Ancient poems about poems describing pastoral scenes

Over the Old Man's Village" - Meng Haoran.

The old man Gu Ji invited me to Tian's house. The green tree village is close to the edge, and the green mountain Guo is oblique outside. Open the feast and noodle garden, and talk about the wine. Stay until the Double Ninth Day, and come to chrysanthemums.

Qing Pingle. Village Residence - Xin Qiji.

The thatched eaves are low, and the grass is green on the stream. Wu Yin is good in drunk, and the white-haired man is a woman. The eldest child hoes the beans in the east of the river, the middle child is weaving a chicken coop, the favorite child scoundrel, and the head of the stream lies on the lotus canopy.

Four Seasons Pastoral Miscellaneous - Fan Chengda.

The mud mirror surface of the new construction field is flat, and every family takes advantage of the frost and sunny rice to threak rice. There was a light thunder in the laughter and singing, and the flail sounded until dawn all night.

April in the Countryside – Weng Roll.

The green mountains are all over the white river, and the rain is like smoke in the sound of the sub-regulations. There are few idlers in the countryside in April, so the sericulture is planted again.

New Cool" - Xu Ji.

The water is full of fields, the rice leaves are full, the sunlight penetrates the trees, and the smoke is low. The yellow warbler also loves the new cool and good, flying through the green mountains and crying in the shadows.

Five Uniques of Mountain Villages" - Su Shi.

The bamboo fence thatched hut takes advantage of the slanting stream, and the spring enters the mountain village and flowers everywhere. There are no elephants and elephants, and the lonely smoke starts from people. The smoke and rain are clouded with the sound of chickens and dogs, and there is no place to live.

But no one admires the yellow calf to teach, and Cuckoo He Lao also advises farming. The old man is seventy from his waist, and he is ashamed of the sweetness of spring mountain bamboo shoots. Is it to smell the rhyme and forget the taste, and eat without salt in March.

The cane quinoa wrapped in rice went in a hurry, and the green money changed hands empty. Win children's voice good, a year and a half strong in the city. I am ashamed of myself, and you are sad at the end of the year.

There is no need to wait for the flying kite to fall, Fang Nianping's life horse is less traveling.

Tour Shanxi Village [Song] Land Tour.

Mo laughs at the farmer's wine, and the guests are full of chickens and dolphins in the harvest year.

There is no way out of the mountains and rivers, and the willows and flowers are bright and another village.

Wild old song Zhang Ji.

The old peasant family lived in the mountains and cultivated three or four acres of mountain fields.

Miao is not allowed to eat more taxes, and the imported official warehouse is turned into soil.

The hoe ploughs the empty room at dusk, and Hu'er climbs the mountain to harvest acorns.

Xijiang Jia Kezhu Baihu, the boat dog long meat.

Spring Pastoral Wang Wei.

The spring doves in the house are singing, and the apricot blossoms are white by the trees.

Hold an axe to cut down the distant poplar, and the lotus hoe looks for the spring vein.

Return to the swallow to know the old nest, and the old man looks at the new calendar.

Suddenly, melancholy travelers.

Tour Shanxi Village [Song] Land Tour.

Mo laughs at the farmer's wine, and the guests are full of chickens and dolphins in the harvest year.

There is no way out of the mountains and rivers, and the willows and flowers are bright and another village.

Returned to Songshan Mountain. Qingchuan takes a long and thin belt, and the carriages and horses go to leisure.

If the flowing water is intentional, the twilight birds will return to each other.

The deserted city is in the ancient crossing, and the sunset is full of autumn mountains.

Coming back and retreating.

Meng Haoran's "The Old Man's Village".

The old man Gu Ji invited me to Tian's house.

The green tree village is close to the edge, and the green mountain Guo is oblique outside.

Open the noodle garden, and talk about the wine.

Stay until the Double Ninth Day, and come to chrysanthemums.

Du Fu's "Quatrain".

In the late days, the rivers and mountains are beautiful, and the spring breeze is fragrant with flowers and plants.

