This paper evaluates the literature of the Han Dynasty and discusses the basic characteristics of th

The prose of the Han and Han Dynasty is most prominent in historical prose and political essay. Sima Qian's "Records of the Historians" reflected history with characters as the center, created a new style of biographical history books, and also opened up a new era of biographical literature, which was the most brilliant achievement of the Han Dynasty. The Book of Han in Bangu of the Eastern Han Dynasty is as famous as it.

Famous works in politics are superimposed, including: Jia Yi's "On the Passage of Qin", "On Public Security Policy", Chao Cuo's "On Guisu Shu", Huan Kuan's "On Salt and Iron", Wang Chong's "On Heng", Wang Fu's "On the Hidden Husband", Zhong Changtong's "Changyan" and so on.

The poetry of the two Han Dynasty is most notably achieved by Yuefu poems and five-character poems. The two Han Yuefu poems are another new style of poetry after the "Book of Songs" and "Chu Ci". The famous "Peacock Flying Southeast" is a long narrative in Yuefu poems, and later generations called it "Yuefu Three Uniques" together with the "Mulan Poem" of the Northern Dynasty and the "Qin Women's Yin" of Wei Zhuang of the Tang Dynasty.

Nineteen Ancient Poems represents the highest achievement of the five-character poems of the Han Dynasty.

Han Fu is the literature of the two Han dynasties, and it is an emerging genre. It is between poetry and prose, rhyme and prose, it is the prose culture of poetry and the poetization of prose. It embraces various genres such as the Book of Songs, Chu Ci, and pre-Qin prose.

It has formed a comprehensive literary style with a large capacity and quite expressiveness. Jia Yi's "Hanging Qu Yuan Fu" is the Sao Ti Fu, the "Seven Hairs" of the Mei Cheng is the symbol of the formal formation of the Han Dafu, and Sima Xiangru's Dafu is the pinnacle of the Han Fu. Later, Ban Gu's "Liangdu Fu" and Zhang Heng's "Liangjing Fu" were all masterpieces of Handa.

Zhang Heng's "Returning to the Field" also opened a precedent for lyrical small fu.

1.Sima is similar.

Representative works include "Zixu Fu", "Shanglin Fu", "Adult Fu", "Nagato Fu", "Beauty Fu" and so on.

2.Bangu.

His representative works include "Book of Han", "White Tiger Tongyi", "Liangdu Fu" and so on.

3.Yang Xiong.

His representative works include "Taixuan", "Fa Yan", "Dialect", "Discipline and Compilation" and so on.

4.Jia Yi. His representative works include "On the Passage of Qin", "On Accumulation and Sparseness", "Chen Zhengshi Shu" and so on.

5.Zhang heng.

His representative works include "Lingxian", "Returning to the Field", "Erjing Fu", "Zhang Hejian Collection" and so on.

Han Fu, prose, poetry. From a cultural point of view, the literature of the Han Dynasty has a strong retro style, which is related to the academic atmosphere of the entire Han Dynasty with the Five Classics as the ancestor, the sages as the criterion, and the academic atmosphere of emphasizing the inheritance of teachers and the rule of chapters and sentences. This has also caused some literary historians in later generations to criticize the two-way model of Han Dynasty literature, that is, the concept of indoctrination literature under the domination of Confucian orthodoxy is retro and conservative, and the concept of natural literature under the domination of Taoist heretical thought is innovative and enterprising.

1.The Han Dynasty re-emerged as a group of writers;

2.The literature of the Han Dynasty showed a trend of diversification, and both folk and literati creations showed a flourishing scene.

3.There was a two-way interaction between Han literature and classics, and the two penetrated each other;

4.The Han Dynasty was a time of major changes in literary genres, and many important literary styles were born during this period.

1. Pay attention to individual value. Themes such as entry and exit, friendship, love, life and death, new life, and solar terms, which are closely related to the poet's real life and spiritual life, have been written into the poem, and the realm of poetry has changed greatly.

2. Expose the psychology of politics. At the end of the Han Dynasty, digging up social darkness, political corruption, official career blockage, and traditional morality were degraded. expressed strong disappointment and dissatisfaction with the hot and cold state of the upper class.

