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What are Feng Zikai's comics based on, humorous? Feng Zikai comics. Feng Zikai, formerly known as Fengrun, Fengren, and Yingxing, was born in Chongde, Zhejiang.
He is a modern Chinese painter, essayist, art educator, educator, cartoonist, translator, and an outstanding master of literature and art. His writing style is elegant and serene, and his comics are mostly about children, humorous and humorous, reflecting social phenomena. This question needs to be described in comics, so it is necessary to pay attention to the complete picture introduction and understand the author's drawing intentions, such as respecting the old and loving the young, the order of the old and the young, traditional culture, and the core values of socialism.
This cartoon is also full of warmth. In the picture, the mother is peeling melons, and the child is fanning the mother. A delightful picture of mother and child.
<> main thing to solve is to depict a mother and child, the mother puts the cut melon on the right hand side and gives it to the child, the child fans the mother with a fan leaf on the left, and there are a few lines of words on the upper left"You cut melons for me, and I'll fan you"title"Feng Zikai"and seals, based on the analysis of the comic screen, can describe the content of the picture in concise and accurate language.
On the right, the mother sits on a stool peeling melons, and on the left, the child holds a fan for the mother. It reads in the upper left corner"You peel melons for me, and I fan you for you"constitutes a picture of the sweet and happy Chinese mother. The key to this question is to read the chart, then carefully study the content of the chart, and finally express it according to the requirements of the chart, and the expression should be concise and coherent; Students can feel the warm characteristics of Feng Zikai's comics, and systematically introduce the comics, plus their own imagination of the scene, to make vivid.
Feng Zikai (1898-1975) had multiple identities: painter, fine artist and ** educator, translator and essayist. However, he is also a painter who is particularly fond of children, for which he has created a large number of children's comics, and is also a children's literature writer, creating a large number of children's works.
Feng Zikai's comics are mostly children's themes, humorous and funny, such as "A Bao No Shirt", "Sister Matchmaker", "Two Little No Guesses" and so on. Reading Feng Zikai's children's cartoons makes us so-called adults feel ashamed. When will our world be a little less deceitful, a little less persistent, a little more natural, and a little more indifferent.
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The purpose of the comic is as follows:
Nothing can stump a child! How did you think that the drawer that was opened was the ladder to you? The accompanying text should be able to show the innocence of the child reflected in the comics, and in the face of the apples on the table, he actually thought of pulling out the drawer as a ladder to climb up, which is really smart and cute.
Feng Zikai is a famous cartoonist, essayist, calligrapher, etc., his cartoons are full of life interest, especially childlike fun, the color is fresh and natural, and it always looks like the spring breeze is blowing, full of happiness.
The comics are interesting and concise. Traditional Chinese painters, whether it is Chinese painting or comics, in addition to the technical requirements, also pay great attention to one word, which is "fun", interesting itself forms the soul of a painting.
Feng Zikai's paintings give people the impression that they are interesting, especially for a layman like me, and their first reaction is that they are interesting and demanding. Whether it's a willow tree, a child, or any other figure, it's just a few strokes, and the fun comes to life.
The colors are fresh and lively. The colors most used in Feng Zikai's comics are red, green and yellow, and blue, these colors are more conspicuous and bright colors, and he is used in the costumes of the characters, so the whole comic will give people a sense of vitality and joy.
Feng Zikai especially uses green the most, because he likes to paint willow trees, and the willows in his paintings are like a cloud of green smoke blown away by the wind, ethereal, soft, and freehand. It's more like a line of poetry being recited by the breeze.
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On the one hand, Feng Zikai's comics inherit the elements of classical Chinese "literati painting" that focus on poetry, simple brushwork, and the artist's personality cultivation; On the other hand, by using the realistic style of Western painting, the subjective freehand and lyrical style of traditional "literati painting" were transformed, so that the comics had the characteristics of narrative, reflection and criticism.
It can be said that in the history of Chinese painting, unlike Qi Baishi and Xu Beihong, Feng Zikai's cartoons have created a unique paradigm of literati painting, and his ancient poems and new paintings have exemplary significance for the inheritance and development of traditional Chinese culture.
