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Jiang Xue Tang) Liu Zongyuan.
Thousands of mountains and birds fly away, and thousands of people disappear.
Lonely boat, fishing alone in the cold river and snow.
In just twenty words, the poet takes us to a secluded and cold situation. What is presented in front of the reader's eyes is such a picture: on the snowy river, a small boat, an old fisherman, fishing alone in the cold middle of the river.
What the psalmist shows the reader is this: the heaven and the earth are so pure and silent, spotless and silent; The life of the fisherman is so high, and the character of the fisherman is so arrogant. In fact, this is a fantasy realm created by Liu Zongyuan because of his hatred of the Tang Dynasty society that was declining day by day, compared to the characters in Tao Yuanming's "The Story of the Peach Blossom Spring", I am afraid it will seem ethereal and far away from the world.
What the poet wants to describe is very simple, it is nothing more than a small boat, an old fisherman in a coat and hat, fishing on the snowy river, and that's it. However, in order to highlight the main object of description, the poet spares no time to devote half of the poem to its background, and makes this background as vast and narrow as possible, almost to the point of immenseness. The wider the background, the more prominent the main depiction becomes.
First of all, the poet uses the words "a thousand mountains" and "ten thousand paths" in order to serve as a foil to the pictures of "lonely boat" and "solitary fishing" in the following two sentences. Without the words "thousand" and "thousand", the words "lonely" and "alone" below will be bland and infectious. Secondly, the birds flying on the mountain and the traces of people on the road are originally very common things, and they are also the most general images.
However, the poet placed them under the "thousand mountains" and "ten thousand paths", and added the words "absolute" and "extinguish", which suddenly turned the most common and general dynamics into extreme silence and absolute silence, forming an unusual scene. Therefore, the following two sentences were originally static descriptions, but because they are placed under this absolutely quiet and silent background, they appear exquisitely clear, vibrant, floating and active on the picture. It can also be said that the first two sentences were originally a foil to the vision, according to the general understanding, as long as you sketch an outline, you don't have to spend a lot of effort to carve it.
However, the psalmist does not deal with it in this way. It's like making a movie, using close-up shots magnified many times to explain and reflect every corner of the background clearly. The more specific and detailed the writing, the more exaggerated it becomes.
The last two sentences were originally the object that the poet intended to highlight and describe, but in the end, he used a long-distance lens, which was reduced by many times, giving the reader a sense of ethereal clarity, visible but impossible. Only by writing in this way can we express the kind of lofty and arrogant thoughts and feelings that the author desperately wants to show to the readers, who are free from the worldly and transcendent things. As for the formation of this sense of distance, it is mainly the effect of the author placing the word "snow" at the end of the poem and connecting it with the word "river".
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The birds of the Tianshan Mountains flew away, and the traces of thousands of people disappeared.
Lonely boat, fishing alone in the cold river and snow.
This poem adopts an artistic technique of white drawing, with the perspective from top to bottom, mountain-bird-mountain path-man, lonely boat-lily man. The first three sentences are completely white sketches to depict a winter scene, and the last sentence produces the action and place and time background, solo fishing - cold river and snow.
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In "River Snow", the poet sees mountains, lonely boats, birds, and river snow. This poem is a five-character quatrain written by the Tang Dynasty poet Liu Zongyuan. Through the description of the cold scenery in the mountains and wilderness, the picture of heavy snow and freezing ground is depicted, and the image of a fisherman fishing alone in the cold river is depicted, expressing the poet's deep loneliness.
The full poem is as follows: Jiang Xue. Tang Yanagi Zongyuan.
Thousands of mountains and birds fly away, and thousands of people disappear.
Lonely boat, fishing alone in the cold river and snow.
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In Jiang Xue's poems, the poet saw the birds fleeing away, the pedestrians extinct, the fishermen fishing alone in the cold river, and the heavy snow. "Jiang Xue" is a five-character quatrain written by the Tang Dynasty poet Liu Zongyuan in Yongzhou. The whole poem is uniquely conceived, the language is concise and concise, and the meaning is rich.
