Why was Du Fu s Ascending rated as the first in the Seven Laws of Tang Poetry? Why?

Du Fuof ".AscendThe reason why it was rated as the first of the seven laws of Tang poetry is because the poems are extremely neat, the rhyme is also just right, and the words of the poems express the infinite sorrow and sigh of the poet Du Fu, which has aroused everyone's emotional resonance. The first two lines of "Ascending" borrow autumn scenery to express the poet's sad emotions, while the last two lines of the poem are written about oneself, lamenting the impermanence of life. <>

After reading the poem "Ascending", everyone spoke highly of this poem, and this poem can also be called a seven-law poem.

A rare masterpiece in China. "Ascending" must not be particularly unfamiliar to everyone, in the nine-year compulsory education.

Among them, this poem has also been included in language books. Du Fu's achievements in literary works and art are extremely profound, and this poem has a very particular emotion. <>

The poet Du Fu expressed his sadness and sadness through the description of the bleak scenery in autumn. What is written in the poem is the real scene that Du Fu saw when he climbed high and looked far away during the Double Ninth Festival. At that time, Du Fu was still suffering from lung disease, and he climbed high and looked into the distance alone, facing the depressed scene of the autumn wind, and felt infinitely sad in his heart.

Ascending wrote: The wind is urgent, the sky is high, the ape is howling, the white bird flies back, the boundless falling trees are Xiaoxiao, and the Yangtze River is rolling. The first four sentences are all descriptions of autumn scenes, which mean the mournful cry of apes in autumn, the lonely birds waiting to return to their nests on the sandbank, and the fallen leaves floating in the river.

The rolling and rushing made Du Fu feel that time was gone, and the rushing river was endless, as if in front of this kind of nature, people's joys, sorrows, and sorrows suddenly seemed very small. <>

And the reason why this poem can be called the first of the seven laws is not only because Du Fu abides by the strict seven-law poetry style, but also does a particularly good job in rhyming, leveling, and fighting, and every sentence in the poem shows a different scene and artistic conception. In "Ascending", what can be called a famous sentence through the ages is "boundless falling trees and Xiao Xiao, endless Yangtze River rolling". Compared with other poets, Du Fu is undoubtedly more particular about the use of words and sentences.

Ordinary poets can only write the word "falling leaves" when describing autumn leaves, but Du Fu cleverly uses "falling trees", and the difference of one word makes the high-end sense of this poem come up at once, and it is no wonder that "Ascending" will become an enduring good poem.

Du Fu wrote more than 1,000 poems in his lifetime. Overall, his poetic style is gloomy, dull, and deep. Among the many poems, the following "Ascending" is known as "the first of the seven laws of ancient and modern".

The reason for this is that this is a seven-character rhyme poem, which best represents the desolate and vast scene in Du Fu's poems. The first two couplets describe the scenery and scenes of the peak, and the last two couplets express the mood of ascending. The author believes that this poem does deserve to be called the "crown of the seven laws".

It can be said that "in an article, every sentence is a surprise."

Because the language of this poem is concise, the whole poem is dual, and there is still a sentence in one or two sentences, which fully shows that Du Fu's grasp and application of poetic language and rhythm in his later years has reached the realm of roundness. Therefore, it is called the first of the seven laws of the ages.

The battle in this poem is particularly neat, and it also rhymes, and this poem also expresses Du Fu's strong emotions.

In everyone's cognition and among the seven-character poems he read when he was in school, Du Fu once wrote a seven-character poem "Ascending", which had a great dispute with Cui Hao's "Yellow Crane Tower" in the first position of the seven-character poem.

When the Tang Dynasty was still in the process of development, the format of ancient poems at that time was not very complete, and the ancient poems at that time were also in a transitional stage from ancient to law, so there were often phenomena such as lonely flat and three flat tails. Poetry is also from half-ancient and half-rhythmic and then slowly evolved into rhythmic poetry.

However, Cui Hao's "Yellow Crane Tower" is a poem that is half ancient and half rhythmic.

Cui Hao's "Yellow Crane Tower" was originally known as "the first rhythm poem of the ages", but many people still think that Du Fu's "Ascending" is more qualified to be called the "first rhythm poem of the ages" than Cui Hao's "Yellow Crane Tower", just because "Yellow Crane Tower" is a poem of half ancient and half rhythm.

Du Fu had turned from the Tang Dynasty to the Middle Tang Dynasty, and his poetry had improved very completely at that time, so for Du Fu, the poems he wrote were also perfect.

Some people also praise Cui Hao's "Yellow Crane Tower" as "the first seven-word poem of the ages", if we look at it according to the poetry, his "Yellow Crane Tower" can only be regarded as a poem that is half ancient and half rhythmic. However, Du Fu's "Ascending" belongs to a particularly regular format and a perfect seven-character poem.

