What are the characteristics of Ming Dynasty porcelain? What does it mean that his lines are soft an

The porcelain is exquisite, and the glaze is relatively rich.

Soft lines mean supple, which is pleasing to the eye.

Roundness refers to the color of the glaze

The development of Chinese porcelain, from the Song Dynasty to the north and south of the river hundreds of kilns and flowers through the Yuan Dynasty, to the Ming Dynasty almost became by the Jingdezhen porcelain kilns to dominate the world. Jingdezhen porcelain products occupy the main market in the country, therefore, it is Jingdezhen porcelain that truly represents the characteristics of the porcelain industry in the Ming Dynasty. Jingdezhen's porcelain is mainly blue and white, and other products such as underglaze color, overglaze color, bucket color, monochrome glaze and so on are also very good.

Take the blue and white of Jingdezhen as an example: the color of the blue and white in the Hongwu period is black and dark, and the decoration has changed the style of the Yuan Dynasty with more layers and full of patterns, tending to be light and leaving more blank space; During the Yongxuan period, the blue and white was famous for its fine glaze, strong blue color, diverse shapes and beautiful ornamentation, and the green material used was imported Su Ma Liqing; Chenghua Hongzhi, Zhengde blue and white tire thin glaze white, blue elegant, its green material for the domestic equal green; In the Jiawan period, the blue and white blue is purple, the hair color is bright and heavy, and its green material is used as a mixture of green or green and stone green; In the late Wanli period, from the apocalypse to the end of the Ming Dynasty, the blue and white blue was gray, and the green material was a domestic Zhejiang material.

On the basis of the development of blue and white porcelain, the development of colored porcelain in the Ming Dynasty also had a new leap. After Yongle and Xuande in the Ming Dynasty, colored porcelain prevailed, in addition to the reasons for color materials and painting technology, it should be mainly attributed to the improvement of the quality of white porcelain. The face of the glaze color of the Ming Dynasty was common.

Ming Dynasty porcelain] Ming Dynasty porcelain.

The colors are red, yellow, green, blue, black, purple, etc., the most representative is Chenghua Doucai, which is a kind of colored porcelain process that combines underglaze blue and white and overglaze color. For example, the glaze color of Chenghua Doucai ware has many color varieties and can be freely matched according to the content of the picture, the red of the cockscomb is almost the same as the real cockscomb, and the purple grape is almost the reproduction of purple grapes. Therefore, colored porcelain is generally very delicate and precious, such as the world-famous Chenghua Doucai chicken bowl cup.

It depends on what it is, it's not good to say this, do you have it or what, if you have it, pass it on**Put it in Bo Baobaozhen**, and let the experts identify it for you.

1. Shape - generally plump, vigorous, soft and rounded lines, giving people a sense of simplicity and solemnity.

2. The carcass is generally heavier than that of the Qing Dynasty, and Hongzhi paid attention to repairing the tire before, and the seams were not obvious; After Zhengde and the end of the Ming Dynasty, the joints are particularly obvious, the carcass is thicker and rougher, and the folk kiln utensils are especially serious. There is a phenomenon of "flint red", commonly known as "yellow overflow".

3. Glaze - the biggest feature is that the enamel is thick and moisturizing. In the blue and white porcelain, most of them are blue and white, commonly known as "bright blue glaze", which runs through the beginning and end of the entire Ming Dynasty.

4. Ornamentation - mainly dragons, phoenixes, unicorns, landscapes, figures, flowers and birds, animals, etc. The picture is bold and chic, the brushwork is smooth and skillful, and the composition is simple and ancient.

5. Foot - large utensils are mostly sand bottoms, often with collapsed bottoms, sticky sand, and jumping knife marks. There are many shapes such as straight ring feet, flat cut ring feet, wall ring feet, high feet and so on.

6. Recognition - Before the Ming Dynasty, Jingdezhen porcelain was mostly not signed. After Yongle, he began to write the year number of the dynasty, the dry payment, and the drawing on the official kiln. It is mostly written in blue and white, with dark engraving, embossing, etc.

Style-recognizable features

The form of porcelain in the Ming Dynasty is generally based on writing, and there are very few engravings. The rules of Ming Dynasty porcelain style summarized by the predecessors are: Yongle is less, Xuande is more, Chenghua is fat, Hongzhi is showy, Zhengde is Gong, and Jiajing is miscellaneous.

The style of Yongle porcelain is known as "Yongle year". This is the first time in the history of ceramics fired the emperor's year model, "Yongle year" four characters for the seal, four characters double vertical line, seal, engraved or written in the heart of the vessel. Blue and white ware is written in blue and white; White glaze ware and green and white glaze ware are mostly printed; Red glaze and green glaze ware are mostly engraved.

Regardless of engraving, printing and writing, the font of the four seal characters of "Yongle Year System" is smaller.

