What are the main fingerings of the pipa in the big waves and sand

The fingering of the pop panel is generally to use the thumb of the right hand to flick the panel vigorously. There are also those that are flicked with the index or middle finger. Definitely not a bad sound!

That classmate, haven't you ever played a song with a certain degree of difficulty?! Besides, your teacher must be the only way to play? What you say is not bad, but it is not comprehensive.

My teacher is a genre heir. Let's cite the fingering of "phoenix nodding" to say that the Wang faction and the Pudong faction are different, and the combination order of "covering" and "playing" and "wiping" is different. And there are also "hard hooks" and "soft hooks"!

Those who have taken the "Swan" test should know that the "hook-up exercise" in the etude is not the same as the fingering used in "The Swan". In addition, the previous wheel fingers mostly used the "lower wheel", that is, from the little finger wheel, the order is: small, none, medium, food, large; And the commonly used "upper wheel" is from the index finger wheel, the first round of the eclipse, medium, none, small, and large times.

This is the basic fingering of the shaky sound.

Flick your fingers. With your middle finger, tap the panel.

Tap the left panel with your big finger.

It's obviously a big finger, it's good, our teacher teaches it like this, and the big finger will be very loud and crisp!!

When you occasionally play a big wave, MS meter looks at this.

It's weird. Flip through the book and review it.

I actually found this section on the meter.

Failure. Could it be that the spectrum is different??

The main fingering methods of pipa include: press tone, overtone, chant, portamento, imaginary tone, and solid tone.

With the fingers of the left hand, press the string body closely on the phase or fret, and at the same time play the string with the right hand to produce the music of the noteme.

2.Overtones: Overtones have their own unique timbre, which is different from the timbre of pressing tones and scattering tones. The proper use of overtones in a piece can make the song more colorful. Overtones are used a lot in music, especially in lyrical songs.

3.Yinyin: A general term for fingering techniques such as "groaning", "kneading", and "swinging" of various schools. It is a technique that uses the left finger to produce a swaying string sound when pressing the strings. It can be summarized into two categories: "left and right swing" and "press and release kneading".

4.Glide: is a performance fingering term that has only been adopted by the Chinese nation in recent decades. In the traditional pipa notation, it is called pushing, pulling, pulling, vertically, bumping, pushing, and dragging, advancing, retreating, squeezing, noting, imagining, and other fingerings, all of which can be called glissando.

5.False sound: 捺, belt, and 擞 are all pronounced with the left finger, and are also called virtual sound because of the weak volume.

6.Solid tone: twisted strings and parallel strings, which belong to the category of solid sound. The left hand is used to play the pronunciation with various finger techniques while twisting or chording. The pronunciation of the stranded strings is not a pure musical sound, so although the pitch of the note they are pressed is written in the notation, it is also eliminated by a slash.

Hello landlord! The left fingering method includes pressing the tone, passing the string, skipping the string, and kneading the string! There are many fingerings on the right hand, such as playing, picking, brushing, sweeping, and wheel fingeringDozens of kinds! But most of them are the evolution of bullets!

Plucking, finger wagging, strumming, wheel fingers and many more, you can go to the bookstore to check out.

3. The whole piece consists of three sections. The opening adagio is the main part of the work and is long. After a short introduction, the theme is presented, and the melody is deep and vigorous, soft and rigid and full of sighs.

The ups and downs of the sound express the author's injustice and anger at the dark reality. This eleven-bar theme is played five times with melodic techniques such as expanding at the end of the paragraph, changing the head, tying the tail, and changing the melody through the appearance of clear horn notes (fa), revealing the connotation of the theme from many aspects. The second paragraph is short, a transitional paragraph, mainly played with "splitting" fingering, and repeated and modulated, **gushing, brisk and dynamic.

The third section is faster, the melody is angular, the rhythm is firm, and the ** sonorous and powerful, showing a strong and unyielding temperament, and the music ends in an atmosphere full of confidence and optimism.

Note: Big Waves and Sands**) Although the structure of the pipa song "Big Waves and Sands" is divided into three sections, the first section is the main body of the whole piece, the second section is like a transition, and the third section is a short and bright ending. Therefore, he basically expresses the ideological conception of the music with a theme change and development.

In terms of writing techniques, it inherits the characteristics of freehand transmission, and the music closely follows the contrasting changes of rhythm, and develops musical ideas in the repeated fluctuations of the melody in the high, low, and middle and old areas. Although the music is concise, the depth of the performing arts is not easy for ordinary people.

Generally speaking, "Big Waves and Sands" does not directly describe Ah Bing's own ups and downs, whether it is the shame and shame of being abandoned by society, or the indignation of his life fate; Whether it is the pain of losing the light, or the longing full of tears, it is omnipresent and omnipresent in Ah Bing's **. The music is Ah Bing's own long-term feelings about life, as well as a kind of psychological outpouring after being influenced by the folk. It penetrates the essence of tradition, revealing a healthy and deep atmosphere from the bottom of the people, which is sincere, exciting, and full of strong artistic appeal.

