What s the matter with a brush when painting Chinese paintings?

One is the psychological pressure, the brush is soft, always feel that the writing or painting is bad, the second is because the brush is soft itself is not easy to master, some painters have used the brush for a long time, the hand is still fighting, and whether it shakes or not has nothing to do with the quality of the painting. A large reason for hand tremor is psychological or physical, such as psychological tension, and if the muscles are exerted for a long time or for too long, they will tremble, which is normal, and it is normal to relax appropriately and control it well.

It's less practice! I remember being like that when I first started as a kid! But don't worry, as long as you're serious, don't panic!

Nothing else is wrong! If you are practicing Chinese painting, you can try to put a ruler between the pen and the paper in your right hand when you are drawing. It's good to practice more!

Nervousness, excessive psychological pressure, sleep insecurity, and heavy worries.

Make sure to sleep, relax properly, maintain a good mood, don't take drawing as pressure, and you can redraw if you can't draw well.

I think one is that I am not skilled enough, and I am not sharp enough to write, and I am afraid of making mistakes.

As I said upstairs, relax, don't put pressure on yourself, for fear that you won't be able to draw well, just take it as practice.

Because I am not familiar with it, I am not used to hanging my wrist and I am not used to it, and I am not used to it, and I can't control it well, and as for how to avoid it, I can only practice a lot.

It's normal for the average hand to tremble.

It's just that after the book is practiced.

It will be a little more stable. It's too hard to practice more and not shake at all, though.

I would like to suggest to the landlord that you should not use a pen when sketching. Now the CAFA teachers don't let them do this. Use your eyes directly, and start when you see it!

Trembling hands are not a problem that can be solved in a short period of time. It's going to be fine with a little more hands.

I know you're a beginner.

Take a piece of paper and stick it on the wall, practice the line arrangement every day, and know that the lines are parallel to each other.

Being too focused leads to nervousness.

Skilled trades. Skills are built over time. So. Wait patiently.

This is a normal phenomenon, not only when writing calligraphy, but also when painting Chinese paintings.

Generally speaking, holding the pen with the right hand, then it is easier to move the pen from left to right than from right to left, and it is easier to move the pen from bottom to top than to move the pen from top to bottom, which is an inevitable process for beginners, not a posture error or a physical problem, so don't worry. This is caused by the different muscles of the forearm used when moving the pen, and the parts that are not often used are naturally not very flexible, so it will be better to practice more and write more. In addition, when practicing calligraphy or painting Chinese painting, you should be calm and properly control the breathing rate, which will be of good help to move the pen.

Don't think, 'Don't make a mistake', revel in it, feel the structure and characteristics of the word, try it.

Don't be nervous! Psychological factors are particularly important!!

It depends on which direction your friend is focusing on, and of course, the depth of skill, in general:

Specializing in ink and wash landscape painting, green landscapes, it is best to send a soft pen, this kind of painting brush is mostly dipped, swept, pendulum-based, need to have a watery belly, a large amount of color, you can choose a medium-sized or so.

If you specialize in painting strokes, it is best to send a hard one or pick a pencil for hooking. This kind of painting pen is required to be uniform, the water content can not be too large, you can choose a good point of the pen.

Chinese painting is inseparable from inscriptions, calligraphy, if you are a novice, it is best to buy hard or both, and you can buy soft and powerful ones, but it also depends on personal preferences and learning calligraphy paths, different bodies also need different brushes to play the ultimate.

In the same way, friends will be happy to see you give a pen, no matter what it is, friendship is not a courtesy.

Brushes are divided into soft, hard and both. Soft hair is generally made of sheep, chicken, rabbit hair, hairy soft absorbing ink, in Chinese painting generally used in rendering coloring, such as sheep hair pen and so on. Hard hair is made of hard animal hair such as wolves and rats, and generally wolves are more than when painting mountains and rocks, such as orchid bamboo pens and so on.

It is a combination of soft and hard, moderate soft and hard, and has a wide range of uses, generally a mixture of wolf and sheep's hair, such as a large white cloud pen, and a brown pen. Brushes also come in sizes, and different pens are needed to see different types of Chinese paintings.

The classification of brushes is mainly based on size, as well as the type of bristles, **, shape and so on.

According to the size, the brush can be simply divided into: small block, medium block, large block.

According to the type of bristles, it can be divided into: soft, hard, and both.

1) Sheep's hair. The nib is made of goat hair. The sheep's hair pen is relatively soft and absorbs a large amount of ink, which is suitable for writing round and thick dot paintings.

