Immortal with no part 2 ah 15

Ancient mythology, ** to adapt the second part?

Moreover, Huang Shengyi's version is not very good, except that Fu Guanbao and Zhang Qiaozui acted well.

I like Luo Huijuan's version of "New Tianxian Pei" in 1998, 28 episodes, much better than this, the plot is similar, and the songs are good, but they are not as famous as this version.

I only know that Tianxian is matched with 2 parts, the eldest princess: Liu Yifei, the second princess: Fan Bingbing, the third princess: Ariel Lin, the fourth princess: Han Xue, the fifth princess: Huo Siyan, the sixth princess: Huang Shengyi, the seventh princess: Yang Rui.

If there is a second part, how do you want it to end? I hope the eldest princess: Han Xue Second princess: Shu Chang Third princess: Liu Yifei Fourth princess: Huo Siyan Fifth princess: Jiang Xin Sixth princess: Yang Rui Seventh princess: Zhang Nara.

There is no pull. It's not out yet, anyway.

The Flying Immortals and the Heavenly Immortals are similar to what they talk about in it.

There shouldn't be, if there is, Dong Yong should be replaced, it's not as good-looking as Fu Guanbao!

It's over after removing the fairy bones, what else is there to arrange!

Do you mean Huang Shengyi's part? It's average, I don't expect a second step!

Not yet, but you can go to the post bar to see the continuation of the writing, everyone writes great!

Dong Yong's kindness deeply touched the Jade Emperor, and he agreed to meet the Seven Fairies and Dong Yong. The Jade Emperor and the Queen Mother liked their grandson very much, and Dong Yong was sad that the child could not live without his mother, and implored his father-in-law and mother-in-law to promise him to be with the Seven Fairies for life. Because of the limitations of the Heavenly Rules, the Jade Emperor suggested that Dong Yong cultivate into immortals and gather in the heavens, otherwise the seven fairies must remove the immortal bones.

In order to be able to stay with Dong Yong, the seven fairies asked their mother to remove the fairy bones for them. The Queen Mother endured the pain of removing the fairy bones of the Seven Fairies and making them mortals. The Jade Emperor and Queen Mother wanted to punish Zhang Qiaozui, and the Seven Fairies and Dong Yong interceded for Zhang Qiaozui. Zhang Qiaozui repented and swore to be the Seven Fairies forever.

While the Jade Emperor was happy, the Queen Mother begged him to accept the little stone of the great fairy's son left behind in the world. In order to repay the kindness of nurturing, the seven fairies washed the feet of the Jade Emperor and the Queen Mother. Dong Yong resigned and returned to the field, singing the ballad of returning home to the husband and wife with the Seven Fairies, and spent a happy life together.

The mysterious Chinese folk tale "Tianxian Pei".

The seventh princess shaved off her fairy bones and became a mortal, thought about it with Dong Yong, and resigned and took the seventh princess and her son and nephew back to her hometown together.

The seventh princess was shaved off her fairy bones and became mortals, and she was with Dong Yong forever, Zhang Qiaozui and Fu Guanbao were demoted to concubines, and Dong Yong resigned and returned to her hometown with the seventh princess, her son and nephew Xiaoshi

The hero defeated the demon and saved the earth, and mankind will live a quiet and beautiful life from now on!

1. Introduction.

The long myth ** "Heavenly Immortals" mainly tells the story of the beautiful and kind Seven Fairies who fell in love with the simple and honest young Dong Yong, who went down to the mortal world from Heaven privately, broke through many obstacles and married Dong Yong, the Jade Emperor learned that he was furious and ordered the Seven Fairies to return to Heaven immediately, and the Seven Fairies had to endure their grief in order not to hurt Dong Yong and weep goodbye to Dong Yong under the Huaiyin tree. In essence, ** celebrates the bright and beautiful side of human nature of characters such as the Seven Fairies, Dong Yong, and the sisters of the Seven Fairies, and also lashes out at the ugliness and darkness of characters such as the Jade Emperor, and at the same time, it also portrays the ugliness of Fu Guanbao, the son of Fu Yuanwai, and the son of Fu Yuanwai also has a few comedy colors. This myth ** shows the true love and true feelings of heaven and earth, it can be said that the theme is positive, the content is healthy and upward, the characters are distinct, the story is full of ups and downs, wonderful and beautiful, it is a rare ideological, artistic, and readable good work.

