Why did Mo Yan win the Nobel Prize in Literature? What classics does he have???

Mo Yan (February 17, 1955), formerly known as Guan Moye, was born in Gaomi County, Shandong Province, and is a famous contemporary Chinese writer. Doctor of Letters, honoris causa, The Open University of Hong Kong, Adjunct Professor of Qingdao University of Science and Technology. In the mid-1980s, he emerged as a writer of "root-seeking literature" with his vernacular works, full of complex emotions of "nostalgia" and "resentment".

The work is deeply influenced by magical realism. Mo Yan constructs a unique subjective sensory world in **, with an imaginative narrative and defamiliarization to create a mysterious and transcendent object world, with an obvious "avant-garde" color. In August 2011, Mo Yan won the 8th Mao Dun Literature Award for his long story "Frog".

On October 11, 2012, Mo Yan was awarded the Nobel Prize in Literature for "using magical realism to integrate folk tales, history and modernity."

To work. Long** Red Sorghum Family Herbivorous Family Wine Country Forty-one Cannons Sandalwood Punishment Life and Death Fatigue Song of Heavenly Garlic Sprouts Thirteen Steps Mangrove Breast Fat Buttocks Frog Novella** Ball Lightning Blonde Baby ** Red Sorghum Sorghum Wine Sorghum Funeral Dog Dao Strange Death Road Construction Joy Red Locust Father in Minfulian White Cotton Comrades-in-Arms Reunion Woman with Flowers in Her Arms Red Ears Dreams and Hybrids Patterns and Prototypes Humor and Fun Cow A long-distance running race thirty years ago The master is getting more and more humorous short stories**Episode White Dog Swing Frame Dating the Master Transparent Carrot Screenplay Drama Farewell My Concubine.

Sandalwood Punishment "Life and Death Fatigue".

Breast Fat Buttocks" Red Sorghum Family".

Transparent Carrots

Breast Fat Buttocks - Supplemental Edition

Treasure Map" Forty-One Cannons

Song of Heavenly Garlic Sprouts

Thumb Cuffs, White Dog Swing Frame

The Selected Works of Mo Yan

Selected Works of Mo Yan".

Wine Country" Literary work "Transparent Carrot" cover of the herbivorous family

White Cotton, Mangrove Forest

Moonlight Slash "Old Gun Treasure Knife".

The Singing Wall

The Commander's Woman

Testimony of conscience "The Room in the Keyhole".

What smells the best".

Legend Mo Yan "Mo Yan Prose".

Mo Yan's novella **Selection".

Mo Yan Wang Yao's Dialogue".

Mo Yan, works and readers (3 photos).

Comrades-in-arms reunion "Frog".

Among them, "Uncle Luohan" (excerpt from "Red Sorghum") is included in the eighteenth lesson of "China's ** Appreciation" in the high school elective of the People's Education Edition.

Mo Yan "blends magical realism with folk tales, history and contemporary society". In addition, I personally think there is some black humor in it.

Its representative works are: "Frog", "Red Sorghum", "Sandalwood Punishment", "Breast and Fat Buttocks", "Wine Country", "Life and Death Fatigue".

He won the Nobel Prize in Literature for his works "Breast and Fat Buttocks" and "Frog".

Farewell My Concubine, Red Sorghum, Frog.

It seems that I have heard of "Red Sorghum".

Based on the ups and downs of the rural birth history of the People's Republic of China in the past 60 years, this ** truly reflects the difficult implementation of the national policy of family planning in Gaomi Northeast Township.

By telling the life experience of Wan Xin, a rural female doctor who has been engaged in obstetrics and gynecology for more than 50 years, it vividly describes the arduous and complex historical process of the country's implementation of the national policy of family planning in order to control the rapid population growth, and successfully creates a vivid and touching image of a rural ** doctor; Combined with the complex phenomenon in the process of family planning.

This paper analyzes the humble, embarrassing, tangled and contradictory spiritual world of intellectuals represented by the ** narrator tadpole. **Adhering to the author's consistent style of vernacular literature, the structure is novel, the rhythm is distinct, the brushstrokes are delicate, the text is simple and full of tension.

In 2010, Frog was selected by Southern Weekly as the 2009 "Book of the Year Fiction Tribute to the Cultural Originality List", and was selected for several annual book lists. In 2011, "Frog" won the 8th "Mao Dun Literature Award".