I also started to learn the pipa in the first year of high school In fact, I wanted to learn the guzheng at the time, and I felt that the playing posture was beautiful, but then I still learned the pipa, and now I have been learning for half a year, and the teacher will teach simple fingering, the most basic is to play, pick, double play, etc., at first the practice of the song will be relatively simple, are only a few notes of the kind, and then learn the wheel and roll, the playing of the song began to be richer. It's best to choose one-on-one teaching, so that the teacher only faces you and the student is much more effective.

Beginners should pay attention to:1Be sure to practice according to the technique the teacher says, including the left and right hands.

2.If you have time between classes, you can practice with your right hand as a lute, so be sure to practice often. 3.

I have been studying once a weekend for half a year, an hour, and I have almost 30 classes, and the teacher said that I can take the second level exam. Pipa is the king of folk music, and it is said to be the most difficult to learn, so you need perseverance.

When I was a beginner, I only used to practice playing (fingering), which is not difficult, to practice Lin Hai's "Pipa Language", that is, Lin Hai's music composed for pipa beginners, which is very good, and only needs to practice playing and picking.

If you're in high school, you'll learn two-thirds of your fingering skills in a winter break.

First of all, practice the main basic skills, if you only want to be interested in other than studying, learn some famous songs with low difficulty and simple fingering, such as the Golden Snake Dance of Level 2 and Yangchun Baixue of Level 3.

You can go to the Dongcheng Children's Palace, the teacher's surname is Lu, and she teaches well.

It is necessary to practice the basic skills such as playing and picking, wheel fingers, etc., and then practice the thunder on dry days, the wild dance of the golden snake, the white snow in spring, the backgammon, and the clouds chasing the moon. I can probably become a beginner, not a layman, and not too an expert.

I just learned the pipa, now level seven, to be honest, at the beginning, it was quite simple, I almost didn't practice, and I got to level seven. But if it's just a winter vacation, you have to practice hard.

I'm thankful that I'm a beginner too.

The key is to see whether you usually practice or not, whether it is a beginner or a long time Pipa is a slow kung fu, and it is difficult to say otherwise

Jiangnan Spring, Little Sisters of the Prairie, and ...... Pipa language

I can tell you again if you want that type)

Spring River Flower Moonlit Night, as well as Lin Hai's "Pipa Phase", especially recommend the pipa language, stepping on the ancients, and sounding and thinking.

"Spring Rain": There are more ancient pieces of music that describe spring rain scenes. "Yi Dance":

It depicts the scene of the Yi people dancing. "The Great Waves Sweep the Sand": The work of the famous pipa composer A Bing.

The waves are rolling and wonderful. "Spring and White Snow": It seems to be a *** burial song.

Spring River Flower Moonlit Night.

Plugged into the song pipa chanting, pipa language.

Night rain double singing. Sad Spain.

Oriental beauty. Joy, twilight, stepping on the ancient spring rain.

If you're a beginner, it's popular ... Pipa language, joy or something.

If you really want to learn a little more professional, and it's a beginner, it's not bad to play the purple bamboo tune and the big waves and sand. Those popular ones are a bit amateurish.

"Walking on the Ancients", "Yangchun Ancient Song", "Neon Dress Song", "Alpine Flowing Water", "Cherish the Moon".

Stepping on the ancient pipa language, Huanqin, love spell, crying goodbye, Yi dance music, Weishui love, new feather tune, green waist audition.

Recommended: Soul Departure.

The rain and water are not negative.

Walk on the ancient joy. The pipa language is inverse.

The rain shattered Jiangnan. If it is a classic repertoire, the top ten famous songs of Sopipa are acceptable.

"Pipa Language", "Spring River Flower Moon Night", "New Feather Tune Green Waist", "Spring of Tianshan Mountain", "Yangchun White Snow", "Red Plum Praise", "Yi Dance", "Torch Festival Night", "Spring Rain".

I only recommend 3 songs to you, all of which are classics in the classics 1, Ambush on all sides. The only piece in the world that depicts a war scene on a solo instrument and is so successful. 2, Yangchun and White Snow Ancient Song, Profound Artistic Conception 3, Big Waves and Sands A Bing's Famous Pipa Song These three songs.

Ambush on all sides, Yi dance music, torch festival night, listen to Tang poems and pipa lines, plug the song, and take the swan in Haiqing.

"Pipa Language".

It's a classic, come down and listen to it.

If you want to learn by yourself, you can go to the post bar and ask the gods. If it's entertainment, you can find some modern pop songs and change the fingering yourself. Recommend a copy of "String Language" Although it is a guzheng, the simple notation in it can change the fingering by yourself, how to play smoothly, it will not be difficult.

Hehe, hello. Depending on your condition, I recommend you to buy a book for level 4 and 7. It's a good idea to look at the video screen more often and get familiar with it.