The poem "Ascending" was written by Du Fu in Kuizhou on the Yangtze River. At that time, the society was also very chaotic, and Du Fu, who was only sixty years old, wrote this poem from the bottom of his heart when he was in very poor health. After that, it was known as "the first seven-word poem of the ages".

The requirements of the grid are also very high, and the key is often the author's play. In Du Fu's poem "Ascending", it can be seen that nowhere is deliberately written from beginning to end, and the sentences are also very smooth. The whole poem is evocative when you read it.

In the poem "Ascending", the rhythm is also perfectly embodied, and his poem also embodies the rhythm vividly.

Because the language of this poem is concise, the whole text is dual, and there are pairs in one or two sentences, which shows Du Fu's perfect grasp of the rhythm of poetry language, and the emotional description in the poem is very in place, which arouses strong resonance among readers, so it is rated first.

Because the poem is both rhyming and written. All reflect the poet's extremely high sentiment of worrying about the country and the people. The poems not only write about Du Fu's pain and helpless emotions. It is also a reflection of the corruption and unspeakable things of the country at that time.

First of all, because he conforms to the law of poetry, and in this law he writes famous verses. In addition, it is also poetically desolate and heroic, a model of scene blending.

"Ascending" is the Seven Laws.

Ascending is a Tang Dynasty poet Du Fu.

In his later years, he wrote a poem of seven rules, expressing his sad feelings of being poor, old and sick, and being in a foreign land.

Yang Lun of the Qing Dynasty once appeared in "Du Shi Jingquan".

It is believed that Du Fu's "Ascending" is high, unique in ancient and modern, and is the first among Du Fu's seven-word poems, and Hu Yinglin of the Ming Dynasty called this poem "the first in ancient and modern seven-word laws".

Background of creation. This poem was written in 767 A.D. (Tang Dynasty Sect.

In the autumn of the second year of the Great Calendar, Du Fu was in Kuizhou. This was written when he was fifty-six years old. One day, he ascended to the White Emperor of Kuizhou alone.

The high platform outside the city, ascending to the heights, and the bleak scenery of the Autumn River, triggered his emotion of drifting away from life, and infiltrated the sorrow of his old illness and loneliness. As a result, there is this song "Ascending", which is known as the "crown of the seven laws".

In terms of form, the use of the quadruple battle, the refined description of the scenery of Kuizhou in content, combined with the poetic tradition of the ancients, Du Fu used his vicissitudes of life to sigh about the situation in his later years, leaving us with the famous article known as "the first of the seven words of ancient and modern law".

At that moment of ascending, together with Du Fu, we saw the insignificance of the world, the eternity of nature, and the different bleak autumn.

This poem writes about Du Fu's pain of old age and illness, the bitterness of tossing and turning with his family, and he is full of emotion in the face of the decline of national affairs. Du Fu linked his own fate with the fate of the country, which made people feel his deep patriotism and love for the people.

Boundless orders are under the boundless financial resources rolling in.

The reason why Du Fu's "Ascending" was rated first among the seven laws of Tang poetry was because of its precise rhythm, the majestic and broad scenes it described, and the emotions were gloomy and sad. Therefore, it has been praised by poetry critics of all generations, and the evaluation of this "Ascending" is very high, and it is also the first of the seven laws in the hearts of many poetry lovers, which is a rare masterpiece in poetry.

First, let's look at the paraphrase of "Ascending". The wind is urgent, the sky is high, the ape is howling, and the white bird flies back. The autumn wind is fierce, the sky is wide, and the apes on both sides of the strait are mournful.

The river water on the border of the continent is crystal clear, the shore is gravel white, and there are birds hovering low on the river water. The second sentence: Boundless falling trees and Xiao Xiaoxiao, endless Yangtze River rolling.

The scene described in this poem is striking. The boundless fallen leaves, the falling of Xiao Xiao, and the endless Yangtze River, rolling from afar. I write about the feeling of autumn and soothing.

The third sentence: He is often a guest in the sad autumn of thousands of miles, and he has been on stage alone for more than a hundred years. Thousands of miles away from home, for ten years, as a guest in a foreign country, everywhere sad and sad.

Separated from his loved ones, his friends died. Only one of his sick self was left to climb the high platform alone. Writes about the author's life of being in exile for many years.

The fourth sentence: Hardship, bitterness, hatred, frost and sideburns, pouring down the new turbid wine glass. Life is so hard, the world is unpredictable, my hair has turned pale.

When my life was so difficult, I had to quit drinking because of illness, and I couldn't even use alcohol to kill my sorrows. Talk about the helplessness and hardships of your life.

This poem is very rigorous. These eight sentences are neat and varied, showing Du Fu's brilliant use of rhythm. Under the condition of precise rhythm, the poetry is also very smooth, accurately expressing Du Fu's emotions.

