Where is the Yoo Yong Wan faction embodied?? Illustrate with an example in his poems

Yulin bell. One of the most representative. It always hangs in the ジィススストリー� Graceful enough, right? When you analyze it, you can look at it from several directions: its rhythm, its words, and its meaning.

This poem is a masterpiece. This is the author's farewell to his lover when he left Bianjing and went south. In the words, all kinds of bleak and desolate autumn scenes set off and render the parting feelings, and draw a picture of the parting of the autumn river.

The author's frustration in his career, having to leave Kyoto for a long journey, and having to break up with his beloved, are intertwined with the double pain that makes him feel particularly uncomfortable. He gave a true picture of the parting scene. The whole word is from the perspective of other times.

The first three sentences point out the scenery of the time and place, and the poignant sound of the cicadas is used to set off the sad state of mind of each other. The following five sentences of "Dumen" not only write the mentality of saying goodbye to the desire to drink without a clue, but also vividly portray the parting affair of holding hands and looking at each other speechlessly, which is concise and affectionate, and extremely touching. The two sentences of "read to go" are led by the word "read", imagining the thousands of miles of smoke and waves after parting, and the long distance, which makes people feel the infinite sorrow of separation.

The next film opens with a heavy pen, summarizing the sadness of separation. The "amorous" sentence, written in the cold and bleak late autumn, is different from the ordinary, pushing the sadness to a new level. The two sentences of "tonight", imagining the situation after parting, are on the willow bank where the waning moon hangs high and the breeze blows, outlining a quiet and bleak natural landscape painting.

At the end, the knot is tied with infatuation, the lover is not there, the beautiful scenery and infinite style are all in vain, and the affection is so persistent. The whole poem is a blend of words and scenes, the structure is as smooth as flowing water, and the layers of time and feelings overlap step by step, bringing the reader step by step into the depths of the author's emotional world.

The cold cicadas of the rain bell are poignant, the eight tones of Ganzhou are against Xiaoxiao in the late eight tones of the long pavilion, and the twilight rain sprinkles the river sky. The crane soared to the sky, and occasionally lost the dragon's hope. (Hence the word given the title of White Cloth Prime Minister).

The representative figures of the Wanyue faction include Liu Yong, Zhang Xian, Yan Shu, etc., and the representative figures of the bold faction include Su Shi and Xin Qiji.

Representatives of the bold faction: Su Shi, Xin Qiji, Yue Fei, Zhang Xiaoxiang, Chen Liang.

Representatives of the Wanyue School: Liu Yong, Zhang Xian, Shanshu Rolling Yan Shu, Yan Jidao, Ouyang Xiu, Qin Guan, He Zhu, Zhou Bangyan, Li Qingzhao.

The Wanyue school is a school of Chinese Song poetry. Tactful, that is, tactful and subtle. It is mainly characterized by the content focusing on children's customs, the structure is deep and meticulous, the rhythm is tactful and harmonious, the language is mellow and beautiful, and there is a soft and graceful beauty.

The Haofang School is one of the schools of lexicology formed in the Song Dynasty of China. Northern Song Dynasty poetry reform writers such as Wang Anshi, Su Shi, and Su Zhe all used the word "bold" to comment on poetry. The first to use the word "bold" was Su Shi.

The theme of the extravagant faction features.

The characteristics of the bold school are generally that the creative vision is relatively broad, the atmosphere is magnificent and majestic, and he likes to use the techniques and syntax of poetry to write words, the words are broad, the use of things is more, and he does not stick to the rhythm, but sometimes he loses his straightness, and even involves the crazy shouting.

After the southern crossing, due to the great changes of the times, the tragic and generous high-pitched tone developed according to the times, Chen Youyi, Ye Mengde, Zhu Dunru, Zhang Xiaoxiang, Zhang Yuanfu, Chen Liang, Liu Guo and others inherited the stream, and Weizi changed into a fashion. From the Song Dynasty, Jin to the Qing Dynasty, there have always been people who have held the banner of boldness and vigorously studied Su and Xin.

It not only depicts flowers, under the moon, male love, and female love. Moreover, he prefers to incorporate major themes such as military intelligence and national affairs into words, so that words can reflect life like poetry, the so-called "no words can not enter, nothing can be entered".

It is magnificent, magnificent, unconventional, arbitrary, and straightforward, and does not take the subtlety and grace of the Lord as a thing. The word critics' comments on Su Shici's "horizontal and outstanding", "the tone of the word is moving forward", and "the book is carrying the wind and waves on the sea to amuse the remaining air", and Xin Qiji's comments on "generosity and horizontal" and "unstoppable" can be moved to the bold faction.

Liu Yong, (c. 987, c. 1053) was a famous lyricist of the Northern Song Dynasty and the founder of the Wanyue School. Han nationality, Chong'an (now Wuyi Mountain, Fujian) people, the original name of three changes, the word Jingzhuang, later changed the name Yong, the word Qiqing, ranked seventh, also known as Liu Qi. Song Renzong Dynasty Jinshi, the official to Tuntian Wailang, so the world called Liu Tuntian.

He claimed to be "ordered to fill in the lyrics of Liu Sanchang", wrote lyrics with his life's energy, and boasted of being "white-clothed and beautiful". His lyrics mostly depict the cityscape and the life of courtesans, especially in expressing the feelings of prison and service, and he has many slow words. Paving and depicting, the scene is blended, the language is popular, the rhythm is harmonious, it was widely circulated at that time, it was called "where there is a well water drinking place, you can sing willow words", one of the most representative figures of the graceful school, has a significant impact on the development of Song Ci, the representative works "Yulin Bell", "Eight Sounds of Ganzhou", "Fengqiwu" and so on.

Liu Yong was born in Rencheng County, Jeju, East and West Road, East and West Road, in the fourth year of Yongxi, from the first year of Chunhua to the third year of Chunhua, Liu Yong's father Liu Yitong sentenced Quanzhou, according to the official system of the Song Dynasty, he was not allowed to bring his family members to go. Liu Yi had no choice but to take his wife and son Liu Yong back to his hometown in Chong'an, Fujian, and asked his stepmother, who was Liu Yong's step-grandmother, Yu Shi, to raise him. Therefore, when she was four to nine years old, she told Liu Yong to spend her childhood in her hometown Chong'an, and Liu Yong never had the opportunity to return to Chong'an in his life.

The poem "Zhongfeng Temple" recorded in the "Chronicles of Jianning Mansion" written in Chong'an Zhongfeng Temple is from the hand of Liu Yong in childhood, and it can also be called a prodigy.

Liu Yong is a native of Chong'an Wufuli (now Chajing Village, Shangmei Township, Wuyishan City, Nanping, Fujian), where lotus flowers are planted, in front of his house is a huge white fern elephant, Zhong Lingyu's beautiful landscape, raising Ji Nai has shaped Liu Yong's free and easy life feelings and floating world bitterness, how to return to the view of the world, so Liu Yong left the house, he did not come back, that beautiful hometown, that white lotus can only stay in his heart in the pure thoughts of the Quartet.