The Book of Songs was compiled by Confucius from a collection of ancient poems, what impact did it h

The Book of Songs is called "Poetry", and in the Western Han Dynasty, it was called a Confucian classic, called "The Book of Songs". The Book of Songs is an ancient poem in China.

The glorious beginning has had a significant impact on the literature and poetry of later generations in our country. <>

1. The spirit embodied in the poems in the Book of Songs is worth learning from future generations.

The Book of Songs describes the life and suffering of many working people, describes the real society at that time, and is the source of Chinese realist poetry. The author is very concerned about the fate of the working people and the hard life of the people

, we can see the bloody life of slaves. And a lot of the content of the poems has a strong political consciousness.

and a sincere and positive attitude towards life, which really had a profound impact on the creation of later generations, Du Fu.

, and there are many people whose writing articles have absorbed nutrients from the Book of Songs.

2. The elegant spirit in the Book of Songs has been learned by later generations.

Many of the poems in the Book of Songs are lyrical and angry works with individuals as the main body, Qu Yuan.

It was inherited from these characteristics that he wrote "Lisao".

This hand-me-down masterpiece, but also the spirit of elegance to Han Yuefu.

The Jian'an poets have a great influence. Bai Juyi.

and the concern for the people's sufferings and the description of real life shown in the poems of Xin Yuefu are the embodiment of the spirit of elegance in the Book of Songs. This spirit can be said to have continued into modern times. <>

3. The expression of the Book of Songs.

It has a great impact on future generations.

The main expression technique in the Book of Poetry is Fu Bixing, these three points can be said to be quite important, and have an important impact on the creation of poetry and article writing in later generations, and many poets and writers have a large number of uses of these techniques when they are in literary creation.

The Book of Songs can be said to be Chinese culture.

Its realistic spirit allows us to see the hardships of the life of the people at the bottom of that era, and allows us to understand the living customs and customs of the ancestors, which plays a significant role in our study of ancient culture, and its content and writing techniques.

All of them have great reference significance for later generations of literary creation. <>

The Book of Poetry is the first collection of poetry in China, and it is the source of realist poetry, which directly opened the poetry of Han Yuefu and the new Yuefu movement of the Tang Dynasty, and had a direct impact on the poetic style of Du Fu, a giant of realist poetry in the Tang Dynasty. The Book of Songs has always been highly valued. Confucius once compiled and revised the Book of Songs, which was later called the "Five Classics" by Emperor Wu of the Han Dynasty together with the Book of Rites, the Book of Rites, the Book of Changes, and the Spring and Autumn Period, as Confucian classics.

Sima Qian said in the "Book of Reporting to Ren'an": "The 300 poems are probably what the sages and saints did when they were angry. In the "Preface to Mao's Poems", "Feng Ya Song" and "Fu Bixing" are collectively called "Six Meanings".

In fact, the first three refer to the classification of poems; The latter three are endowment, comparison, and xing, which refer to the expressive techniques of poetry.

It has laid the foundation for the development of China's poetry, promoted its status in the history of Chinese literature, and is the beginning of China's ancient poetry, which has had an impact on its status and laid the foundation for the development of China's poetry.

The harm of the Book of Songs to future generations of literature is very long-term, which is manifested in the following three aspects: First, it opened up the fine style of modernism in China's poetry. The spiritual essence of his writing of "the hungry sing about their food, and the laborers sing about their talents" inspired and promoted post-humanists to pay close attention to the actual and historical process and the difficulties of people's livelihood projects, such as the Yuefu works of Han Yuefu folk song writers, Jian'an poets, Chen Ziang, Du Fu, and writers of the New Yuefu Movement, all of which are simultaneous inheritances of the spiritual essence of this kind of writing.

Secondly, its artistic expressions of endowment, comparison, and revival have brought successful plastic art references for the creation of later historiography.

It clarifies the influence of folk culture in the history of Chinese literature. The vast majority of the poems in the "Book of Songs" are national songs, which are simple and refreshing, vivid and interesting, and harmonious, of course, which has opened up a wide range of roads for future generations of humanities and writers to learn and train folk culture. From the perspective of the development trend of Chinese literary history, a new style of writing is often created from folk customs, and then given by literati and ink writers to the development trend of production and processing.