3. Write about the suffering of detention and travel. In the Han Dynasty, the system of raising scholars and electing scholars, as well as the social turmoil in the late Han Dynasty, caused the scholars to suffer from detention and military service, coupled with the lack of official careers and the thinning of the world, so that they turned to the warmth of friendship, love, and family celebrations to soothe their lonely and humiliated souls. Or write about the feelings of the wanderer, or write about the sorrow of the woman, write about the suffering of lovesickness and nostalgia, and become the most charming chapter.

4. Showing misanthropy. The crisis of traditional judgment and belief has caused literati to think about individual values, but this awakened sense of life is often shrouded in pessimism and misanthropy. It also prompted the literati's thinking to deviate from the orthodox track, and this kind of poetry heralded the arrival of the Wei and Jin dynasties.

Summary. The Han Dynasty deposed the hundred schools of thought academically and respected Confucianism. Politically, Confucianism is also orthodox, influenced by Confucianism, and later developed the Ram Studies, representative figures such as Dong Zhongshu, etc., the same literature is more centered on benevolence, more praise and ceremony, and culturally it is filial piety, benevolence, courtesy, loyalty, and so on.

Politically, Confucianism is also orthodox, influenced by Confucianism, and later developed ram science, representative figures such as Dong Zhongshu, etc., the same literature is more centered on benevolence, more praise and ceremony, and the cultural model emphasizes filial piety, benevolence, courtesy, loyalty, and so on.

It's a stylistic characteristic.

Chinese characters are the fossils of national culture, the carrier of history, the wisdom of predecessors, and the "you", "me" and "he" with fresh life. There is a rich aesthetic and poetic sense hidden in our square words, with a profound cultural implication of the Song Jane Shed, and a unique cultural charm.

The stylistic characteristics of literature are not other Chinese characters or anything.

1 Originality. This means that a writer's style cannot be the same as that of others, but must be created out of distinction or uniqueness. The first sign of a literary style is its originality.

Every mature style has its own special core that distinguishes it, which determines its originality. If there is no originality, there can be no style of annihilation. The simplicity and mellowness of the "Book of Songs" and the wonder and grandeur of "Lisao" are different, and the "poet immortal" Li Bai and the "poetry history" Du Fu and the "poetry Buddha" Wang Wei also have their own merits.

2 Stability. This means that the style of a writer is by no means a phenomenon that appears only "once" in his entire creation, but has a relatively stable characteristic. That is to say, a style is a phenomenon that may occur many times in a writer's creation, but have the same or consistent characteristics with each other, and remain largely unchanged over a period of time.

Lu Xun's ** creation has undergone some changes from "The Scream" to "New Story Edition", but the "white drawing" style is a relatively stable feature. 3 Diversity. This is to say that the style is rich and diverse in terms of types.

This is determined by the differences in the creative personality of the writers, the richness of the subject matter and the different needs of the readers. The diversity of styles has two meanings: one refers to the different styles of different writers, such as Li Bai and Du Fu, Han Yu and Liu Zongyuan, Su Shi and Qin Guan, etc.; For example, Yu Xin (512-580) was a representative of the "palace style poems" that pursued the "Qiyan" style in the Liang Dynasty, but later the poems of the northern region changed to strong and vigorous, thus winning Du Fu's reputation as "Yu Xin's articles are old and new, and Ling Yunjian's penmanship is vertical and horizontal".

Please give examples of the influence of Han culture and scholarship on Han literature?

The influence of Han culture and scholarship on Han literature was profound. Here are two examples:1

In the Han Dynasty, there were many commentaries and studies on the Book of Songs. The most famous of these is "Notes on Mao's Poems", written by Mao Heng. When Mao Heng annotated the Book of Songs, he adopted the method of "evidence-based", and through the quotation of ancient classics and the study of language, he explained many difficult words and sentences in the Book of Songs.

His annotations not only had a great impact on the development of Han Dynasty literature, but also laid the foundation for the study of the Book of Songs in later generations. 2.The Influence of Historiography on Han Dynasty Literature The Han Dynasty was an important period in Chinese history, with many outstanding historians and historical works appearing.

These historians and historical works had a profound impact on the development of Han Dynasty literature. The most famous of these is Sima Qian's Historical Records. The Records of the Historian is the first general history in Chinese history, which provides a detailed narrative and analysis of historical events based on the principle of "chronicle at the end of the book".

The emergence of "Historical Records" not only made history an independent literary genre, but also provided rich historical materials and cultural background for Suiwang's literary creation in later generations.