The poetic eye of ascending is sadness, why is it not mourning?

The eye of the poem is the word "sadness".

He is often a guest in the sad autumn of thousands of miles, and he has been on stage alone for more than a hundred years". Thousands of miles, far away from home; One hundred years, one life. These two sentences of the neck couplet are also the eyes of the poem. Why is the poet ascending?

When you don't have the ambition you used to have, your eyes are full of autumn decadence? Because he has been adrift for many years, his homeland is far away, he has been sick for a long time, he has climbed alone, he can't see hope, and he is embattled, how can he be so worried? !

Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass. These two lines further illustrate the poet's helplessness and anguish. The poet has been gray due to "hardship and bitterness", and when he was frustrated, he originally wanted to drink to eliminate his sorrows, but his health was not good, and he had just quit drinking recently, and he had nowhere to vent and could not let go.

The objective situation makes the poet helpless, and the subjective aspect is powerless to solve it, so he can only make a cloud of stuffiness accumulate in his chest, and the lamentation is full of paper. It can be said that the helplessness is written to the extreme.

Ascending is the great poet Du Fu of the Tang Dynasty.

In the autumn of the second year of the Great Calendar (767) in Kuizhou.

A poem of seven rules.

The whole poem is as follows: The wind is urgent, the sky is high, the ape is howling, and the white bird flies back. Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

He is often a guest in the sad autumn of thousands of miles, and he has been on stage alone for more than a hundred years". Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

The translation is as follows: The wind is urgent, the ape is crying very sadly, and there are birds circling on the river bank with clear water and white sand. The boundless trees fall their leaves, and the endless Yangtze River water rolls and rushes.

Sadness to the autumn scenery sighed thousands of miles of wandering all year round as a guest, a lifetime of illness riddled with illness today alone on the high platform. After all the hardships and hatreds, the white hair is full of temples, and the wine glass of decay and heart is full of deviations, and the sorrow is suspended.

1. Du Fu's words are "sad", and the first two couplets try to describe the autumn scene, and it is not until the neck couplet that an autumn word is pointed out. Appearing on the stage alone shows that the poet is looking from a high place, which closely links the foreground with the feelings in his heart.

2. He is often a guest, pointing out the poet's wandering career. A hundred years, a metaphor for a limited life, here refers to the twilight years. The word sad autumn is written painfully.

Autumn is not necessarily sad, but the poet witnesses the desolate and magnificent autumn scene, and can't help but think of his own situation in a foreign country, old and sick, so he has infinite sorrow.

3. The poet summarizes the feelings of the long-term guest who is most prone to sorrow and loves to be sick and love to go on stage into a majestic and high-pitched couplet, which makes people deeply feel his heavy beating emotional pulse.

4. The 100,000 years of this couplet and the boundless of the previous couplet also echo each other: the poet's sense of sorrow and loneliness is like falling leaves and rivers, which are inexhaustible and endless, and the feelings and scenery are blended and harmonious. So far, the poem has added the general meaning of homesickness to the guest, added the content of long-term loneliness, added the sadness and bitterness of the autumn, and added the sigh of being away from home and people in the twilight years, and the poetry is even deeper.

Because the meaning he expresses is to be loved, there is no difference between the two.

The neck couplet self-injures his life experience, revealing the metaphor, symbolism, and hint contained in the first four sentences; The tail couplet makes another statement, ending with a self-image of decay and illness. The language of this poem is concise, the whole poem is dual, and there is still a sentence in one or two sentences, which fully shows that Du Fu's grasp and use of poetic language and rhythm in his later years has reached the realm of roundness.

Du Fu wrote "sadness" in the poem "Ascending", focusing on the author's own life experience, expressing the sadness of poverty, old age and illness, and living in a foreign land.

The first four sentences of "Ascending" are allegorical in the scene, describing the experience of ascending, closely following the seasonal characteristics of autumn, depicting the empty and lonely scenery by the riverside, and embodying the sadness in the autumn scenery written.

The last four sentences of "Ascending" are directly lyrical, writing about the feelings of ascending, focusing on the author's own life experience, expressing the sadness of poverty, old age and illness, and living in a foreign land. In particular, the self-injury of the neck couplet reveals the meaning of comparison, symbolism, and suggestion contained in the first four sentences; The tail couplet makes another statement, ending with a self-image of decay and illness.