Some meritorious writers of various generations have also used the training to learn from folk culture and enrich their writing. Learning and training from folk culture is also an excellent style in the course of the development trend of literature in China.

Although there are very few poetic histories narrated in the Book of Songs, they are mainly works that express feelings and aspirations. Passages such as "Wei Feng Gangster" are more descriptive, and their narration is also in the service of expressing feelings, so they cannot be called narrative poems succinctly. The Book of Songs can be said to be primarily a collection of lyrical poetry, which was formed more than 2,500 years ago and produced so many lyrical poems of such a high standard, which is rare in the literature of the world.

Gradually, from the "Book of Songs," the characteristics of national literature, which is particularly advanced in lyrical poetry in our country, have been displayed. From now on, in our country's poetry and literature will follow the road of expressing feelings and aspirations opened up by the "Book of Songs," and lyrical poetry will become a specific way of poetry in our country.

The poet immortal Li Bai sighed, "Sixian has not been done for a long time, and I am declining who is Chen" ("Ancient Style" one); Du Fu is even more "tailor-made, pseudo-style, intimate and elegant" (the sixth part of "The Drama is Six Quatrains"), and Du Fu's poems are called "epics" because of their universal themes and the depth of their social realities; In fact, Bai Juyi and the new Yuefu families showed a tendency to attach importance to daily life, interfere in politics and metallurgy, and pay attention to the people's hardships, all of which are reflections of the spiritual essence of "elegance." And in the literary creation after the Tang Dynasty, from Song Luyou to Huang Zunxian at the end of the Qing Dynasty, there is no shortage of people.

This is a very important existence, there is a lot of easy to understand knowledge in it, and it is also one of the enlightenment books.

It has a very important influence on the history of literature, and it also has a very high status, which can bring a lot of inspiration to future generations, attract everyone's interest, attract more talents, and have a certain impact on literature.

The Book of Songs is the first collection of poems in China, the ancestor of later literature, which directly or indirectly influenced the development of poetry in China and is widely circulated as one of the "Five Classics".

The Book of Songs was compiled by Confucius, and this statement first appeared in () aBook of Han

b."The Mountain Didn't Fu Shi Cha Rang Ji".

c."Left Biography".

d."The Analects of Tease".

Correct answer: B

Spanned about 600 years.

About the Book of Songs

The collection and compilation of "Wang Guancai Poems" and "Confucius" are included.

Delete the poem".

According to the records of Wang Guancai's poems in the Hanshu Food and Goods Chronicle, the court of the Zhou Dynasty sent special envoys to collect folk songs all over the country during the busy farming period, and the historians of the Zhou Dynasty collected and sorted them out and showed them to the Son of Heaven, with the purpose of understanding the people's feelings.

Confucius's deletion of poems This statement is found in the "Records of the Historians".

It is now generally believed that the Book of Songs was collected by the vassal states with the assistance of the Zhou court, and then compiled by historians and musicians. Confucius was also involved in this process of sorting.

The Book of Poetry was originally called "Poems", with a total of 305 poems (there are 6 other poems with titles and no content, that is, there are no words, called Sheng poems), so it is also called "three hundred poems".Since the Han Dynasty, Confucianism has regarded it as a classic, so it is called the Book of Songs. The Book of Songs was regarded as a classic by Confucianism and became the Six Classics (including Poems, Books, Rites, Music, Yi, Spring and Autumn) and the Five Classics

No "Music").

The Book of Poetry is called "62616964757a686964616fe59b9ee7ad9431333361313937 Jing" in the Western Han Dynasty? During the Western Han Dynasty, Sima Qian was the first to put forward the "Confucius Theory of Deleting Poems".

Specifically: 1. In various opinions, it is generally believed that the "Poem" is called the "Book of Songs" from the Western Han Dynasty. When Emperor Wu of the Han Dynasty "deposed a hundred schools of thought and respected Confucianism alone", the status of Confucianism was unprecedentedly promoted, and it was believed that the "Poems" compiled by Confucius became a Confucian classic, so it was called the "Book of Songs".

