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The following text reads: "Ah! "The world is getting smaller day by day."
At first it was so wide that it scared me. I ran and ran, and luckily, I finally saw two walls in the distance, one on the left and one on the right. But the two long walls were quickly closed up, and I was at the end of my rope.
There's a mousetrap in the corner, and I'm about to run into it. "Then you just have to change the direction of your run. So saying, the cat ate the mouse.
The world is wide and free, but the directionless rat (alluding to the confused person) is afraid, and it runs around freely and dazedly, until it is "lucky" to see two walls (alluding to the loss of freedom, the arrival of constraints), but these two walls begin to close, and at the end of the road is the mousetrap (the arrival of the end). What the cat says (alluding to the one who has directions) means: Life is not hopeless, you yourself have driven yourself to a dead end, until you are going to perdition...
The rat here alludes to the weak who have no direction, living on the path of life that is confused and directionless, scurrying around until they perish.
And the cat alludes to the strong man who has a direction and pursuit, and it knows what it wants to do, so that it will not lose itself in the vast sea of life like a mouse and kill itself.
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Let me take Kafka's masterpiece "The Metamorphosis" as an example.
Reading "Metamorphosis", there is a kind of fun of thinking, there is a sense of wisdom, the ideological gain is obviously more than the spiritual gain, and you can experience the throbbing and conflict of life from the extreme deformation and exaggeration. This book represents Kafka's ideological depth and creative characteristics relatively completely, and is one of the classic works of Western modernist literature.
Kafka's Metamorphosis takes us to an unfamiliar world, but in fact, that other world originally belonged to our human state, but Kafka tried to use another set of narrative methods and techniques to show the dark kingdom within our human nature. Because we don't usually look at it, when we first see it, we feel that it is so strange, strange and incomprehensible.
The Metamorphosis transcends the limitations of time and space, and the account of events is extremely vague, without specifying the specific time, place, and background. The boundaries between illusion and everyday life have even been blurred, and the unreal and the real are inextricably combined into a whole. It seems that Kafka's Metamorphosis takes us to another world that we are not familiar with, but in fact, that other world originally belonged to our human nature, but Kafka tried to use another set of narrative methods and techniques to show the dark kingdom within our human nature.
Because we don't usually look at it, when we first see it, we feel that it is so strange, strange and incomprehensible.
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The Metamorphosis is a novella by Austrian writer Franz Kafka.
The Metamorphosis protagonist Gregor Samsa works as a traveling salesman for a company and travels for many years, struggling to support the family's expenses. When Samsa was able to support his humble family with a meager salary, he was the respected eldest son in the family, his parents praised him, and his sister loved him. When one day he turned into a beetle, lost his labor force, and had no material contribution to the family, his family reversed their previous respect for him, and gradually showed a face of indifference, disgust, and hatred.
His father viciously beat him with an apple, his mother fainted with fright, and his sister turned away from him. Gradually, Samsa distanced himself from society, and finally died alone and painfully in silence with hunger.
This book is good, and it should be understood in the third year of junior high school, mainly depending on your comprehension of the problem.
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