Ancient landscape paintings, only painting landscapes and not people?

In fact, ancient landscape painting is not only painting landscapes and not people, some painters are involved in different fields, so there may be some painters who paint landscapes very well but are not good at painting people, so when painting landscapes, they only paint landscapes and do not paint people. As the saying goes: there is a precedence in hearing the Tao, and there is a specialization in the art industry.

Painting figures and flowers and landscapes is not completely agreed, your landscape painting is not necessarily good characters can be painted, landscape paintings generally appear some figures, but sometimes some landscape paintings do not have figures. <>

In fact, landscape painting did not become a school until the Tang Dynasty, and no one specialized in landscape painting before that, and landscape painting was just a background picture of figure painting. However, after the Tang Dynasty, landscape painting became more mature, and a group of people who specialized in painting landscapes appeared. Most of the landscape paintings we see now are actually works of the Song Dynasty or after the Song Dynasty, and many painters are really tired of those rigorous paintings, so they go to paint landscape paintings, and landscape freehand is so popular.

In addition, there are very few figures in landscape paintings, or perhaps no figures appear in landscape paintings, I think it is because figure paintings are more difficult to paint than landscape paintings. Landscape painting is mainly about the artistic conception of the landscape, which is immovable, and is a static one, so it is relatively simple to paint. But when you paint the character, you have to draw the soul of the painting, the god of the character, otherwise the painting will fail.

To sum up, the reason why there are few figure paintings in landscape painting is mainly because some painters turn to landscape because they paint more characters, so they don't want to paint figures. There are also some painters who like to paint landscapes themselves, but are not very good at painting figures, so there are few figures in landscape paintings. Each painter's preferences and abilities are different, some painters may like to add some figures when painting landscape paintings, while some painters like to paint landscapes purely, so the painters have different personalities and ideas, and the paintings they draw are also different.

Ancient landscape paintings. The reason why only mountains and not people are painted is that in ancient times there was a difference between men and women, so only mountains could be painted.

Ancient landscape painting was mainly based on painting landscapes, and people could be painted, but people appeared in the paintings as a foil to the landscape, that is, the focus was not on painting people.

I think that landscape painting mainly highlights the landscape and expresses the author's love for the landscape, so the large part must be dominated by the landscape.

Literati painting and landscape painting are different classifications.

The basic painting departments of Chinese painting are mainly divided into four basic painting disciplines: figures, landscapes, flowers and birds, and boundary painting.

Character painting is a painting with the image of the figure as the main body, and the figure painting is divided into Taoist painting, lady painting, portrait painting, customs without lead painting, historical story painting, etc. Landscape painting is a painting that depicts the natural scenery of mountains and rivers. Flower and bird painting is a painting that depicts flowers, melons and fruits, bamboo, birds and beasts, insects and fish.

Boundary painting refers to the painting of palaces, houses, pavilions and other buildings as the theme, and the line is drawn with a straight ruler, also known as "palace painting" or "pavilion painting". Literati painting refers to the paintings of literati and scholars in feudal society, so it is also called scholar painting, in order to distinguish it from the works of folk painters and court painters. Kuji literati painting is a pastime or self-expression of scholars and scholars, so it is also called the work of ink opera.

1. Different in nature: landscape painting depicts the natural scenery of mountains and rivers as the main body of painting. Literati painting is based on ancient art education.

2. Different starting times: literati painting began with Wang Wei in the Tang Dynasty. Landscape painting has gradually developed in the Wei and Jin dynasties and the Northern and Southern Dynasties, but it is still attached to figure painting, and most of them are used as backgrounds.

3. Different emotions expressed: literati paintings avoid social reality, and mostly draw materials from landscapes, flowers and trees to express personal spirituality, and sometimes contain feelings of resentment against national oppression or decadent politics. Landscape painting is not.

Literati painting and landscape painting are two different types of painting. Literati painting usually refers to a painting with the main purpose of expressing personal emotions, cultural accomplishment and artistic conception with pure burning tong, and the side section focuses on using poetry, articles, paintings and other artistic means to express the painter's personality and emotions. Landscape painting, on the other hand, refers to a form of painting with landscape scenery as the main content, usually depicting the beauty of natural landscapes, but different landscape painters use different techniques, concepts and styles.

Therefore, there are some differences between literati painting and landscape painting in terms of the main content and expression techniques.

The development of ancient Chinese landscape painting.

Paintings that depict the natural scenery of mountains and rivers are called landscape paintings. In the Wei, Jin, and Northern and Southern Dynasties, it has gradually developed, but it is still attached to figure painting, and most of them are used as backgrounds; The Sui and Tang dynasties began to become independent, such as Zhan Ziqian's colored landscapes, Li Sixun's Jinbi landscapes, Wang Wei's ink landscapes, and Wang Qia's splashed ink landscapes. Five dynasties, the Northern Song Dynasty landscape painting flourished, such as Jing Hao, Mi Fu, Mi Youren's ink landscapes, Wang Ximeng, Zhao Boju's green landscapes, the north and south of the competition reached the peak, since then it has become a major painting in the field of Chinese painting.

Landscape painting in the Yuan Dynasty tended to be freehand, replacing reality with fiction, focusing on the charm of brush and ink, and creating a new style. In the Ming Dynasty and modern times, Dong Qichang and the "Four Kings" of the early Qing Dynasty made significant contributions to the development of landscape painting towards painting theory and the stylization and perfection of painting techniques. Later, in the 20th century, under the impact of Western painting, traditional Chinese landscape painting underwent a new transformation, and representative painters such as Li Keran and so on.

The formation and establishment of landscape painting is the infiltration of the demeanor of the Wei and Jin dynasties, the inevitability of advocating nature, the awakening of the individual consciousness of literati, and people's aesthetic perception of natural landscapes. Advocating nature is an important embodiment of the demeanor of the Wei and Jin dynasties, since the Jin Dynasty Gu Kaizhi created the "Kai Peng Zilu Mountain", landscape painting has been formed and established, focusing on landscape painting and becoming an important and unique form of expression of "landscape culture".