The mud melts and flies the swallows, and the sand warms the mandarin ducks.

Du Fu's "Quatrain".

Two yellow orioles are singing green willows, and a line of egrets is in the sky.

The window contains a thousand autumn snow in Xiling, and the door is berthed in the Dongwu Wanli ship.

Zhongnan Mountain Taiyi is close to the sky, and even the mountains are connected to the sea.

The white clouds look back, and the blue mist enters to see nothing.

The peaks in the field change, and the clouds and sunshines are different.

If you want to stay with someone, ask the woodcutter across the water.

Farewell to the end of the south. The middle-aged man is quite good, and his late home is in the south of the mountains.

Xinglai Mei is alone, and he knows what he is winning.

Go to the poor place of the water, and sit and watch the clouds rise.

Occasionally, Lin Suo, talk and laugh without a repayment date.

Qingxi Yan enters the Huanghua River, and every time the Qingxi River is chased.

With the mountains, there will be thousands of turns, and there will be no hundred miles of fun.

The sound is noisy in the stone, and the color is quiet and deep.

The rippling pan water chestnut is clear and reflects the reeds.

I'm idle, Kiyokawa is like this.

Please stay on the rock, the fishing will be done.

Weichuan Tianjia. The oblique light ruins, the cattle and sheep in the poor alleys return.

The wild old man thought of the shepherd boy, leaning on the staff and waiting for the thorn.

Pheasant sentence Yu wheat seedlings show, silkworm sleeping mulberry leaves sparse.

Tian Fu and He hoeed, and the words of each other followed.

That is, the envy of leisure, and the decline of sorrow.

Shin Haruno (one made a night) look.

The new sunny field is wild. Extremely clean and dirt-free.

Guomen Lindutou. The village tree is connected to the mouth of the stream.

Outside the white water Mingtian. After Bifeng came out of the mountain.

There are no idlers in the agricultural month. Dumping family affairs in the south of the acre.

The Huanghuachuan dangerous path is tens of thousands of turns, and it will be three days off for several miles.

Ring to see the apprentices, hidden across the forest hills.

The rain is sassy and pine, and the gurgling stones are in the middle.

In the deep stream, there is a long roar on the top of the mountain.

Looking at Nanshan Yang, the white dew is long.

The green gaoli has been cleaned, and the green trees are lush like floating.

used to be tired of being secret, and people were worried.

Cui Puyang's brother Ji Chongqian Shanxing.

The autumn colors are good, and the situation is leisure.

Under the west forest, you know the mountain in front of you.

Thousands of miles of horizontal color, several peaks out of the clouds.

Saga against the Qin State, together with the Jingguan.

The remnant rain is slanting and the sun is shining, and the birds are still flying at sunset.

The old man is now Shanger, sighing for this decadence.

Tao Yuanming Drinking (the fifth).

The knot is in the human realm, and there is no noise of cars and horses. Ask you how you can be, and your heart is far away. Picking chrysanthemums under the east fence, leisurely see the South Mountain. The mountain weather is good, and the birds are returning. There is a true meaning in this, and I have forgotten to distinguish it.

The flower path has never been swept by guests, and the Pengmen is now open for you.

Tao Yuanming's "Drinking" and "Returning to the Garden".

The poem describing the idyllic scenery is as follows:

1. The original burning stop letter:

The old man Gu Ji invited me to Tian's house.

Interpretation: An old friend prepares a sumptuous meal and invites me to his farmhouse.

Appreciation: The old man Gu Ji invited me to Tian's house. Gu He's invitation shows that the host of this dinner has been prepared for a long time, which shows the enthusiasm of the old friend and the sincere emotion between the two.

Grateful for the sincere emotions in the field of literature and art, it can urge the pen to blossom. Therefore, the author is invited, and the vernacular is straight to the point, simple and casual. The invitation to chicken millet not only shows the unique flavor of the Tian family, but also shows the simplicity of hospitality.

