination of light and dark, combination of front and side, combination of sound and color, broad brush outline, white stroke, etc.

Expression: endowment, comparison, and rejuvenation; Modulation of changes, descriptions, symbolic associations, etc. Chapter Structure:

The title of the first sentence, straight to the point, the song pen into the topic, the chapter is revealed, the scene is loved, the total score is appropriate, the small is big, the layers are deep, the transition is taken care of, and the foreshadowing is foreshadowed.

The heart of the river seems to have a torch and a bright flame, and the flying flame shines on the mountain. - Su Shi's "You Jin Shouting Jiaoshan Temple".

The desert is lonely, and the sun sets over the long river. ——Wang Wei, "Make it to the Stopper".

Creation Zhong Shenxiu, yin and yang cut dusk. - Du Fu, "Wangyue".

The waves hit the stone wall of Tianmen and opened, and the sea god came back to the evil wind; Zhejiang August is like this, the waves are like mountains and snow. ——Li Bai's "Hengjiang Ci" covers the beam.

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Flower before the moon, which means that it originally refers to the environment of recreation and rest, and later refers to the place of love.

7, the wind and snow, won the work of "Xingxiangzi Case Poetry Remaining Volumes - One Hundred and Twenty-Nine Records of this Record".

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