Burrow Ming adopts the technique of combining fiction and reality, in which the realistic sentence a

Write imaginary: The mountain is not high, and there is a fairy name. The water is not deep, and the dragon is realistic: the moss marks are green, and the grass is green. There is a lot of talk and laughter, and there is no white ding. You can tune the piano and read the Golden Sutra.

The beginning of the Burrow Ming is twenty-four characters, which are really written about mountains and water; It is written in fiction that the fairy and the dragon. The purpose of fiction is to draw out what is actually written"De Xin"The two-word question, here to write mountains and waters, is to make an analogy with the Burrow, and to write about the fairy and the dragon is to make an analogy with the author, in order to show that he and the Burrow have extraordinary taste. The sentence that contrasts the virtual and the real is (there is a great deal of talk and laughter, and there is no white ding.)

You can tune the piano and read the Golden Sutra. ）

The moss marks are green, and the grass is green.

There is a lot of talk and laughter, and there is no white ding. You can tune the piano and read the Golden Sutra.

At the beginning, the analogy of "mountain" and "water" is used, and the mountain and water are compared to the Burrow, the fairy and the dragon are compared, and the name and spirit are compared to the Xin, which leads to the nature of the Burrow as a name and a spirit, which naturally leads to the main theme of the whole text, implying that the Burrow is not ugly.

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1.The sentences of the Burrow Ming's contrasting techniques are: The most prominent contrasting sentence is: There is a great deal of talk and laughter, and there is no white ding.

2.This sentence contrasts the erudite characters with whom the author interacts with the unlearned people whom the author dislikes, and shows the elegance of the communication of the owner of the Burrow.

3.The meaning of this sentence is: Those who talk and laugh are learned people, and there are no unlearned people who come and go.

4.The mountain is not high, and there is a fairy name.

5.The water is not deep, and if there is a dragon, it will be spiritual.

6.Si is a burrow, but Wu Dexin.

7.This sentence compares the landscape with the humble room, indicating that the living room is not simple or not, as long as the people who live in it are of noble moral character, they will not feel simple.

8.The meaning of this sentence is: The mountain is not high, and with immortals, it becomes a famous mountain.

9.Water is not deep, with a dragon it becomes water with spiritual power.

10.It's a simple house, but I don't think it's simple because of my good character.

In the article of the Burrow inscription, the sentence that uses metaphors to raise the theme of the real is: The mountain is not high, and there are immortals. The water is not deep, and if there is a dragon, it will be spiritual.

The Burrow Inscription is an inscription written by the Tang Dynasty poet Liu Yuxi. The full text is only 81 words, and the author uses praise to express his noble aspirations, peace and happiness, and not being in the same stream as the world.

The level of the article is clear, first with the landscape to rise, point out the theme of "Si is the Burrow, but I Dexin", and then from the outdoor scene, indoor people, and things in the room, rendering the elegant realm of the Burrow, and citing the ancient residence of the handsome, the words of the ancient sage to strengthen the meaning of the text, and end with a rhetorical question, with a long aftertaste.

Background: The Burrow was written during the reign of Hezhou (824-826). "Liyang Classics": "Burrow, in the state governance, Tang and Zhou Thorn History Liu Yu Xijian, there is an inscription, Liu Gongquan book tablet. ”

During his tenure as the superintendent of the imperial history, the author participated in Wang Shuwen's "Yongzhen Reform" to oppose the eunuchs and the separatist forces of the feudal towns. After the failure of the reform, he was demoted to Anhui Hezhou County as a thorn history. Seeing that the author was demoted, the magistrate of Hezhou County deliberately made things difficult.

The author not only did not complain about Feng's shed, but he was very happy, and wrote two sentences at random and pasted them on the door: "Facing the white sail of the river, I am arguing with the state." ”

When the magistrate of Hezhou County found out, he was very angry and ordered the Yali messenger to move the author's residence from the south gate of the county seat to the north gate of the county seat, and the area was reduced from the original three rooms to one and a half rooms. The new residence is located on the side of the Desheng River, the weeping willows are still close to each other, and the environment is also heartfelt, the author still does not care, and sees the scene, and writes two sentences on the door: "The weeping willows are green and the river is by the water, and the people are in Beijing in the heart of Liyang."

