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1.First of all, through the practice of geometry, strengthen the understanding of volumes and volumes, and have a basic awareness of shaping three-dimensional shapes on a two-dimensional plane 2Transition from geometry to still life, draw some structural sketches appropriately in the early stage, study the modeling characteristics and methods of still life, have a basic understanding of simple composition, and then transfer to full-factor sketching, which can be trained separately from a bottle and a jar at the beginning, and gradually enlarge the scene and space in the later stage, and add changes in the quantity and texture of still life.
3.The practice of the plaster statue is the transition from still life to figure, because the texture of the plaster statue is single, the shape is fixed, and there is no subtle expression change of the figure, which is easier to grasp. The practice of plaster statue is also a great test of modeling, the taste of classic sculpture is difficult to grasp, the accuracy of modeling and shaping in place, the exercise is the understanding of the dignity of the human head.
4.Starting with the person's head, you can do special practice and research on the five senses before. Gradually move on to the practice of busts and full-body figures.
The focus is on the understanding of anatomy, not just the mass, but also the changes in the skeletal muscles. The deeper level is the grasp of the character's demeanor, which needs to be based on keen observation and accurate performance, a lot of sketching exercises are necessary, to establish the overall concept, to grasp the rhythm and volume of the picture, so that the expression atmosphere.
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If you want to quickly improve the drawing of sketches, there is only one way, paint more, think more, and observe more. Four more. If you do these four more.
Then your sketching ability will improve rapidly in a short period of time, and at the same time you must go from the whole to the part and finally from the part to the whole at the same time. It is the female who grabs the facial features, and it is the male who grabs the structure of the face. I wish you excellent results in your sketches in a very short time.
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First of all, the combination of several lines, observe and understand the complex shape and the complex shape structure and the law of the relationship between light and dark, the law of intrinsic color and light and shade, the law of the object texture and the relationship between light and dark, and a good composition, and master these sketches can be drawn well.
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One word "painting" To draw well, you can only keep copying and sketching, and if you can, you can also bring more sketches to help improve your modeling ability.
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Here are a few things to keep in mind when sketching:
1. Set the light source, feel the texture of the object, and think about the general composition!
2. Draw shapes, find structures, and remember the rules of near and far! (It's simple, but it's easy to get it wrong.)
Oh! 3. Find light and shade, find out the boundary between light and dark, and paint large tones in the dark places so that the picture effect is neat.
body, and then draw in detail on the whole, draw five major tones, follow the structure, do not scribble.
Sketching is not simply blackened.
Nothing more!!! 4. Paint texture, distinguish the colors between objects, and then emphasize the sense of volume!!
The above is my simple method, remember what is good for you!! Paimon!
You should read more books from the masters, ask teachers and classmates diligently, understand more knowledge points, and clarify theories.
It's a lot easier to practice!! You pretend to be more envious and change your paintings, and be diligent in judging the hall! You can take what I told you above.
Write the method on the drawing board, solve it step by step, and I believe you will succeed!
Read more about Burriman and Anatomy of Art!!
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