It is more durable than the wolf pen. This type of pen is mostly lake pens, which are relatively cheap. Generally, there are large block pen, Jingti (or called the pen), Lianfeng, Pingfeng, Dingfeng, Gaifeng, banner, jade shoots, magnolia rui, Jing Hawthorn and so on.

2) Wolf Brush. The nib is made from the hair on the weasel's tail. I take the rat tail from the Northeast as the most and weigh it"North Wolf Milli"、"Kanto Liaoo"。

The wolf's pen is stronger than the sheep's pen, and it is suitable for writing and drawing, but it is not as durable as the sheep's pen, and it is also more expensive than the sheep's hair. Common varieties are orchid bamboo, freehand, landscape, flowers, leaf tendons, clothing patterns, red beans, small Seiko, deer wolf hair painting and calligraphy (wolf hair is made of deer hair), leopard wolf hair (wolf hair is made of leopard hair), special Changfeng wolf hair, super quality Changfeng wolf hair, etc.

3) Zihao. The nib is made of rabbit fur and is named for its purple-black and shiny color. This kind of pen is upright, sharp and sharp, and the elasticity is stronger than that of the wolf, and the hare fur produced in Anhui is the best.

4) Both. The nib is made from two animal hairs with different rigidity and softness. Common species include sheep and wolves, sheep and purple, such as five purple and five sheep, seven purple and three sheep and so on.

The advantages of this kind of pen have the advantages of the sheep wolf pen, the rigidity and softness are moderate, and the ** is also moderate, which is commonly used by calligraphers and painters. There are two types: harmony type and heart quilt type.

According to the shape, it can be divided into: Yuanhao, Jianhao, etc.

In addition, according to the length of the pen, the brush has a long edge, a center, a short edge, and the performance is different. The long front is easy to draw graceful lines, the short front is easy to make the lines dignified and thick, and the center is both. According to the size of the pen, the brush is divided into small, medium, large and other models.

Painting landscape all kinds of models to prepare a little, generally "small landscape" (small wolf), "big landscape" (big wolf) each with a branch, "small white cloud", "big white cloud" sheep hair pen each with a branch, and then have a larger sheep hair "bucket pen" on it. The new pen is more sharp, only suitable for drawing thin lines, and the effect of rubbing, rubbing, and dotting the old pen is good. Some painters like to use bald brushes, and the dots and lines have a vigorous and simple taste.

Good brushes have four characteristics: round, Qi, pointed, and healthy, and they are easy to use. Rinse the brush in time after use to avoid damage to the ink knots.

The raw materials for making brush barrels generally are: gold, silver, ivory, glass, red sandalwood, and spotted bamboo.

There are many varieties of brushes. In terms of raw materials and characteristics, it can be divided into three categories: soft, hard, and both. The raw material of soft hair is the wool of goats and wild yellow sheep, collectively referred to as sheep hair, which is soft and round when written.

The raw materials of hard hair are the hair on the weasel's tail and the hair of the mountain rabbit - purple hair, wolf hair, they are elastic, and the words written are sharp and strong. Jian Hao is a proportional combination of soft and hard wool.

The brush used in Chinese painting generally uses hard or both lines to outline, and soft brushes are used for rendering and coloring.

Lake pen is more famous. The pen of Shanlianhu Pen Factory is good.

The first thing to choose a pen is to be straight.

Prevent it on the counter.

Roll it to know if it's straight or not.

In the next to see if the pen is full and symmetrical.

I learned a piece of white drawing.

The teacher recommended us to use Zhu Jianyong.

The pen of this card. Courage is indeed good and not expensive.

Before painting Chinese painting, you can wash the brush without soaking.

It is necessary to use water, and the pigments of Chinese painting also need to be mixed with water.

Yes, this one still needs to be asked?

There is no difference, it is basically the same, it can be used for both writing and painting.

The brush is a traditional writing tool that originated in China, and has gradually become a traditional painting tool. The brush was invented by the ancient Chinese in production practice. The brush is a treasure provided by the Chinese nation to the world's art treasure house.

In traditional painting, whether it is gongbi or freehand, it is basically to use a brush to outline lines to shape the form structure. In traditional painting, a brush dipped in water is used to adjust ink, as well as to depict objects such as rubbing, rubbing, dotting, and dyeing. In traditional painting, objects are depicted using brushes to adjust colors, as well as rendering techniques such as separation and over-dyeing.

First, the soft and hard are different.

1. Hair used for writing.

The pen is relatively hard. 2. The brushes used to draw are generally soft.

