The poems about Yongwu are written by themselves, and what are the poems about Yongwu

A complete collection of poetry.

1, "Yongliu".

Don He Zhizhang.

Bu operator Yongmei (***).

Bu operator Yongmei (Lu You).

Bai Xuege sent the military judge back to Beijing (Cen Shen).

Yongliu willow branch words (He Zhizhang).

Spring night rain (Du Fu) plum blossoms (Wang Anshi).

Momei (crown).

Endowed with ancient grass farewell (Bai Juyi).

Lime Yin (Yu Qian).

Zhushi (Zheng Xie).

Chaotianzi Yong Trumpet (Wang Pan).

Bee (Luo Yin) Yong Goose (Luo Bing Wang).

White plum (crown).

The poetry of Yongwu is written as follows:

There are two ways to sing poetry: one is to put oneself in it; One is to stand next to yourself. In other words, there are roughly two types of poetry written in two ways:

One is the simple poetry that has no sustenance, such as the poetry of Qi Liang's time-like appearance: the other is the poetry of the object with the meaning of the body and the object, such as the poetry of the song "Ode to Orange" created by Qu Yuan.

1. Straight writing objects (no sustenance).

Most of these kinds of poetry are endowed with body, pictorial painting, and reproduction of images, just like still life paintings, fine-brush flower and bird paintings, which are vivid and cute. They can also be subdivided into three ways to write them according to different emphasis:

1. Biased to write shapes. This style of writing focuses on the external form of the object. As "Wenxin Carving Dragon: Searching" said:

The body is wonderful, and the work is closely attached. Therefore, the clever words are cut, such as the ink of the seal, without carving, and the curl is written. Therefore, you can see the words and see the appearance, that is, the words and know the time.

2. Biased in writing about God. This kind of poetry does not pursue detailed depiction, the craftsmanship is similar, but focuses on the demeanor of the writing, the expression of the inner spirit of the object, but this spirit is not more than attached, the poet just writes about the atmosphere of the things he feels in an instant, like the painting of Western impressionism, or the freehand painting of China.

3. Both form and spirit. This is a combination of form and spirit, both of the above two ways of writing, and it is also the most ideal way to write directly about objects and images.

Second, the meaning of the body (sustenance).

This type of poetry is written in a different way from the previous one. First of all, as far as the purpose of creation is concerned, although it still needs to depict the appearance and expression of the object, the main purpose is no longer the thing itself, but the meaning of the object. The so-called "meaning", or speech, or lyricism, or argumentation, or reasoning, is the subjective affection that the poet wants to express through things.

However, this kind of affection is also different from the free expression of "thinking for thousands of years" and "seeing through thousands of miles" in lyric poetry, it must be carried out on the basis of singing things, or borrowing things to describe the chronicles, or supporting things as metaphors, or reasoning with things, which is inseparable from this thing, so it is still a poetry of songs. Secondly, in terms of the focus of creation, it is also different from the previous category, and its focus has been placed on the "meaning" of the metaphor, rather than the form and spirit of things.