Nian Yuexie hand in hand, open the bridge and listen to the flute. Contemplating the past, like tear

You're talking about Zhou Bangyan's "King of Lanling".

The willow is straight, and the smoke is blue. On the Sui embankment, I have seen it a few times, and the water is floating to see off the color. Ascending to look at the homeland, who knows, Jinghua is tired. Changting Road, the year to the year, should be folded soft strip over a thousand feet.

Idle looking for old traces, and wine while mourning, the lamp shines away from the table, and the pear blossom elm fire urges cold food. Worried about an arrow and the wind is fast, half a penny wave is warm, turning back and handing a few posts, looking at people in the north of the sky.

Sadness, hatred piles up. Gradually farewell Pu lingers, Jin is lonely, and the slanting sun is rising in spring. Nian Yuexie hand in hand, open the bridge and listen to the flute. Contemplating the past, like tears in a dream.

Appreciation] The title of the word is "willow", which actually borrows the beginning of willow, and writes about the sorrow of sending off guests. The upper piece is made of willow yin, willow silk, and willow catkins, leading to the people who fold the willows to say goodbye. "Who knows the tired guests of Jinghua", a sentence of "Si people are alone and haggard", there are many willows, and the frequency of sending off guests, the tiredness of eunuch travel, and the depth of sorrow.

Foreshadowing and rendering for the following. The middle film entered this farewell story. Traces, mourning, and leaving the table, with the words "old" and "again", indicate that there is a lot of travel and food, don't worry a lot.

Receiving the word "sorrow", the water comes naturally, and the worry should be that the boat is fast, the road is long, and the people are far away. "Looking back" is still in the blink of an eye, "looking at people in the north of the sky", the writer stands on the pier and stares at it, and the shape of the god is in his eyes. The next film writes about the sad feelings after drifting away.

At the beginning, there are two words in the first five words, and you can see that the mood is extremely poignant. The two sentences of "Farewell Pu" write about the loneliness of the boat, and the time is approaching dusk, so I can't help but recall the joy of gathering with her in the past. The whole word is divided into the past, she and me, sending, leaving and retaining, imagination and reality are repeatedly overlapped, the narrative lyricism lingers and twists and turns, and the behavior of Jinghua tired customers is consistent to the end.

The weight of the pen is engraved into the bone. The Song people carried this song in the south of the West Building, "called the Weicheng three stacks", not for no cause.

"Lanling King Liu" is a farewell poem, called Yongliu, which writes about farewell, which also conveys the author's frustration in officialdom and the sigh of his life experience. This poem has a total of 130 words, divided into three pieces, there are many layers, if there is no talent to control the long tune, if there is no deep skill in weaving the fragments of threads into a splendid embroidery, such a long tune can not be paved, nor can it be cast into a unified artistic whole. It is in these areas that Zhou Bangyan shows his artistic talent and skill.

The first piece is Yongliu. "Blowing willows and sending off the color" is the key sentence of the whole word. It shifts from Yongliu to farewell, not only explaining the reason for Yongliu, but also explaining that the theme of this poem is "sending off".

The second piece is written in the candied line. This piece can be divided into two layers: the first four sentences are "send", and they are written about the scene of farewell; The last four sentences are "lines", which are written about special situations.

The third piece writes Don't Hate. First of all, I always mention a stroke: "Sadness, hatred piles up".

It's a summary at the top and a hint at the bottom. The following is supplemented from the two aspects of scenery and emotion. The three sentences of "Farewell to Pu Yinghui" are written scenes, and the five sentences of "Nian Yuexie Hand in Hand" are lyrical.

Zhou Bangyan carried forward Liu Yongzi's artistic technique of creating long tunes, which not only can be narrated layer by layer, unremittingly, and to the end, but also committed to the rigor and change of the structure, showing a kind of looping and twisting, echoing before and after, sparse and dense, and inseparable characteristics.

Lanling King Liu.

Zhou Nawu refers to Bangyan.

The willow is straight, and the smoke is blue. On the Sui embankment, I have seen it a few times, and the water is floating to see off the color. Ascending to look at the homeland, who knows, Jinghua is tired. Changting Road, the year to the year, should be folded soft strip over a thousand feet.

Idle looking for old traces, and drinking while mourning, the lamp shines away. Pear Blossom Cave with elm fire to promote cold food. Worry about an arrow and the wind is fast, half a penny wave is warm, turn around and pass a few posts, looking at the north of the world.

Sadness, hatred piles up. Sorry to say goodbye to Pu lingering, Jin orange Lu Yan Cen is lonely, and the sun is springless. Nian Yuexie hand in hand, open the bridge and listen to the flute. Contemplating the past, like tears in a dream.