Liangzhou words Meng Haoran poetry and poetry

The ancient poem "Liangzhou Ci".

Date: Tang. Author: Meng Haoran.

It is made into red sandalwood gold dust, and the sound of pipa is in the clouds.

Hu Di traveled 30,000 miles, and it was immediately sent to Mingjun.

The joy of the other side is sad, and the Qiang flute does not need to be played.

Sit and watch Guan Shanyue tonight, thinking about killing the border city rangers.

The ancient poem "Crossing Zhejiang and Asking the People in the Boat".

Date: Tang. Author: Meng Haoran.

The tide is flat and there is no wind, and the boat is with you.

Always lead the end of the sky, where is the green mountain in Vietnam?

Appreciation of works. Meng Haoran's poems are mainly good at five words, and the style is blended and diluted. Poets apply their own unique dilution style to the Seven Uniques, often "creating an elegant environment, at first like a common saying" and "its gods are far away" (Chen Yanjie, "On the Seven Uniques of the Tang Dynasty"). This poem is such a masterpiece.

Meng Haoran in the beginning of the Kaiyuan Dynasty to the twelfth and thirteenth years of the Kaiyuan Dynasty, several times in and out of the Zhang Shuo shogunate, but not expected, so there is a trip to Wu Yue, the thirteenth year of the Kaiyuan Dynasty (725) autumn from Luo's first way, along the south of the Bianhe River, through Guangling to Hangzhou. Then, he crossed to Yuezhou (now Shaoxing) in Zhejiang, and the poem was composed at this time.

When he was in Hangzhou, the poet had a sentence that "today's view of the rise of the Ming", which shows that the tide rose before crossing Zhejiang (Qiantang River). Once the tide receded and the boat road was opened, the poet could not wait to board the boat to continue. The first sentence is straightforward, and it consists of three phrases:

The tide falls", "the river is flat", and "there is no wind", which seems to be a plain common saying at first. However, the three pauses form a short rhythm, and it succeeds in writing the pleasant mood of those who re-embark on the journey after the tide letter is blocked. It can be seen that sometimes intonation also helps to express poetry.

The Qiantang River is wide, and the ferry is not large. A "flat boat" can't sit on many people. The "man in the boat" should be a stranger from all over the world.

Flat boat and the same as you", quite like their greetings when they met. This is very light: although they have never known each other in their lives, they have come to the same boat today, and a sense of intimacy arises spontaneously among the strange passengers.

Especially because there are few small passengers in the boat, there is a sense of intimacy in the same boat. Therefore, when I first saw the surname, I called each other with "Jun" as before. Such a simple homely saying, actually conveys the pure world style and human touch of the Chengping era in a subtle way, who can say that it is blindly diluted?

When the green hills on the other side are faintly visible, it arouses the poet's curiosity and speculation. The many victories in the mountains and rivers of Yuezhong are the places where the poet Xie Lingyun of the previous generation traveled and sang, so he can't help but lead the way to look at the horizon from time to time: Where should it be the place I have longed for a long time in Yuezhong?

He probably couldn't guess, he was just fascinated. There is no description of the scenery here, only the word "green mountain" is slightly bit, and the beauty of the mountains and rivers in Yuezhong is wonderfully transmitted from the expression of the wanderer who "always leads the way to the end of the sky". It can be described as light on the outside and abundant on the inside, like dry and solid.

Leading the end of the sky", this is a sentence of Lu Ji's "Si Lan Ruosheng Chaoyang". The poet came easily, adding the word "time", and the colloquial taste was strong, such as his own appearance, and the description was vivid. Paying attention to absorbing the words of his predecessors with colloquial characteristics and full of vitality and applying them is Meng Haoran's special skill.

Grape wine luminous glass, want to drink the pipa immediately urge.

Drunk and lying on the battlefield, Jun Mo smiled, and a few people came back to fight in ancient times.

Exegesis. 1. Luminous cup: a cup made of white jade.

Translations. Freshly brewed wine, filled with glow-in-the-dark glasses;

I was about to drink happily, and immediately the pipa sounded frequently.

Even if you are drunk on the battlefield, please don't laugh;

Since ancient times, how many men have returned alive?

Appreciation. The poem is a famous song of the cold scene. The whole poem depicts a feast in the arduous and desolate Biansai, describing the scene of the people drinking and getting drunk to their heart's content.

The first sentence is gorgeous and beautiful, and the tone is clear and pleasant, showing the luxurious style of the feast; A sentence uses the word "want to drink", and the first layer is extremely written about the warm scene, and the banquet is added to **, which deliberately renders the atmosphere. The third and fourth sentences are extremely written to recruit people to consider and persuade each other to drink, enjoy to the fullest, enjoy and forget worries, and be bold and open. These two sentences, the retired scholar of Yutang commented:

He spoke broadly, and felt grief. "Commentators have always thought it was sad and sentimental, and hated war. Qing Dynasty Shi Buhua's "Poems of the Maid" commented:

It is easy to read sad language, and it is wonderful to read it as scherzo. In the scholar comprehension. Judging from the content, there is no disgust with the words of the horse's career, there is no lament that life is not guaranteed, it is nothing more than the pain of difficult conquest, which is said to be sad and sentimental, which seems to be reluctant.

Shi Buhua's words have their depth. Famous through the ages, there are many opinions, opinions and wisdom, and scholars realize themselves.

The poetry of Wang Zhilian in "Liangzhou Ci": This poem expresses the homesickness and nostalgia of the soldiers on the border.

The Yellow River seems to be rushing from among the white clouds, and Yumen Pass towers lonely in the high mountains. Why use the Qiang flute to blow the mournful "Willow Song" to complain that the spring is not coming, the spring breeze can't blow outside the Yumen Pass at all.

Original text: The Yellow River is far above the white clouds, a lonely city and ten thousand mountains.

Why should Qiang Di complain about the willows, the spring breeze does not pass the jade gate.

Background:

According to the epitaph of Wang Zhilian, it can be seen that in the fourteenth year of Xuanzong of the Tang Dynasty (726), Wang Zhichuan resigned and lived a free life for fifteen years. "Liangzhou Ci Two Songs" is regarded as the fifteen-year period of his resignation and residence, that is, between the fifteenth year of Kaiyuan (727) and the twenty-ninth year (741).

According to the Tang Dynasty Xue Yongweak's "Collection of Differences", it is recorded that during the Kaiyuan period, Wang Zhilian, Gao Shi and Wang Changling went to the flag pavilion to drink the wine of the Lunqingdong, and met the Liyuan Lingren singing and feasting, and the three of them privately agreed to set the name of the poem according to the situation of the Lingren singing the poems composed by each person. Two poems by Wang Changling were sung, and Gao Shi also had one poem sung, and Wang Zhilian fell short one after another.