Mo Yan didn't just win the Nobel Prize in Literature for a certain work. Many people mistakenly believe that Mo Yan won the 2012 Nobel Prize in Literature for "Frog", which was not even available in English and Swedish in 2012, but Mo Yan won the Lifetime Achievement Award. Cluster rows.

In 2012, Mo Yan won the Nobel Prize in Literature, becoming the first Chinese writer to win the prize. When the Nobel Prize in Literature was announced in 2012, the Nobel Prize in Literature jury specifically mentioned five of Mo Yan's works: "Frog", "Red Sorghum", "Sandalwood Punishment", "Rich Breasts and Fat Buttocks", "Wine Country", "Life and Death Fatigue", all of which have become widely circulated literary classics.

Experienced. On July 14, 2007, he published the anthology "Say It, Mo Yan", which is divided into three volumes, comprehensively showing Mo Yan's mental journey.

In 2008, he won the Dream of the Red Chamber Award at Hong Kong Baptist University and the Newman Award for Chinese Literature in the United States for "Fatigue of Life and Death".

In 2009, he published the long story "Frog", which tells the life experience of the "aunt" of a rural female doctor who has been engaged in obstetrics and gynecology for more than 50 years, reflecting the ups and downs of rural fertility history in New China in the past 60 years.

In July 2011, he won the Korean Manhae Culture Award, becoming the first Chinese writer to win the award. In August, "Frog" won the Mao Dun Literature Award; In November, he was elected vice chairman of the 8th National Committee of the Chinese Writers Association.

On October 11, 2012, he won the Nobel Prize in Literary Excellence, becoming the first Chinese writer to win the Nobel Prize in Literature. In November, he won the Golden Lion Award for Screenwriting for the drama "Our Jing Ke".

When I was young, I read a lot of Mo Yan's books, and the vulgar language, the gloomy rural history, and the more explicit descriptions of the sexes were still very shocking and attractive. At the time of the disadvantage, Mo Yan's works had a great influence and won various domestic literary awards. In particular, "Red Sorghum" was made into a movie by Zhang Yimou and won international awards, and Mo Yan was even more in the limelight for a while.

It has been ten years since Mo Yan won the Nobel Prize in Literature, and there have been controversies so far, some people say that Mo Yan's literary level is high, his influence is great, and he won the award only after being recognized by the world. Some people say that Mo Yan won the award by betraying the motherland and the nation and catering to the tastes of Westerners.

I think that Mo Yan won the award, first of all, our motherland is strong, and our voices and opinions cannot be ignored by the world. We all know a reality that if a person is not mixed well, has little power and little influence, no matter how right he says and how high his voice is, no one will agree with him, and no one will agree. And a rich man, a person with a high status, just say a few words, and someone will pat the horse and agree.

This world is so realistic, in the past, my country was poor and weak, and the voice was ignored intentionally or unintentionally, and no matter how good a writer was, he could not win the Nobel Prize in Literature.

Another reason is, why did Mo Yan win the award? It is difficult for a person to be recognized by everyone if he brags about himself, or only sings praises, but it is easy for people and works who are self-black and self-revealing scars to be recognized and attached. This is a common trait of human beings, and it is needless to be ashamed.

And Mo Yan's works more truly describe the dark side of our development process, so that the awarders were selected.

Now, in the literary world, criticizing Mo Yan can earn fame, traffic, and money. Many writers, literati, and professors keenly seized this opportunity to criticize Mo Yan on the line. His works are not famous, but he is famous by criticizing Mo Yan.

Mo Yan's works, I still read it many years ago, and I haven't seen it for many years, I was very shocked and shocked at the time, and my impression slowly faded, I remember writing about the dark side of the countryside, the humble and despicable side of human nature, quite a lot. Now that I think about it, it's not too lofty.

What I want to say is that we are a big country, and we can tolerate a Mo Yan, and we can tolerate him to expose his shortcomings. After all, he is our writer, and his work has a warning effect. Our culture, our cause, and our motherland are constantly advancing and growing.

We don't have to criticize Mo Yan to the fullest, he is us Chinese, and he is our pride.

First of all, Mo Yan is a highly imaginative and creative person. He was always able to easily visualize the imaginary plot in his mind in words, showing his references to history and reality. And even if it is a very ordinary topic, he can have a unique opinion, and then make this ordinary topic profound and novel through association, and finally form a particularly large structure.

Winning the Nobel Prize is the best proof of his strength. The reading of literary works requires a certain literary foundation and accumulation. Otherwise, you can only understand the surface meaning of a book, but you will not be able to perceive the hidden meaning of the text.

