The difference between a bust and a bust, the difference between a sketch head and a sketch bust

Sketching busts is further divided into sketching plaster busts and sketching life-size busts, both of which are compulsory courses in secondary and higher art education. The bust is relative to the head and the whole body. In art education, the human body is proportioned to the head, and a head or a head plus a neck is called a head; The head plus the chest (about two and a half heads high) is the bust; The head, thorax, and abdomen (about three and a half heads high) are busts; From head to toe (about 7 to 8 heads high) is a full-length portrait.

However, this is only a definition in the traditional sense, there is no absolute concept and scale, and it is only for the convenience of art education.

Draw above the last rib.

It means a bust, just to the chest position.

It's the meaning of the bust, just up to the chest.

Bust, only to the chest position.

The question is too general, and other portraits or busts of characters on the chest are called busts.

The avatar does not come with shoulders.

The bust must be with a shoulder.

The bust must be carried by hand.

The bust is not a bust, the bust is about waist up, with arms.

The bust includes the chest cavity with hands.

Sketching character sketches includes heads, busts, busts (with hands), full-body portraits, and group portraits. Character head sketching: It is to convey the thoughts and character of the characters with the help of facial features and the relaxation changes of facial features and facial expression muscles.

Character bust sketching: add some expressive content, express the inner activities of the characters with the help of the movement changes of the head, neck and chest, and the focus is still on the portrayal of facial expressions. Character bust sketch:

In addition to the above requirements, the hand is the content that should be depicted with great effort. "The hand is a second facial expression", it not only marks the professional characteristics of the character, but also a powerful image to convey feelings, and intense inner activities are often conveyed through the hands. Therefore, when painting a bust sketch, we should start from the whole, grasp the overall situation, focus on the whole, and start with the part.

Pay attention to the proportions, dynamics, structure, anatomical relationship and color tone in the perspective state, see the essence through the phenomenon, look at the human body through clothing (pay attention to the interspersed relationship between the head, neck, chest, pelvis, upper limbs, and lower limbs), see the bones through the skin, and pay attention to the expression of shape, space and texture, take the head and hands as the focus of the depiction, and convey the inner emotions through the external performance of the head and hands. In addition, black, white and gray tones, as a basic visual language, cannot be ignored in bust sketching.

Did you say that the bust is a plus? The bust refers to the hand or more In fact, if you control the overall relationship is very good, the hand and the head are depicted OK and quite exciting, the teacher looks at it and thinks that the foundation is very good, it will not care if you are a bust or not, but if you are not good enough, especially if the hand is not easy to portray in a short period of time, but it is self-defeating, the teacher will deduct a lot of points according to the question you did not review, after all, there is suddenly an extra bust in thousands of busts is too eye-catching

Only the styling test busts. Graphic media, design sketch avatar.

Limited to pencils, charcoal, etc. Only one foundation is examined, and no artistic expression is required.

The picture is required to be complete and expressive. Some understanding of musculoskeletal is required. The colors are in harmony with each other.

Sketching requires a more accurate proportion.

I think he has a point: the following quote ...

Gome is different from CAFA, Gome is more interested in the taste of the picture, while CAFA is rigorous. If you have a good foundation, you should work on the taste of the picture. Draw your flamboyance, of course.

The foundation is not good, you can't even go to the professional level, upstairs, ask you, "sketch gray tones", the noun you learned in Repin? It's good to use the word hue in sketches for your Niu Yu Xiaodong's sketches. That Brother Wang Lei just rest, this is not a provincial unified examination, you can use him to fool.

It's usually an avatar, that is, a bust. Busts are rarely examined.