The characteristics of the Peking Opera face and the characteristics of the Peking Opera masks

There are three main characteristics of the face: the contradictory unity of beauty and ugliness, which is closely related to the character of the character, and its pattern is stylized.

Peking Opera Mask is a special makeup method with Chinese cultural characteristics. Because each historical figure or a certain type of character has a general notation, just like singing and playing music must follow the musical score, it is called "face music".

The main features of Facebook are the following three points:

1. The contradiction and unity of beauty and ugliness;

2. It has a close relationship with the character's personality;

3. The pattern is stylized.

In the early days, it was divided into seven elements: Sheng, Dan, Jing, Mo, Chou, Wuxing, and Popular (Dragon Set), and later it was classified into four major elements: Sheng, Dan, Jing, and Chou. "Bear.

It's male. Positive characters.

Dan"It is feminine.

Face roles. net"Be.

Distinct personality. male matching.

Horn. "Ugly. It's humor.

Funny or anti. Face roles.

Features: BAI

The color of the Peking Opera mask is very particular, but the colorful face mask is very detailed, and the version is not just for the sake of good power. Colors with different meanings are drawn in different pattern outlines, and the characters are characterized.

Peking Opera masks use exaggerated techniques to express the character, psychological and physical characteristics of the people in the play, so as to serve the plot of the whole play.

The face is patterned, and it is its superiority that it can express a certain expression very clearly and strongly.

Introduction: "Singing Face" is a Peking Opera song composed by Yan Su and composed by Yao Ming.

Lyrics: Yan Su.

Composer: Yao Ming.

Genre: opera songs, Peking opera songs.

**Style: Peking Opera tunes and pop** skillfully integrate the style of the song table: pop** to express classical art in popular form).

Comment: The song "Singing Face", which introduces Beijing tunes into the song, belongs to the "opera song" Beijing flavor song", referred to as "Beijing song".

Guan Yu, red face, face is rubbing red face, indicating loyalty and bravery, and the saying "red face and loyalty" comes from Guan Yu's face. Gou Dan phoenix eyes, handsome eyes, and Confucian demeanor.

Any color of the Peking Opera mask only represents a specific character, but symbolizes the quality, character, and bearing of a certain character.

Red - a character that expresses loyalty and bravery, such as: Guan Yu.

Blue - shows strong, courageous, scheming characters, such as: Douldun.

Black - the image of an upright, selfless, and upright character, such as: Bao Gong.

White - represents the image of a sinister, suspicious, flying, and solemn character. Such as: Cao Cao.

Green - represents a tenacious, irascible figure. Such as: Wu Tianqiu.

Yellow - on behalf of the brave, fierce characters, such as: Yuwen Chengdu.

Purple - a character who expresses uprightness, steadiness and composure.

Gold, silver - to express a variety of gods and monsters.

Red, brave and loyal, Guan Yu, Jiang Wei.

Purple, Zhiyong, Righteousness, Jing Ke, Specialization.

Black, upright, strong, Bao Zheng, Wei Chi Gong.

White, treacherous and conceited, Cao Cao, Sima Yi.

Blue-green-yellow, brave and irritable, green-faced, blue-faced tiger, yellow-faced Dian Wei, blue-faced Shan Xiongxin, gold and silver, gods and monsters, such as Sun Wukong, Yang Jian, etc.

1. Peking Opera is intriguing and mellow. Peking Opera stage art in literature, performance, singing, gongs and drums, makeup, face painting and other aspects.

2. A set of mutually restrictive and complementary rhythmic and standardized programs. It is very rich as an artistic means of creating a stage image, and the usage is very strict.

3. Peking Opera has a wider range of life to express, more types of characters to be created, stricter requirements for the comprehensiveness and integrity of its skills, and higher aesthetic requirements for it to create a stage image.

4. Peking Opera has a wider field of life, more types of characters to be portrayed, stricter requirements for the comprehensiveness and integrity of its skills, and higher aesthetic requirements for it to create a stage image.

In literature, performance, singing, gongs and drums, makeup, face painting and other aspects, the stage art of Peking Opera has formed a set of rhythmic and standardized procedures that restrain and complement each other through the long-term stage practice of countless artists. As an artistic means of creating a stage image, it is very rich and the usage is very strict. If you can't control these programs, you can't complete the creation of Peking Opera stage art.

There are many types of characters created, the comprehensiveness and integrity of the skills, and the aesthetic requirements for creating a stage image are high. At the same time, it also correspondingly weakens its folk and vernacular atmosphere, and its simple and rough style characteristics are relatively weak. Therefore, its performing arts tend to be more expressive techniques that combine virtual and real, and transcend the limitations of stage space and time to the greatest extent, so as to achieve the artistic realm of "conveying the spirit with form, and having both form and spirit".

The performance is required to be delicate and delicate, and it is full of plays; The singing is required to be melodious and euphemistic, and the voice is full of emotion; Martial arts opera is good for "martial arts singing".

The main features of the play:

Peking Opera is a type of opera that is mainly formed by absorbing various local tones such as Kunqu Opera and Bangzi Dialect on the basis of the two major operas of the Hui and Han dynasties. It is characterized by Erhuang and Xipi as the main vocal cavities, and its blowing and playing music cards mainly come from Kunqu Opera.

His performing arts pay attention to the combination of virtual and real, and transcend the space and time constraints of stage performances to the greatest extent.

Its main characteristics can be subdivided into six aspects: singing, musical instruments, masks, roles, stages, and costumes.