The author really wanted to express this idea.

Second, Mo Yan used literary works to convey many basic truths to people. For example, a house is for living, not for speculation; If a house can't be built, it's not a house. We need to remind people that before the invention of air conditioning, no more people died from heat than they do now.

Before the invention of the light bulb, myopia was far less severe than it is now. Before the advent of television, people had a lot of free time. With the internet, people don't have as much useful information stored in their minds as they used to; Before the Internet argued, there seemed to be fewer fools than there are now.

Moreover, Mo Yan is no longer an unreachable author, but an old friend who can easily talk. The communication between the author and the reader, this kind of communication across time and space, is precious. As for Mo Yan, he hopes to keep up with the trend, be down-to-earth, and create works that are popular with readers today.

For readers, in this fragmented era, they can get spiritual guidance from Mo Yan and find the direction of reading and thinking. As Mo Yan said in reply to readers' messages: "Hello, I am a 66-year-old young man.

66 years old, experienced through ups and downs, experienced; Young man, modest and studious, high-spirited. In an era of prudence in words and deeds, we should cherish such a "66-year-old youth".

In the end, Mo Yan's biggest advantage is that it is heavy. His novella is better than a short story, and his is better than a novella. Among the six books interpreted by Zhu Wei, except for the famous "Transparent Carrot", which is a novella**, the rest are all long**, especially "Life and Death Fatigue" is the best.

What's even more annoying is that he not only writes well, but also writes quickly. At that time, it took him only three days to write his famous book "Transparent Carrots". Mo Yan is one of the most influential contemporary Chinese writers.

His good, needless to say, the Nobel Prize in Literature is there. The first to publish Mo Yan's "Red Sorghum Family".

I really don't know how to answer this question, which should be a Nobel Prize judge or an industry expert, but I personally think that it is worth it at least from the perspective of excavating the human nature and social kaleidoscope of living beings in a certain historical period, especially in the place where the praise song breaks the voice.

For example, all the world's slippery literary masterpieces, from the elegant hall that has never seen a slippery beard, the historical destiny of literature is dictated.

Ordinary people, just follow the appetite of the style, each flower into each eye, you like "Three Dozen White Bone Spirits", he loves Sanmao Wanderings", it doesn't matter.

That's a must. He wrote many books by Sun Chen, representative works include Fat Breasts and Fat Buttocks, Touching Kaichen Red Sorghum Family, Frogs, etc., he used his pen to express his awe and worship of nature, and also wrote about the multi-faceted desires of modern people, and also reflected the ups and downs of China in the past 60 years.

There is strength, the Nobel Prize in Literature is relatively broad, he is awarded to writers who agree with cultural and artistic values, Mo Yan's works have a certain value of performing arts, with the fusion of reality and fantasy, to create a world of reflection and fiber, with a certain value of performing arts, Mo Yan's works on the history of the country and the performance of the present is closer to the real than the vertical.

What kind of qualifications does the Nobel Prize have, don't say that it is the highest award at once, especially the literary prize, there are too many human factors. First of all, we have to find out this question, is there any document in the United Nations that confirms that the Nobel Prize is the highest prize in the world?! Are there representatives of 1.5 billion Chinese on the jury of this award?

On the contrary, don't lose it if you don't get it, and don't be crazy if you regret it! Do you know the inside story of the Nobel Prize? I just look at the eulogy to see it.

There is no need for any Westerner to admit that he is scumbag and be complacent. This has nothing to do with Mo Yan winning the Nobel Prize. Whether the gold content of Mo Yan's works is high or not, our people can understand Qin Qianqian, and we must have cultural self-confidence with a history of 5,000 years.

I think that Mo Yan, as the first writer in the history of Chinese literature to win the Nobel Prize in Literature, must still have this strength; Moreover, his works have been read by many well-known writers at the time of Jing Yu Slip and Lu Debate, and have been unanimously praised by them, so I think he is still a powerful person over there.

Is it doubtful that Mo Yan actually won the Nobel Prize in Literature? He was a peasant and did not know a foreign language. He could not give gifts or bribes to the Nobel Prize judges.

The Nobel Prize in Literature judges think that Mo Yan's ** meets the criteria of the Nobel Prize in Literature in terms of ideology and artistry. Before Mo Yan won the award, his ** had many readers in China. After winning the award, some people criticized him because they were jealous.