The whole poem depicts the beautiful mountain village scenery and calm pastoral life, the language is unremarkable, the narrative is natural and smooth, there is no trace of rendering of carving, but the feelings are sincere, the poetry is mellow, there is clear water out of the hibiscus, and the aesthetic taste of "natural carving", thus becoming a masterpiece in pastoral poetry since the Tang Dynasty.

2. Original text: The children returned early from school, and they were busy taking advantage of the east wind to release paper kites.

Interpretation: The children in the village came home from school early and hurriedly released the paper kites in the spring breeze.

Appreciation: Mainly write about character activities. It describes the vivid scene of a group of lively children flying kites in the beautiful spring light.

The children got out of school early and took advantage of the east wind to fly kites. Children are in the early spring of life, children's laughter, enthusiastic kite flying, so that the spring is more vibrant, full of vitality. Children, the east wind, paper kites, the people and things selected by the poet add some vitality and hope to the beautiful spring.

The last two sentences are written from the objects of the first two sentences to people, rendering the charm of early spring to the fullest.

3. Original text: During the Qingming Festival, it rained a lot, and pedestrians on the road wanted to break their souls.

Interpretation: The drizzle is falling in the Qingming season in the south of the Yangtze River, and the travelers on the road are all depressed and broken.

Appreciation: The first sentence of the poem rains a lot during the Qingming Festival, pointing out the natural conditions such as time and weather in which the poet is located. Qingming Festival is one of the major festivals of the Tang Dynasty, on this day, or family reunion, or go to the grave to sweep the tomb, or outing, the activities are diverse.

However, Du Mu's Qingming Festival in Chizhou did not see the sunshine, but "the light rain in the heavenly street is as moist as a crisp, and the drizzle is one after another."

In the second sentence, the pedestrians on the road want to break their souls, and they turn from writing objectively to subjective, focusing on the poet's emotional world. He saw passers-by on the road mourning their deceased relatives, heartbroken and sad.

Ancient poems come in a variety of forms, such as four-word, five-word, seven-word, and miscellaneous words. The following is a collection of ancient poems describing idyllic scenes.

1, "Two Quatrains".

Don Du Fu. In the late days, the rivers and mountains are beautiful, and the spring breeze is fragrant with flowers and plants. The mud melts and flies the swallows, and the sand warms the mandarin ducks.

2, "Bamboo Pavilion".

Don Wangwei. Sitting alone in the secluded grate, playing the piano and howling. People in the deep forest don't know, and the bright moon comes to take pictures.

3, "The Old Man's Village".

Don Meng Haoran.

The old man Gu Ji invited me to Tian's house. The green tree village is close to the edge, and the green mountain Guo is oblique outside. Open the noodle garden, and talk about the wine. Stay until the Double Ninth Day, and come to chrysanthemums.

4, "Gongchuan Idle Residence Presents Pei Xiucaidi".

Don Wangwei. The cold mountains turn green, and the autumn water is murmuring. Leaning on the cane outside the firewood door, listening to the twilight cicadas in the wind. The sun sets over the ferry, and there is lonely smoke in the ruins. The summer value is drunk, and the wild song is in front of the five willows.

Ancient poems come in a variety of forms, such as four-word, five-word, seven-word, and miscellaneous words. The following is a collection of ancient poems describing idyllic scenes.

1, "Two Quatrains".

Don Du Fu. In the late days, the rivers and mountains are beautiful, and the spring breeze is fragrant with flowers and plants. The mud melts and flies the swallows, and the sand warms the mandarin ducks.

2, "Bamboo Pavilion".

Don Wangwei. Sitting alone in the secluded grate, playing the piano and howling. People in the deep forest don't know, and the bright moon comes to take pictures.

3, "The Old Man's Village".

Don Meng Haoran.

The old man Gu Ji invited me to Tian's house. The green tree village is close to the edge, and the green mountain Guo is oblique outside. Open the noodle garden, and talk about the wine. Stay until the Double Ninth Day, and come to chrysanthemums.

4, "Gongchuan Idle Residence Presents Pei Xiucaidi".