2. Source. The story of Dong Yongxing's filial piety was first seen in the Eastern Jin Dynasty Ganbao (?) 336) The compilation of the ancient Chinese Zhiwei ** collection "Sou Shen Ji" and the stone carvings of Wuliang Temple in the late Eastern Han Dynasty. The Qing Yang dialect of the Ming Dynasty "Brocade Chronicles" enriched the descriptions of the texts and scripts, which had a great influence on the opera of later generations.

3, Huangmei Opera classic repertoire "Tianxian Pei".

The classic repertoire of Huangmei Opera "Tianxian Pei", also known as "Seven Fairies Descend to Earth", was adapted by playwright Lu Hongfei based on the oral account of the old artist Hu Yuting. The gist of the story is: Dong Yong sold himself as a slave in Fu Yuanwai's house in order to bury his father.

The Seven Fairies (the seventh daughter of the Jade Emperor) sympathized with Dong Yong and went down to marry him. A hundred days later, the Jade Emperor sent troops to force the Seven Fairies to return to Heaven, and the happy marriage between heaven and earth was broken up alive.

"Tianxian Pei" is a traditional classic repertoire of Anqing Huangmei opera. The content is about Dong Yong's death to bury his father, and the seventh daughter of the Jade Emperor (Seven Fairies) was deeply sympathetic, and went down to earth privately to marry Dong under the locust tree. One hundred days later, the Jade Emperor sent the Heavenly King of Tota and the Four Great King Kongs to force the Seven Fairies to return to Heaven, and the husband and wife parted in pain under the locust tree.

The story of Dong Yongxing's filial piety has been seen in Cao Zhi's "Lingzhi Chapter" and Gan Bao's "Sou Shen Ji" in the Wei and Jin dynasties. The opera may be called "Brocade Story", "Hundred Days", "Huaiyin Tree". The collation of Huangmei Opera is more influential.

There are movies and TV series of the same name.

Dong Yongxing's filial piety began to see the stone carving statue of Wuliang Temple in the late Eastern Han Dynasty. During the Wei and Jin dynasties, Cao Zhi's "Lingzhi Chapter" and Ganbao's "Sou Shen Ji" added the plot of the Emperor of Heaven sending the goddess to the earth to help Dong Yong repay his debts. In the Tang Dynasty, Dong Yong's text and Song and Yuan's version of "The Biography of Dong Yong's Encounter with Immortals" focused on describing the road encounter, debt repayment, and farewell.

The Qing Yang dialect of the Ming Dynasty "Brocade Record" (the existing "Huaiyin Meeting" and "Huaiyin Separation" two copies) enriched the description of the text and the script, which had a great influence on later operas. Many types of local dramas in the Qing Dynasty can perform this play, and the title of the play is either "Huaiyin Tree" or "Hundred Days", and the plot is basically the same. Huangmei Opera "Tianxian Pei", also known as "Seven Fairies Descending to Earth", is one of the "thirty-six books" accumulated in the early days of Huangmei Opera.

Lu Hongfei adapted it from the oral account of the old artist Hu Yuting. In 1953, it was performed by the Anhui Huangmei Drama Troupe. The script was written in a variety of individual editions and included in the Anhui Provincial Volume of Chinese Local Opera (1959).

Although Tianxian Pei is a traditional repertoire of Huangmei Opera, in the 50s of the 19th century, the Shanghai Feiming Yue Opera Troupe also staged "Tianxian Pei", and the "Brocade Story" in Yue Opera is "Tianxian Pei".