Mo Yan Why was the first Chinese to win the Nobel Prize in Literature attacked by a crowd?

Mo Yan is a person who dares to tell the truth and is upright!

Because many people are jealous of Mo Yan and feel that his literature is not worthy of such a reward, they will be attacked by the crowd.

Because some people think that he is not worthy of the position, so he will be attacked by the group, but I think some people really don't need to be blushing, and his ability to win this award shows that he is a very good person.

Because Yang Zhenning went abroad to work after winning the award, he returned to his motherland after retirement, and made very little contribution to the motherland.

Because the level of many of Mo Yan's works is actually not high, it can only show that many people do not have the spirit of appreciation.

Because the recognition of this literary work in China is not as high as that abroad, everyone is also very controversial about the acquisition of this award.

I feel that Mo Yan's works are not for ordinary people, but for gods and monsters, and I still think Lu Yao's works are reliable!

Because many people think that Mo Yan's works do not have much meaning and do not conform to the aesthetics of domestic people. So it's going to be particularly controversial.

The person who can really understand Mo Yan ** is not an ordinary person.

Can an undisputed literati still win an award?

Domestic reasons: 1. Mo Yan's literary achievements in China are the best;

2. Mo Yan's artistic talent is outstanding among contemporaries;

3, Mo Yan is familiar with the three genres of novella, long, and short story, the short story "Dry River" and "Baigou Swing Frame", the novella "Red Sorghum" and "Transparent Carrot", and the long story "Sandalwood Punishment" and "Breast and Fat Buttocks" are all excellent works;

International reasons: Lu Yuan's "Red Sorghum", which was adapted from the first film in the era, won the Golden Bear Award at the West Berlin Film Festival, which is a sign that Chinese writers are truly going global;

2, Mo Yan is the main general of 8586 root-seeking literature, his revolutionary nature was temporarily covered up by Yu Hua Gefei Sun Ganlu and other avant-garde literature in the next two years, but their revolutionary early Liang collapsed after 1992 compromised, only Mo Yan insisted on this revolution, and the West believed that the 20th century ** in describing the revolution of technology Mo Yan became a banner:

3. The three novels "The Song of Heavenly Garlic", "Wine Country" and "Life and Death Fatigue" have transcendent significance.

Mo Yan's ability to win the Nobel Prize in Literature is inseparable from the Swedish sinologist Ma Yueran and Ms. Chen Anna's vigorous translation of Mo Yan's works.

The film "Red Sorghum", adapted from the 80s, won the Golden Bear Award at the West Berlin Film Festival, which is a sign that Chinese writers have truly gone global. Mo Yan was the main general of the root-seeking literature in 8586, and his revolutionary nature was temporarily covered up by avant-garde literature such as Yu Hua Gefei and Sun Ganlu in the next two years, but the revolutionary nature of these talents in Jiangnan compromised after 1992, but Mo Yan insisted on this revolutionary nature and insisted very thoroughly.

The West believes that the 20th century has become a banner in describing the revolution of technology. The three novels "The Song of Heavenly Garlic", "Wine Country" and "Fatigue of Life and Death" are of transcendent significance. These are the six reasons why Mo Yan won the Nobel Prize in Literature.

But there is another article that he did not say, or that he said but was deleted by reporters or newspaper editors-in-chief, that is, Mo Yan's works are in line with the Nobel Prize Prize judges' imagination of Chinese literature and social forms.

It's too technical to understand, so look at the Swedish Academy's own explanation: "What's special about this year's laureate is that he paints a world from an insider's point of view, which most of us don't have access to. He was born into a peasant family and worked as a farmer until he was 18 years old.

He uses irony and witty brushstrokes to show the dark side of Chinese society in certain periods of the 20th century.