2. The "Deletion of Poetry Theory" was originally from Sima Qian, and later Ban Gu and Zheng Xuan supported this statement. It was not until Kong Yingda in the Tang Dynasty compiled "Mao's Poetry Justice" and made a sparse work for Zheng Xuan's "Poetry Spectrum" that he began to put forward different views. But Kong Yingda only said that Confucius would not delete so many poems, but did not publicly deny Confucius's "deleted poems".

Later, famous figures who supported the "theory of deleting poems" included Ouyang Xiu, Cheng Hao, Wang Yinglin, Ma Duanlin, Gu Yanwu, Zhao Tan, Wang Song and others; The camp opposing the "deletion of poems" is larger, including Zheng Qiao, Zhu Xi, Lu Zuqian, Ye Shi, Zhu Yizun, Wang Shizhen, Zhao Yi, Cui Shu, Wei Yuan, Fang Yurun, and so on. The main opponents of modern times are Liang Qichao, Hu Shi, Gu Jiegang, and Qian Xuantong. Contemporary scholars of the Book of Songs basically disagree with Confucius's statement that he "deleted poems".

Note: However, the statement that Confucius compiled the "Book of Songs" is also questionable, and the "Historical Records of the Confucius Family" says that there were originally more than 3,000 poems, which were deleted by Confucius and became the definitive version of more than 300 articles seen by later generations. This account is met with widespread skepticism.

The verses quoted in a pre-Qin document are generally within the scope of the existing "Book of Songs", and the number of so-called "Yi poems" outside of this is very small, if Confucius still had more than 3,000 poems before, it stands to reason that such a situation would not occur; In addition, in the Analects, Confucius has repeatedly mentioned the "Three Hundred Poems" ("Wei Zheng", "Zi Lu"), etc.), proving that the "Poems" that Confucius saw were already more than 300 books, which are similar to what they see now. In other words, the compilation of the Book of Songs was around the sixth century B.C. before Confucius was born. It's just that Confucius did put a lot of effort into the Book of Songs.

The Analects of Confucius records that Confucius said: "I defend myself and return to Lu, and then I will be happy, and Yasong will have its place." The text of the "Historical Records" quoted above also says the same thing.

This shows that in the time of Confucius, the ** of the Book of Songs has been scattered and disordered, and Confucius has made a revision of this to make it conform to the original state of ancient music. He also used the Book of Songs to educate his students, often discussing with them questions about the Book of Songs and performing songs and dances (see The Analects and Mozi Fei Confucianism). All these show that Confucius's compilation of this statement is doubtful, but there is no doubt that Confucius's practice played an important role in the circulation of the Book of Songs.

Book of Songs: Come.

The earliest collection of poems in China was originally called "Poems", with a total of 305 poems. From the Han Dynasty onwards, Confucianism regarded it as a classic, hence the name "Book of Songs" (officially using "poems".WarpIt should have started in the early years of the Southern Song Dynasty - Qu Wanli).

The Book of Songs is called the Sutra, and it was first seen in the Zhuangzi Heavenly Fortune so it appeared in the pre-Qin period.

The Book of Songs was called "Poems" in the pre-Qin period, or its whole number was called "Three Hundred Poems".

The Book of Poetry is divided into three parts: "Wind", "Ya", and "Song". "Wind" is a ballad from all over the Zhou Dynasty; "Ya" is the positive sound of the Zhou people, and it is divided into "Xiao Ya" and "Da Ya"; "Song" is the music song of the Zhou royal court and the noble temple, and is divided into "Zhou Song", "Lu Song" and "Shang Song".

In the era of Confucius, the Book of Poetry has been widely circulated and brightly applied. （）

a.That's right. b.Mistake.

Correct Answer: a

In the era of Confucius, "Poems" was called the "Book of Poems of Lu Sou" in the early calendar. （

a.That's right. b.Mistake.

Correct answer: B