In the poem, the typical generalization technique is used, and the typical scenery that can best express the severe cold of the mountains and wilderness is selected to express the typical scenery of thousands of mountains and thousands of paths, and the extinction of people and birds, depicting the picture of heavy snow falling and the sky and the ground freezing; Then he sketches the image of a fisherman fishing alone in the cold river, in order to express the poet's unyielding and lonely emotions after being hit.
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There are no birds flying in the snowy mountains, there is no figure on the snowy road, only a fisherman by the river hooking fish.
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The scenes that the poet saw in the river and snow were: mountains, lonely boats, birds, and river snow.
"Jiang Xue" is a five-character quatrain written by the Tang Dynasty poet Liu Zongyuan in Yongzhou. The whole poem is uniquely conceived, the language is concise and concise, and the meaning is rich.
The whole poem is as follows: Thousands of mountains and birds fly away, and thousands of people disappear. Lonely boat, fishing alone in the cold river and snow.
In the poem, the typical generalization technique is used, and the typical scenery that can best express the severe cold of the mountains and wilderness is selected to express the typical scenery of thousands of mountains and thousands of paths, and the extinction of people and birds, depicting the picture of heavy snow falling and the sky and the ground freezing; Then he sketches the image of a fisherman fishing alone in the cold river, in order to express the poet's unyielding and lonely emotions after being hit.
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"Jiang Xue" Tang, Liu Zongyuan, thousands of mountains and birds fly away, and thousands of people disappear. Lonely boat, fishing alone in the cold river and snow. In this poem, the poet sees mountains, paths, a lonely boat, an old man wearing a hat, heavy snow, and a river.
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Jiang Xue's ancient poem mainly describes the scenery of the characters Demoiselle, which depicts mountains and birds. Thousands of mountains and birds fly away, thousands of paths, people disappear, lonely boats, fishing alone in the cold river and snow.
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The scenes that the poet saw in the river and snow include mountains, cold rivers, paths, snow, boats, and fishermen.
Jiang Xue is the work of the Tang Dynasty poet Liu Zongyuan, and the full poem is as follows:
Thousands of mountains and birds fly away, and thousands of people disappear.
Lonely boat, fishing alone in the cold river and snow.
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In the snow of the river, the poet saw thousands of mountains, thousands of paths, lonely boats, and snowy scenes.
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In Jiang Xue's poem, the poet sees mountains, lonely boats, birds, and Jiang Xue.
This poem comes from the Tang Dynasty poet Liu Zongyuan, is a five-character quatrain, through the description of the cold scenery in the mountains and wilderness, depicting the picture of heavy snowfall, the cold and the frozen ground, outlining the image of a fisherman fishing alone in the cold river, expressing the poet's deep loneliness.
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The kingdom says that poetry has a realm of self and a realm of no self. Jiang Xue's poem seems to have mountains, paths, lonely boats, and old men on the surface, but in fact, it is a realm of no self, and the so-called mountains, paths, lonely boats, etc., are all seen by the old man, not by the poet. Therefore, the meaning of coldness and loneliness is even worse, and it is easier for people to feel the same way.
If it is true that the poet sees it, it should be just a picture in his mind.
Personal opinion, don't spray if you don't like it.
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The scenes that the poet saw in the river and snow were: mountains, lonely boats, birds, and river snow.
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The first two sentences of winter, "Thousands of mountains and birds fly away, and thousands of paths and people disappear" describe the snow scene, and "thousands of mountains" and "ten thousand paths" are both exaggerations. There should have been birds in the mountains and people on the road, but "the birds flew away" and "the people disappeared". The poet uses the scene of birds flying away and pedestrians disappearing to render a desolate and lonely realm, although the word "snow" is not directly used, but the reader seems to have seen the overwhelming snow, and has felt the cold and pressing.
This was a reflection of the harsh political environment of the time.
The third and fourth sentences of "lonely boat, fishing alone in the cold river and snow" depict the image of a fisherman fishing alone in the cold river, in the heavy snow, where there is almost no life, there is a lonely boat, there is a fisherman on the boat, wearing a coat, fishing alone on the snowy river. The image of this fisherman is obviously a portrayal of the poet himself, and it tortuously shows the poet's unyielding, fearless, and proud spiritual outlook despite the lonely situation after the failure of political reform.
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