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Feng Zikai's cartoons are taken from Zeng Yandong (Seven Daoren) at the beginning of the French Republic of China, and are also influenced by the Japanese painter Takehisa Yumeji. What is special is that most of Feng Zikai's works do not paint the facial expressions on his face, but let the viewers speculate on their own, which has become a major feature of Feng Zikai's figure paintings. Feng's early comics mostly exposed the darkness of the old society, and the disadvantages of the times.
In the later period, he often painted ancient poems and new paintings, which were both humorous and philosophical.
Feng Zikai advocated that art should be popularized and realistic, and called on Chinese painters to go out of ancient society. On the occasion of the inaugural issue of "Cosmic Wind", Mr. Lin Yutang asked Feng Zikai to write a manuscript and said: "Your painting can be called a life comic.
As a result, "Cosmic Wind" began from the first issue of Feng Zikai's "Life Comics", each issue has a title, composed of four, from new couples, travelers, to businessmen, doctors, the brush touches all aspects of life, which is both humorous and thought-provoking. Feng Zikai's artistic attention turned to the daily affairs and ordinary people around him, which made his comics truly loved by the public.
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In his comic works, Feng Zikai uses gentle and vivid brushstrokes to express his poetic feelings.
This painting "Birds in the Sky" was created in May 1946. At that time, Feng Zikai had just moved from the Shaping hut where he lived to escape the war to Chongqing, waiting for the return to his hometown. The birds that have broken free from their cages and are able to fly high are the embodiment of the artist's hope for freedom and return to his long-awaited homeland.
In fact, this is not only Feng Zikai's personal wish, but also the common wish of countless displaced people in that war era. The painter uses the warm picture of the whole family releasing birds together to give infinite hope to people like him who want to return to their hometowns, and convey a positive and optimistic spiritual strength.
In addition, the release scene depicted in the painting is also a true portrayal of Feng Zikai's own life experience. The painter believes in Buddhism and is full of compassion. In the painting, the whole family is happy, and the child's face is full of joy.
This also reflects the painter's concern and interpretation of the beauty of human nature, and he uses his pen to convey the touching of life.
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It has a strong taste for literati painting; He is good at appreciating life from ordinary life scenes, and the far-reaching artistic conception in his works is endlessly evocative.
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The little boy in this "you peel melons for me, I'll fan you" cartoon is Mr. Zikai's son Feng Huazhan, who was seven years old at the time; And the girl who peeled the melon was Feng Huazhan's sister Feng Chenbao, who was eleven years old at the time. This interesting life scene was frozen by Mr. Feng Zikai. You peel melons for me, and I'll fan you.
Watermelon is juicy, while melon is crisp and sweet. In the summer with melons, the clear well water has a sweet taste.
Mr. Feng Zikai's children are innocent, vibrant, and full of childlike fun. Every time I look at such a painting, I can't help but smile, and my mind suddenly returns to that colorful era. Endless daydreaming, carefree laughter, simple and blissful.
I hope that we all have a pure heart, even if we run away for half a life, we will still be teenagers when we return.
Extended Materials. Feng Zikai's early comics were mostly taken from realistic themes, with "warm irony", and in the later period, he often wrote ancient poems and new paintings, especially children's themes, his comic style is simple and simple, and the artistic conception is timeless and subtle, which is a bridge between literature and painting.
Feng Zikai has been surrounded by the warmth of Zi Ah Mai since he was a child, and this warmth has followed him all his life and soaked in his character, so that he always looks at things with a gentle and compassionate heart, and under his pen, it becomes an easy text and a pure and benevolent painting style.
He uses the form of comics to tell the world about the aesthetics and philosophy of life. His paintings all come from the people and things around him, from his observations and summaries, so looking at Feng Zikai's paintings, it is like listening to Feng Zikai tell the stories of the past, these stories do not have a lofty tone, but they warm each other's hearts.
Although he lived in a war-torn era, his writings were always beautiful, many of which were used to show the world through the image of children, and he once said: "My heart is occupied by four things: the gods and stars in the sky, and the art and children on earth." ”
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Feng Zikai's comics have a unique style, he has a deep foundation in Chinese painting, and with a few brushstrokes, he sketches vivid images. In particular, he draws on most of the bitter things in the world, and holds grievances for the toiling everyone, so his comics are deeply loved by people.
The characteristics of his comics are probably profound, intriguing, and realistic, reflecting the current situation of society.
A large part of the reason for painting children is that he loves his children very much, and he also yearns for the innocent life of children, and he himself believes in Buddhism and is a devout layman.
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