Seeing that he was still leisurely and happy, the magistrate sent someone to transfer him to the middle of the county again, and only gave him a hut that could only accommodate one bed, one table, and one chair of silver. In half a year, the magistrate forced the author to move three times, each time smaller than the other, and in the end it was only a bucket room. The author then angrily wrote down this "Burrow Inscription", and asked someone to engrave a stone tablet and stand in front of the door.

The intertextual rhetorical device in the text of the Burrow Inscription is: There is a great deal of Confucianism in talking and laughing, and there is no vain correspondence.

The correct understanding is: "Talking and laughing with high-ranking and knowledgeable scholars, and talking and laughing with relatives and selling people without knowledge".

It means: "The people who mingle and laugh [with me] are learned and well-educated, and there are no common people." ”

The Burrow is inscribed with a foil technique to support the words and aspirations. And in the way of reverse intentions, there is no mention of the Burrow"Ugly", only write about the Burrow"Not ugly"on the side, while"Not ugly"It's because"Virtue", thus naturally achieving the purpose of expressing nostalgia. It expresses the author's noble and proud temperament and the taste of poverty and happiness.

It shows the author's attitude of not being in the same stream as the world, keeping himself clean, and not pursuing sound and entertainment. It expresses the author's noble and proud temperament, revealing the author's hidden taste of poverty and happiness.

The Burrow is inscribed with a foil technique to support the words and aspirations. And in a way that is reversed.

It expresses the author's noble and proud temperament and the taste of poverty and happiness. It shows the author's attitude of not being in the same stream as the world, keeping himself clean, and not pursuing sound and entertainment.

It also reveals the author's noble and proud temperament, and reveals the author's hidden taste of poverty and happiness.

It is mainly lyrical, integrating lyricism, description, narration and discussion.

Express the author's admiration for the ancient vine.

Symbolism or symbolism. In the poem"The image of "cloud" is not only a summer cloud that can sprinkle nectar to people, but also a symbol of power that can "relieve the people from hanging upside down". The poet used his dissatisfaction with Xia Yun, who had no intention of rescuing the dry and dry seedlings, to satirize the "ignorance of the common people" of the powerful

Punwen. Do not value money and wealth, but pay attention to the construction of one's own moral cultivation; I don't care about fame and fortune, but pay attention to my own spiritual sublimation.

The Burrow is inscribed with a foil technique to support the words and aspirations. And in the way of reverse intentions, there is no mention of the Burrow"Ugly", only write about the Burrow"Not ugly"on the side, while"Not ugly"It's because"De Xin", thus naturally achieving the purpose of expressing nostalgia.

It uses the technique of foil and contrast. Use ice and snow to set off the nobility of Mei, and use peach and plum contrasts to show Mei's will. It expresses the author's feelings of sticking to ideals and discipline and not colluding with the world.

The Burrow Inscription adopts the writing method of supporting things and words, using the mountain of immortals and the water of the dragon as a metaphor for the "Burrow", indicating that the "Burrow" also has the nature of "name" and "spirit". Praise "Wei Wu De Xin".It expresses the author's taste for poverty and happiness and noble and proud temperament.

There is a lot of talk and laughter, and there is no white ding.

You can tune the piano and read the Golden Sutra. There is no silk and bamboo, and there is no case.

The people who talk and laugh here are all knowledgeable university scholars, and there are no people with shallow knowledge.

Usually, you can play the elegant guqin and read the rich oh jing written in mud gold. There is no sound of music to disturb the ears, and there is no official document from the government to strain the body.

The combination of virtual and real is a kind of expression technique in the expression technique. Broadly speaking, it is the special way of organizing sentences used by the author when he writes and expresses his thoughts and feelings. The combination of virtual and real is to combine abstract description with concrete description, or to combine the description of the real life in front of us with memories and imagination.