The evolution and development of the acoustic cavity, the interpretation of the acoustic cavity, and

The explanation of the word for the sound cavity is: sound cavity shēngqiāng. (1) The systematic tone common to many opera genres, such as Kun cavity, high cavity, Bangzi cavity, and Pi Huang.

The explanation of the word for the sound cavity is: sound cavity shēngqiāng. (1) The systematic tone common to many opera genres, such as Kun cavity, high cavity, Bangzi cavity, and Pi Huang.

Pinyin is: shēngqiāng. The structure is:

Acoustic (upper and lower structures) and cavities (left and right structures). The phonetic pronunciation is: 一 .

What is the specific explanation of the acoustic cavity, we will introduce it to you through the following aspects:

1. Citations and explanations [click here to view the details of the plan].

Aria. Quoting Aying's "About Beijing Yanjiu Bamboo Branches": Using three verbs in a row, the vocal cavity of the flower drum Yangge was brought out. ”

2. Chinese dictionary.

The common tone of some related opera genres, including factors such as singing style, singing form, musical instrument and accompaniment method. Such as Kun cavity, Bangzi cavity, sea salt cavity, etc.

3. Network Explanation.

Vocal cavityVocal cavity is a name that distinguishes different varieties in traditional opera art. Vocal cavity is a special noun in opera. Generally, some tones similar to singing in opera are called a vocal cavity, or classified as a vocal cavity system.

Classical Chinese opera is divided into two schools, Northern Miscellaneous Opera and Southern Opera, and due to the different regions of circulation, it gradually formed four major vocal cavities, namely Kunshan dialect, Yiyang dialect, Pihuang dialect and Qin dialect. A kind of vocal cavity spreads all over the world, combined with local dramas, or combined with local languages and **, and produces tribes. For example, the Kun cavity has developed the Kun cavity system of Beikun, Sichuan-Kun, and Xiangkun.

Verses about vocal cavities.

Pair the conclusive acoustic cavity.

Idioms about vocal cavities.

Take the cavity and take the tone, take the cavity to make the momentum, the hot pillow word is round, take the cavity as the pose, play the flower cavity, take the cavity as the tone, the shirt is open, the wild tone is not cavity, and the cavity is pretended.

Words about vocal cavity.

Full of righteous indignation, pretending to be a pose, taking a cavity as a pose, making a wild tune, playing with flowers, full of blood, full of grief and indignation, the word is positive, and the words are round.

Sentence formation about vocal cavity.

1. The vocal cavity of Chinese opera is mainly based on Xipi and Ergong, and there are blowing, miscellaneous songs, and minor tunes.

2. In addition, Peking Opera, Sichuan Opera, Wu Opera, Gui Opera, Hunan Opera, Qi Opera, Gan Opera and other operas still retain part of the repertoire, vocal cavity and music cards of Kunqu Opera.

3. According to his understanding, the singing voice of Mulian Opera is one of the oldest vocal cavities in China, and it is the song card body of "mixed singing, singing harmony, gongs and drums to help the festival".

4. The calculation results show that due to the interaction between the acoustic cavity and the structural vibration in the acoustic enclosure, there are many peaks in the transmission loss curve of the acoustic enclosure after considering the acousto-solid interaction.

5. The developing organ itself is a kind of mellow talent, and for a listener, even if he does not understand the language of the pastor's sermon at all, he can still be fascinated by the tone of the voice.

Distinguish the appellations of different varieties in the art of Chinese opera. China has a vast territory and many ethnic groups, and since the beginning of the formation of opera, there have been operas of different nationalities and different places. The difference between them, such as the singing vocal cavity, is called the cavity or tone, such as the Yiyang cavity, the Bangzi cavity, the soul cavity, the Hui tone, the Han tone, etc., which is called the opera vocal cavity; If it is distinguished by the artistic characteristics of the nationality or region, it is called opera or drama, such as Dai opera, Peking opera, Gaojia opera, Gezai opera, etc., which is called opera genre.

According to the statistics of various provinces, municipalities and autonomous regions, there are 317 types of opera in the country. The differences between the different varieties of opera are reflected in various aspects of literary form and stage art, but mainly in the differences in singing tones. The opera vocal cavity, in addition to referring to the first vocal cavity and its singing characteristics, also includes the vocal cavity system formed by the flow of this vocal cavity distributed all over the country, referred to as the cavity system, such as the Kunshan cavity and the localized Kunshan cavity system.

For example, Henan Bangzi and Hebei Bangzi are monovocal operas based on Bangzi cavity, while Sichuan opera is composed of five kinds of vocal cavities, including Kun dialect, high cavity, Huqin (leather reed cavity), Danxi (or random play, Bangzi cavity), and lantern opera. The formation, distribution, development, and evolution of any opera vocal cavity and opera genre not only have its own characteristics, but also have common laws. The initial formation of each vocal cavity drama is characterized by distinctive regional pronunciation and **, which is a kind of local opera, and then gradually spread, multiplies and develops.

Its spread depends on the movement of troupes and artists and the settlement of local talents in new areas, which can only have the minimum conditions for the evolution of new vocal operas; However, after a kind of vocal cavity drama is spread to a new area, whether it can be combined with the local language, customs, and appreciation habits to evolve into a unique local vocal cavity opera, it must also have objective conditions, including various factors of the times and society. From the perspective of the history of opera, there are many reasons why opera troupes have taken root and settled in other places: Migration with the population, such as large-scale migration or due to desertion, war and other reasons.

The southward movement of the northern miscellaneous drama was caused by the unification of the north and south by the Yuan Dynasty; At the beginning of the Ming Dynasty, the Yiyang cavity was far from the clouds and expensive, which was also related to the stationing of the army; The commercial development of the Ming and Qing dynasties, the frequent exchanges between businessmen, such as the development of the Shanxi ticket number industry to the flow of the Bangzi cavity, played an important role, so the artists circulated the saying that "the business road is the drama road". The high-ranking officials of the Qing Dynasty were mostly appointed by people from other provinces because of their avoidance, and they often transferred their provincial opera troupes to undertake in order to entertain themselves and entertain themselves. Traditional customs, such as the Spring Festival lantern festival, welcoming the gods, weddings and funerals, have cultivated fertile soil for the development of folk operas, and long-term performances year after year may evolve into new vocal operas.

Taken together, these factors still cannot be separated from the general law of development, such as the relationship between opera and the people, and the relationship between form and content. Only by constantly innovating and creating on the basis of inheriting the artistic achievements of our predecessors can any voice cavity and drama maintain its vigorous vitality.

The tuning cavity is a high-cavity system, and its sound cavity is mainly tuned, and Siping and Kun cavity are also used from time to time, so the word "tuning cavity" is the common name of the drama and the main sound cavity. The style of tuning **, Gu Lu opera is different from current opera. The ancient drama is elegant and beautiful, and the body is quiet; The drama is high-pitched and agitated, and the momentum is majestic.

There are two characteristics of the tone: one is the vocal help, which has a unique role in rendering the atmosphere, setting off the plot, creating suspense, and portraying the characters. The second is the gong and drum festival.

Through the strength of the blow, the slow disease, the high and low, the density and the timbre change, to express different feelings and atmosphere. Tune music. There are more than a dozen people such as drum boards, small gongs, positive and auxiliary blowing, five or six backyards, and official strings.

The tone line file is known as "three flowers, four whites, and five danchang". The art of tonal performance is known for its exquisite and delicate performance. Zhang Dai's "Dream Memories of Tao'an" praised:

The wonder of Kebai, there is a cavity that can't get one-tenth. ”