People who draw must be calligraphy, otherwise the paintings are particularly soft, right?

One, yes. Because calligraphy and painting have the same origin, calligraphy first and then painting.

2. Extension: The relationship between Chinese painting and calligraphy, on the one hand, is because the two are the same in their tool materials, especially the special tool of the brush, and the method of holding and moving the pen is basically the same, and on the other hand, it is about the requirements for the use of the pen. Therefore, Zhang Yanyuan in the Tang Dynasty said that "calligraphy and painting have different names and are the same".

Calligraphy and painting have been connected since ancient times, and the ancients had a saying that "calligraphy and painting have the same origin". In Shi Tao's words, it is "its two ends, and its function is one". In history, there are many people who are both calligraphers and painters.

There are those who use books to paint, there are those who use paintings to enter books, there are those who are famous for paintings, and there are also those who are famous for books, so there are calligraphers and calligraphers' paintings. Painters often write books and apply the pen and ink of their paintings to books, so books have a pictorial meaning; Calligraphers are good at using the brushwork and charm of calligraphy to paint, so the painting has a bookish taste. Whether it is a painter's book or a calligrapher's painting, the law and principle are all the same at a high level.

In the history of calligraphy, painter calligraphy is also a force that cannot be ignored. To put it simply, starting from Mi Huang in the Song Dynasty, Zhao Mengfu in the Yuan Dynasty, Shen Zhou, Wen Zhengming, Dong Qichang in the Ming Dynasty, Shi Tao, Bada, Zheng Banqiao, Jin Nong, Zhao Zhiqian in the Qing Dynasty, etc., in addition to their achievements in painting, they also have special attainments in the art of calligraphy, and their calligraphy can also be said to be unique in that era. So much so that in the twentieth century, Wu Changshuo, Qi Baishi, Huang Binhong, Pan Tianshou and others were also famous calligraphers!

Their achievements in calligraphy are evident in their paintings, so the method of instruction lays a solid foundation for their painting achievements, and on the contrary, their calligraphy benefits from the inspiration of the beauty of the painting form, which makes calligraphy different from the charm of pure calligraphy.

Yes, those of you who don't know how to listen to the lecture are not paying attention.

I studied calligraphy.

Painted before.

It's hard and boring to write, and you have to write for a long time to feel the beauty in it and the beauty of writing.

Hey, if you look at the simplest words in cursive, it seems that you can write it, and if you are given a brush and told you to write it, there is a world of difference.

The simplest line is enough to practice for years.

Writing is naturally more difficult, not to mention the structure, chapters, ink methods, etc., I know that Chinese painting is also difficult, but calligraphy is too abstract, beautiful or not, without a little talent, you can't see it in a lifetime.