A poem must not become the first of the seven laws of ancient and modern times because it is neat and tidy. The first two lines of the poem write the majestic momentum of hundreds of rivers and seas, "boundless" and "endless" and "Xiao Xiao" and "rolling" form a perfect symmetry, lamenting the pain of time passing and the difficulty of rewarding the strong. The last two sentences have a foothold for the scenery described in the first two sentences, and the feelings in the poem have been further sublimated.

Because the poem "in a sentence, every sentence is lawful, and in a sentence, every word is law". For example, the first sentence "The wind is urgent, the sky is high, the ape is howling, and the white bird flies back".

The sky, the wind, the sand, the nagisa, the ape howling, the bird flying, the heaven and the earth are made, and nature is in pairs. Another example is the third sentence: "I am often a guest in the sad autumn of thousands of miles, and I have been on stage alone for more than a hundred years."

Among the fourteen words, there are eight meanings, ten thousand miles refers to a far place; Sadness refers to the bleakness of the environment; Being a guest means living in a foreign country, and being a frequent guest means living outside all the year round; 100 years refers to old age; Sick means that you are not in good health; The platform refers to a very high place; Alone on stage refers to a person's feeling of homesickness when he climbs high and looks far away.

"Ascending" occupies an extremely important position in Du Fu's poetry. Yang Lun, a scholar of the Qing Dynasty, praised this poem as "the first poem of Du Ji Seven Words and Rhythms" ("Du Shi Jingquan"), and Hu Yinglin of the Ming Dynasty emphasized this poem in "Poetry and Serval" and was the crown of ancient and modern seven-word poetry.

Because the battle is so neat, I can't find a flaw in the whole article, it's catchy and rhythmic.

Ascend Du Fu's seven-word poetry appreciation.

Seven Words Rhythm Poem Ascend] Ascend.

Du Fu was in a hurry, the sky was high, and the ape howled, and the white bird flew back.

Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

Translation: The sky is high and the wind is fierce, and the ape cries very sadly; On the white sand bank of Qingqing River, gulls and herons fly back at low altitude. The fallen leaves are boundless, scattered layer by layer; The endless Yangtze River is surging and rushing.

Being a guest in the sad autumn of thousands of miles, I often wander everywhere; He has been riddled with diseases in his life, and today he is on the high platform alone. The times are difficult and life is difficult, and I often hate my temples like frost; Sleepy and depressed, I quit drinking and drinking.

Inscription: This poem of Chongyang Ascending was written in Kuizhou in the second year of the Great Calendar (767).'。Through the scenery of the Autumn River seen from the heights, the whole poem pours out the poet's complex feelings of wandering, old age, sickness and loneliness for many years, which is impassioned and touching.

The first half of the poem writes about the scenes heard and seen when ascending, which is a scene; The second half of the poem is lyrical when writing about the feeling of ascending.

The first couplet focuses on depicting the specific scene in front of you; The jaw coupling focuses on rendering the autumn atmosphere; The neck couplet expresses feelings, from wandering in a foreign land to being sick and disabled; The last couplet writes that there are many gray hairs and alcoholic due to illness, which reflects the difficult times. The whole poem is correct in all eight sentences, and every sentence rhymes. Jin Xingyao thinks that "it is the work that can best express the atmosphere hovering, sad and depressed in Du's poems." ”

Du Fu's "Ascending" is a seven-character poem.

The first four sentences describe the scenery, describing the sights and stories of ascending, closely following the seasonal characteristics of autumn, and depicting the empty and lonely scenery by the riverside. The first joint is a local close-up view, and the jaw joint is an overall distant view. The last four sentences are lyrical, writing about the feelings of ascending, focusing on the author's own life experience, expressing the sadness of poverty, old age and illness, and living in a foreign land.

The neck couplet self-injures his life experience, revealing the metaphor, symbolism, and hint contained in the first four sentences; The tail couplet makes another statement, ending with a self-image of decay and illness. The language of this poem is concise, the whole poem is dual, and there is still a sentence in one or two sentences, which fully shows that Du Fu's grasp and use of poetic language and rhythm in his later years has reached the realm of roundness.

Ascending the Tang Dynasty: Du Fu.

The wind is urgent, the sky is high, the ape is howling, and the white bird flies back.

Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

The translation is urgent, the sky is high, the ape cries are very sad, and there are birds circling on the river island with clear water and white sand.

The boundless trees fall their leaves, and the endless Yangtze River water rolls and rushes.

Sadness to the autumn scenery sighed thousands of miles of wandering all year round as a guest, a lifetime of illness riddled with illness today alone on the high platform.

After all the hardships and hatreds, the white hair is full of temples, and the wine glass of decay and heart is full of deviations, and the sorrow is suspended.