Don Wangwei. The cold mountains turn green, and the autumn water is murmuring. Leaning on the cane outside the firewood door, listening to the twilight cicadas in the wind. The sun sets over the ferry, and there is lonely smoke in the ruins. The summer value is drunk, and the wild song is in front of the five willows.

The ancient poems describing the idyllic scenery are as follows:1. In December of the eighth year, the snow was different on the fifth day. Bai Juyi's "Bitter Cold in the Village".

2. Qingjiang is a song that hugs the village flow, and everything in Changxiajiang Village is quiet. Du Fu "Jiangcun".

3. Children return early from school, and they are busy taking advantage of the east wind to release paper kites. Gao Ding's "Village House".

4. The frost grass and the insects are cut, and the pedestrians in the south and north of the village are absolutely uninhabited. Bai Juyi's "Village Night".

5. One or two chickens chirp in the rain, and the road and bridge in Zhuxi Village are oblique. Wang Jian's "Rain Over the Mountain Village".

6. The green beam orange peel is all over the mountains and plains, and the rain is like smoke in the sound of the sub-regulation. Weng Xuan's "Four Soldiers in the Country".

7. The eaves of the elm willow shade, in front of the Taoli Luo Hall. Tao Yuanming's "Returning to the Garden and Living in One of the Fields".

8, a different dynasty city, this saying is true. Tao Yuanming's "Returning to the Garden and Living in the Fourth".

9. Mo laughs at the farmer's wine, and the guests are full of chickens and dolphins in the harvest year. Lu You's "Tour of Shanxi Village".

10. The dog barks in the deep alley, and the rooster cries in the mulberry tree. Tao Yuanming's "Returning to the Garden and Living in One of the Fields".

11. After the countryside is scarce, the flesh and blood are displaced from the road. Bai Juyi's "Feeling of Looking at the Moon".

12. Even if the wind blows away overnight, it is only by the shallow water of the reed flowers. Sikong Shu's "Jiangcun is the Thing".

13. Lonely Yanyuan Village under the mountain, a lonely tree plateau on the horizon. Wang Wei's "Seven Songs of Pastoral Music".

14. The peach color is full of rain, and the willow green is more smoky. Wang Wei's "Seven Songs of Pastoral Music".

15, the flowers have not been swept away, and the warblers are still sleeping. Wang Wei's "Seven Songs of Pastoral Music".

The ancient poems describing the idyllic scenery are as follows:

tián yuán lè qī shǒu qí sì。

Four of the seven songs of pastoral music.

qī qī chūn cǎo qiū lǜ，luò luò cháng sōng xià hán。Oak vertical return.

The spring grass is green in autumn, and the long pine is cold in summer.

niú yáng zì guī cūn xiàng，tóng zhì bù shí yì guān。

Cattle and sheep return to the village lanes, and children don't know how to dress.

Translations. The spring grass is lush and blooms green in autumn. Tall, straight pine trees, cool shade in summer.

The cattle and sheep do not need to be driven by people, and they will return to the alleys of the village. The children are innocent and don't know the dignitaries.

About author:Wang Wei (701 761, 699-761), the name Maha, Han nationality, Hedong Puzhou (now Yuncheng, Shanxi), ancestral home of Qi County, Shanxi, Tang Dynasty poet, known as "Poetry Buddha". Su Shi commented on it:

The poem of the hunger of the taste of Moliang, there are paintings in the poems; Looking at the painting, there is poetry in the painting. ”

In the ninth year of Kaiyuan (721), he was appointed as Taile Cheng. Wang Wei is a representative of the poets of the Tang Dynasty, with more than 400 poems and important poems such as "Acacia" and "Autumn Twilight in the Mountain House".

Wang Wei was proficient in Buddhism and was greatly influenced by Zen Buddhism. Buddhism has a Vimala Sutra, which is the origin of Wang Wei's name and character. Wang Weishi's calligraphy and painting are very famous, very versatile, and very proficient. Together with Meng Haoran, he is called "Wang Meng".