What is the achievement and value of the Book of Songs, and what impact will it have on future gener

<> can be divided into three parts: "Wind", "Ya", and "Song". "Wind" refers to the national style, reflecting the life of the toiling masses of the lower classes; "Ya" is a poem on the location of the royal city of the Zhou Dynasty; The Ode is a musical song that reflects the sacrifices of kings and princes.

From the point of view of expression, it is divided into three parts. Fu is a direct narrative description; Analogy, is a metaphor, a metaphor; Xing is to get up and feel it;

From the perspective of historical status, it laid the foundation of classical Chinese realist literature, which was later listed as a Confucian classic.

The Book of Songs is based on the life of the Western Zhou Dynasty and reflects the local social conditions and social features at that time.

For example, "Shuo Mouse": Shuo Rat, Shuo Mouse, no food for me! Three-year-old girl, don't care about me.

The woman who is about to pass away is a paradise. Paradise and Paradise, I have what I have. It truly reflects the miserable life of the common people, reveals the parasite nature of the rulers, indicts the suffering of the common people, and shows the injustice of society and the dark and decadent phenomena of the ruling class.

For example, "Guan Ju": "Guan Guan Ju dove, in the river island, fair lady, gentleman." It reflects the poet's longing for the lady and the praise and pursuit of beautiful love.

The Book of Songs also reflects the ritual and music civilization of the Zhou Dynasty, involving all aspects of life, from clothing and eating to war sacrifices. There are also a large number of descriptions of ritual and music culture in the Book of Songs, such as praising Qin Jun in the chapter "Qin Feng Zhongnan": "The gentleman is the end, the brocade is the fox Qiu", which is ostensibly talking about clothes, but in fact, borrowing clothes to praise people.

There are also a lot of descriptions of mountains, rivers, flowers, plants, birds and beasts in the Book of Songs, which use physical properties to compare feelings, reflecting the harmonious coexistence and close integration of man and nature.

It can be seen that the rich content contained in the "Book of Songs" is also very profound, and the sentence structure also has its own characteristics, mainly oaths, rich syllables, harmonious syllables, and catchy, which has had a profound impact on Chinese literature in later generations.

The most important literary value of the Book of Songs is Fu Bixing, so what is its social value?

The spirit of elegance is a great wealth of the Book of Songs. The Book of Songs focuses on reality, has a strong political and moral awareness, and runs through a positive attitude towards life, which has a far-reaching influence on later literature. <>

For example, in the article "Shuo Rat", the Shuo Mouse is used as a metaphor for exploiters, expressing the dissatisfaction and resentment of working people against social injustice. "Preface to Mao's Poems" said: ""Shuo Mouse", the thorns are heavy.

The people of the country stabbed their monarchs and restricted, encroached on the people, did not repair their politics, and were greedy and afraid of people, like rats. This is a typical work of realistic irony.

Another example is "Poetry, Qin Feng, No Clothes": How can it be said that there is no clothes, and the same robe with the son. It shows the spirit of unity and intimacy between the soldiers who share the same hatred and fight side by side, and expresses a positive attitude. <>

Bai Juyi of the Tang Dynasty launched the New Yuefu Movement, advocating that "articles are written for the time, and songs and poems are written for things", emphasizing the realism and politics of articles, and advocating caring about current affairs, caring about life, being close to reality and the people, which is a continuation of this elegant spirit.

Lu You and others in the Song Dynasty also inherited this tradition. "The dead Yuan knows that everything is empty, but the sorrow is not the same as Kyushu.

Wang Shi set the Central Plains Day in the north, and the family sacrifice did not forget to tell Naiweng. Lu You cared about the political situation all his life and had the great ambition of calming the Central Plains, so his literary works also ran through the majestic patriotic pride, and even when he was dying, he was thinking about the mountains and rivers that were seized by the Jin army. <>

Not to mention the bloody satire ** such as "The History of Confucianism", "Strange Tales from Liaozhai" and "Dream of Red Mansions", caring for life and facing the darkness are of great significance to reflecting the world.

The Book of Poetry is the glorious beginning of China's ancient poetry, and it has had a tremendous impact on the development of China's later poetry and even the entire ancient literature. The realist spirit of "the hungry sing about their food, and the laborers sing about their work" has set an example for later generations of progressive writers, inspired and encouraged poets and writers to care about the fate of the country and the suffering of the people, and to take the reflection of reality as the starting point of their creation. This enthusiasm for paying attention to reality, strong political and moral awareness, and sincere and positive attitude towards life have been summarized by later generations as the spirit of "elegance".

The lyrical and angry works with the individual as the main body in the Book of Songs were inherited by Qu Yuan. The characteristics of Han Yuefu's poems and the generosity of Jian'an poets are the direct inheritance of this spirit. Later poets often advocated the spirit of "elegance" to carry out literary innovation.