Second, the material is different.

1. There are many wolves in the hair of the brush pen for writing calligraphy.

2. There is a lot of wool in the brush of painting.

The calligraphy pen is different from the Chinese painting pen only in the fine brush drawing line.

Generally speaking, there is no difference between a calligraphy brush and a Chinese painting (freehand painting) brush. The ancients often used residual ink and paper to dye with ink and ink in addition to writing, and used painting to express their aftertaste.

In terms of technique, Chinese painting has a category of "gongbi painting". The so-called "Gongbi" is to outline the scenery with very fine lines, and the degree of detail can be counted so that the beard, hair, hair, and feathers can be counted. Painting such a Chinese painting cannot be achieved with a general calligraphy pen, so there is a special pen for fine brushwork.

Gongbi strokes outline lines, commonly used are clothing pen, leaf tendon pen, big red hair, small red hair, crab claw, wolf gui, purple gui and so on. Most of these pens are thin, long, and hard, and are not suitable for calligraphy except for small letters. However, the painting also needs to be "dyed", and the rendering brush is still the same "white cloud" as the calligraphy pen.

From a pen-making point of view:

The biggest difference between the brush used to write calligraphy and the brush used to paint Chinese painting is that the calligraphy pen is more expensive and more expensive, and the white cloud used for painting is very cheap. The calligraphy pen is expensive hundreds or thousands, and the pure wolf on the penx is dozens or hundreds, after all, there are few materials.

Calligraphy is generally shorter and hard to write. Drawing pens generally have a longer nib. There are a variety of different models that people will recommend to you when you go to the store. I have been practicing calligraphy for 8 years, and from experience I can recommend several to you

In fact, any kind of brush can be used for writing and drawing, but people have formed a habit for a long time. Generally speaking, the brush used for writing is harder than the brush used for drawing, and there are more wolves in the pen hair, and it is easy to grasp the words. As for the brushes used for painting, they are generally softer, and there is more wool in the bristles, except for the line drawing pen of course.

Not really

The pen used for writing calligraphy is the same as the pen used for Chinese painting, but when painting landscapes, you need to use a wolf's pen!

The use of the brush as the basic tool for painting in Chinese painting is determined by its unique method of using brush and ink. The shape of the brush tip is like a flame, its tip is pointed, the middle is thick, and the place near the barrel is thinner. In this way, different lines and ink color variations can be drawn.

When the brush is pointed straight at the screen, the tip of the brush tip touches the drawing paper, and you can draw smooth, slender lines like silk threads by drawing on the brush with the brush. When you slowly increase the pressure of your hand, so that the tip of the pen touches the paper more and more, then the lines drawn will become thicker and thicker, which is called the center pen. If the bristles are used sideways, one side of the brush tip touches the picture, and the other side is facing up, so that the lines drawn are very thick and changeable, sometimes intermittent, this is called a side brush.

If one is very proficient in using a brush, then one can draw a variety of lines with one brush without having to change many pens. At the same time, due to the unique style of the brush, it can contain a certain amount of water in its nib. When the tip of the pen touches the screen, the water does not flow out all at once, but seeps into the screen with the amount of force of the hand holding the pen, that is, the amount of pressure.

In this way, you can use one pen to draw different ink color variations on the drawing as needed, and again, you don't need to change many brushes. In fact, it is not because the painter uses a pen to draw Chinese painting because it is not because it is easy to do so, but if you look closely at the above paragraph, you will find that they refer to "using brush" and "using ink" respectively. In Chinese painting, we should first talk about "vividness", and the coherence of "using brush" and "ink" is precisely for the vividness of spirit.

Think about it, if you draw a changing line and change a pen for a while, may this line give people the feeling of being done in one go? On the other hand, if you can make the painting "vivid", you can also use a lot of brushes to exchange for the ground, or even use a brush to paint Chinese paintings. Among Chinese painters, there are those who paint with hair, brushes (i.e., flat-headed pens), fingers, and feet, as well as those painted with inkjet colors.

However, no matter what tools are used, the people who can best express the characteristics of Chinese painting use the brush most of the time.

Painting peonies is roughly divided into large freehand, small freehand, and fine brushwork.

Each painter has different habits and painting methods, so I can't say them all.

Roughly: the freehand is used in sheep's hair or both.

There are many small freehand strokes, such as large white cloud pens and other flower heads, leaves, etc., and the old book uses wolf hair, stone badger and other hard hair.

Gongbi hook line with little wolf hair, clothing pattern, flower branches, etc., coloring with sheep hair or both.