How to make a painting have a strong visual impact How to make a painting have a strong visual impac

Must have a visual impact: everyone has a different sense of color, and the color matching can be based on the current popular colors or personal preferences.

Each color has three elements: hue, purity (saturation), and brightness (brightness), and the contrast of colors should also be considered from these three aspects. The first is the contrast of hues. Hue refers to the "physiognomy of a color", which depends on the position of the color on the color wheel, and according to the position relationship on the color wheel, there are complementary colors, contrasting colors and similar colors as the basic color relationship.

The opposite (180-degree) colors on the color wheel are complementary colors, such as red and green, blue and orange, yellow and violet, and so on. The color on the color wheel is 120 degrees, which is a contrasting color. The color relationship of less than 60 degrees on the color wheel is the same color, and I will not give examples here.

The essence of the relationship between hues is the contrast between different colors, which changes a lot, and the visual feeling is often strong and clean, and there will be a very fashionable feeling with clever matching. The disadvantage is that it is easy to become outdated, and frequent use can also cause visual fatigue.

Purity refers to the single degree of color, theoretically the three primary colors (red, yellow and blue) are the purest colors, the closer to the three primary colors, the higher the purity, and vice versa, the lower the purity, the lowest purity is black, white and gray (also known as gray scale). The relationship between purity is the contrast of color grayscale, which generally has a strong sense of the times, which is more suitable for the theme of science and technology, and the matching process is relatively simple, but it is also easy to be cliché.

Brightness refers to the brightness of a color, with white having the highest brightness and black being the lowest of all colors. The matching of brightness needs to consider the light and heavy relationship of color, the color of different brightness gives people a great gap in the visual weight (purity is also), the brightness is often closely related to the use area of color, the color of a large area is generally not suitable for heavy color, and the heavy color of a small area is matched with a relatively large number of high-brightness colors, which will make the picture relatively balanced. Of course, depending on the theme of the creation, there are many cases of heavy color in a large area, and it depends on personal preferences or the needs of the audience.

1.Black and white, a timeless combination, but not too much.

2.Black and yellow (or orange), a stronger contrast than black and white, this color has a strong sense of speed and insecurity, and has a warning effect.

3.White and orange, a clean and gorgeous color match, remember, control the orange area (20% is better), otherwise it will be out of balance.

4.Violet-blue or blue-gray and white or bright yellow, modern atmosphere, pay attention to the adjustment of grayscale.

6.Medium brightness blue-green-gray (IT blue) and white, suitable for technology themes.

7.Dark violet gray with bright yellow or bright violet gray with dark yellow, this is a typical example of complementary color plus purity contrast plus brightness contrast, and controlling purity and brightness is the key point of this combination.

The above collocation scheme can be considered for the same color or multiple color combinations, and the effect will also change greatly, so it must not be regarded as a set of formulas.

Black and white are eternal classics in picture processing, which can be emphasized in black and white, and can have a visual impact. Internationally, black and white is also the main choice of many people, I am an art candidate, if you have any questions, you can continue to ask.

The main thing is to give you an intuitive visual impact! It's shocking! Black & White, Red & Green, etc.!

1. Be bold in drawing, not partial.

2. Deal with the relationship between light and dark and environmental color.

3. The color should be rich, and if you can't see the green, the green is green, and the red is red.

4. Gouache cannot be painted in solid colors.

5. Master the dryness and wetness of the water.

6. Go out to the mountains to sketch, the colors of nature are very beautiful.

7. Master the properties of gouache. Because the color will darken when the gouache dries.

Draw near objects, and the brushstrokes should be visible.

When painting distant objects, the brushstrokes should be subtle.

Draw the bright part, and the brushstrokes should be clear and thick.

Draw the dark part of the rock type, and the brushstrokes should be blurred.

First far and then near, first deep and then light.

First gray and then bright, first wet and then dry.

First the whole and then the part.

The composition is beautiful, black, white and gray, large contrast, five levels, three factors.

For example, paint the dark part of the apple with plain blue, dark red, ripe brown, etc.

Reflective medium green, etc.

Intermediate colors are bright red, dark red, white, a small amount of orange, etc.

The color of light is bright red, vermilion plus white and yellow, etc.

Projection with ultramarine, purple, earthy yellow, white, etc.

It can be from two aspects, a scumbag is to strengthen the contrast of the picture of the promotion and disadvantage, including the contrast between light and dark, the contrast between cold and warm, etc.

In addition, the color has to be a little more pure, and the picture is as simple as the amount of thought, and the visual impact is strong.

The paintings you draw are outstanding in anyone's eyes! Very rare!!!