There is only one form of four-character seal book in Yongle year. Anyone who sees the four characters of regular script, the six characters of seal script or the six characters of regular script is a pseudo deposit. Later, there were imitations of the four-character seal book, but the font strokes of the imitation models were mostly stiff and folded, and there was no soft and mellow feeling.

There are still many auspicious paragraphs on the folk kiln, there are blessings, Lu, longevity, Chen, etc., the font is mainly written in cursive when Hongwu, and it has developed to three kinds of writing styles. In addition, the Yongle Dynasty also has a small number of figures.

The above content reference: Encyclopedia - Ming Dynasty porcelain.

1.Plump, vigorous, simple, soft and rounded lines, giving people a sense of simplicity and solemnity.

2.The carcass refers to the three-dimensional modeling, such as bottles, zun, etc., which are thicker and heavier. Round ware refers to flat shapes, such as plates, bowls, etc., and its carcass is also thicker and heavier than that of the Qing Dynasty.

3.The blue and white porcelain of the Ming Dynasty was fainted in the early period, beautiful in the middle period, and gray and dull in the late period.

4.Yongle, Xuande porcelain lining is very regular, other periods of plates, bowls, the inner wall is not flat, there is a sense of unevenness. The abdomen of the cutter has many traces of articulation to the flesh layer.

5.The biggest feature of the glaze is that the glaze is thick and moist, and the blue and white varieties are white except for a few utensils in the Chenghua, Hongzhi and Zhengde dynasties, and the rest are blue and white, commonly known as bright green glaze. This kind of white and blue glaze ran through the beginning and end of the Ming Dynasty.

6.The ornamentation is mostly freehand, the picture is bold and vivid, the painting dragon is more ferocious, the mouth is like a pig's mouth, commonly known as the "pig mouth dragon", the anger rushes forward, the claws are round, there are three claws, five claws, and the late dragon pattern has the state of aging. The phoenix pattern painted in the early period is the same as that of the Yuan Dynasty, with no hair on the neck, and there are many flame patterns on the dragons, lions and beasts.

7.Instrument foot, large instrument foot, mostly sand bottom, Yongle, Xuande ** are white sand bottom.

1. Shape - generally plump, vigorous, soft and rounded lines, giving people a sense of simplicity and solemnity. 2. Carcass:

It is generally heavier than that of the Qing Dynasty, and Hongzhi used to pay attention to repairing tires, and the seams were not very obvious. 3. Glaze: It is characterized by thick and moist enamel.

4. Ornamentation - mainly dragons, phoenixes, unicorns, landscapes, figures, flowers and birds, animals, etc. 5. Instrument foot:

Most of the large utensils are sand bottoms, and there are often collapsed bottoms, sticky sand, and jumping knife marks. <

1. Shape - generally plump, vigorous, soft and rounded lines, giving people a sense of simplicity and solemnity.

2. The carcass is generally heavier than that of the Qing Dynasty, and Hongzhi paid attention to repairing the tire before, and the seams were not obvious;

3. Glaze: It is characterized by thick and moist enamel.

4. Ornamentation - mainly dragons, phoenixes, unicorns, landscapes, figures, flowers and birds, animals, etc.

5. Foot - large utensils are mostly sand bottoms, often with collapsed bottoms, sticky sand, and jumping knife marks.

Although the development of porcelain in the Yuan Dynasty was not as striking as that of the Song Dynasty, it also began to show new development characteristics.

If the unprecedented development of the porcelain industry in the Song Dynasty is the result of the prosperity of the porcelain industry in the north and south, and the development of official kilns and private kilns, then the characteristics of the porcelain industry in the Yuan Dynasty are to highlight the porcelain industry in Jingdezhen, Jiangxi, making it the first in the porcelain industry in the country.

In the late Yuan Dynasty, due to the development of maritime transportation, more attention was paid to foreign countries, and handicraft production, including porcelain industry, developed rapidly. During this period, the quantity and quality of porcelain exported were greatly improved compared with those of the Song Dynasty.

A new type of kiln firing method in the Yuan Dynasty.

The Yuan Dynasty also saw the emergence of a new type of kiln firing method, namely the chamber dragon kiln.

This kind of kiln is built on the mountain, the inclination is between 12-20 degrees, the length is nearly 60 meters, the width is 2-3 meters, and there are 17 kiln rooms. The characteristics are: the capacity of the imperial kiln is large, which is suitable for firing a variety of glazes at the same time, and different products are placed at different kiln temperatures in the front, middle and rear of the kiln chamber.

Brother Wang. It is suitable for using firewood as fuel, which heats up quickly and cools quickly, making full use of the heat in the kiln. At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, a gourd-shaped kiln also appeared on this basis, which later evolved into an egg-shaped kiln, and continues to be used to this day. <>