Chen Ziang's poetic innovation, as well as many outstanding poets of the Tang Dynasty, have inherited the spirit of "elegance". The tendency of Bai Juyi and the Xin Yuefu families to pay attention to real life, intervene in politics, and care about the people's weal and woe is also the embodiment of the spirit of "elegance". Moreover, this spirit extended from Lu You in the Song Dynasty to Huang Zunxian in the late Qing Dynasty in his later creations after the Tang Dynasty.

The expression technique of "endowment, comparison, and rejuvenation" in the Book of Poetry has been inherited and developed in the creation of ancient poetry in China, and has become an important feature of ancient poetry in China. The overlapping and repeated form of folk songs in the Book of Songs, as well as the accurate, vivid, and beautiful language, have also been widely absorbed and used by later poets and writers. With its profound social content and beautiful art form, the Book of Songs has attracted future generations of literati to attach importance to folk songs and learn from them.

The characteristics and influence of the Book of Songs are mainly manifested in the following aspects:

First, the Book of Songs is based on lyric poetry.

Second, the poems in the Book of Songs, with the exception of a few articles, are completely reflective of the real human world, daily life, and daily experience.

Third, in connection with the second item above, the Book of Songs has, on the whole, had significant political and moral overtones.

Fourth, the lyric poems in the Book of Songs, when expressing personal feelings, are generally more restrained and appear peaceful.

The above mainly discusses several important characteristics of the Book of Songs from the aspects of content, ideological tendency, and lyrical characteristics. These characteristics have had a profound impact on the literature of later generations of China. The following is a brief introduction to the characteristics of the Book of Songs from the aspects of language form and expression, and the influence of these aspects is different.

The basic sentence structure of the Book of Songs is four words, and sometimes there are various sentence patterns from two words to nine words. However, the proportion of miscellaneous sentences is very low. Only a few poems are dominated by miscellaneous words, such as "Van Tan".

With four sentences as the main stem, it can be inferred that the ** melody of the "Book of Songs" was sung at that time, which was relatively stable and simple. After the Han Dynasty, although the four-character poem has been written intermittently, it is no longer an important poetic type. On the contrary, it is widely used in special rhyme styles such as rhetoric, ode, praise, verse, proverb, and inscription.

The "Book of Songs" is called a classic, because of the classics and richness of its content, the "Book of Songs" shows a lot of scenes and pictures, many can give different interpretations, it is this ambiguity, endowed with the "Book of Songs" vigorous vitality and broad inclusiveness, so that it can be often understood and new, benevolent and wise. The beauty of the Book of Songs is that it usually only gives a typical scene or fragment, and the reader relies on his own experience and preferences to deduce cause and effect, events, and stories, and finally form a dynamic account, or depict love, or depict politics, or just write a wisp of emotion.

Everyone who reads the Book of Songs can read their own Book of Songs.

The main literary achievements of the Book of Songs.

1. Strong realism.

Spirit. 2. Fu, Bi and Xing are the most prominent artistic expressions in the Book of Songs, and they are known as the "six meanings" of poetry with the same wind, elegance and song

3. Overlapping is a significant feature of the poem's 300 chapters.

4. Four-word sentence structure and rich, vivid and vivid language.

For example, the concept of "Fu Bi Xing" existed as early as the Spring and Autumn Period, and continued to accumulate, "Zhou Li, Chun Guan, Master" concluded: "Teach six poems, say the wind, say the fu, say the ratio, say the xing, say the elegance, say the song." Take the six virtues as the foundation, and take the six laws as the sound".[1] Han Dynasty "Preface to Mao's Poems".

The author, according to the "Rites of the Week".

The saying put forward the "six meanings of poetry" said: "Therefore, poetry has six meanings, one is wind, two is fu, three is bi, four is xing, five is elegant, and six is ode." 2] Obviously, wind, elegance, and song are stylistic classifications that belong to the Book of Songs, and it is not stated what Fu, Bi, and Xing mean.

Tang Dynasty Kong Yingda "Mao's Poetry Justice".

said: "Fu Bixing is the use of poetry, and Feng Ya Song is the formation of poetry"; It means that the former is the practice of poetry, and the latter is the genre of poetry. Generally speaking, Fu and Bi are relatively clear, and there are doubts about Xing, and there are many differences in the interpretation of later generations. The jury is still inconclusive. Liu xie.

The so-called "wind through and Fu Tong", that is, the wind and elegance are connected, and Fu is used as the general expression of poetry, "through positive change, and beautiful thorns", which are also the same, these are easier to understand, but than the problem of harmony, there are many explanations in the past dynasties. To sum up, there are generally three methods of interpretation, namely, political interpretation, linguistic interpretation, and literary interpretation.