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The egret flies in front of the Fisherman's Song and the Icese Mountain.
Tang Dynasty: Zhang Zhihe.
The egret flies in front of the Xisai Mountain, and the peach blossoms flow and the mandarin fish is fat.
Green hats, green clothes, slanting wind and drizzle do not need to return.
Translations. In front of the Xisai Mountain, the egrets are flying freely, in the river, the plump mandarin fish swim happily, and the peach blossoms floating in the water are so bright and full.
An old man on the riverbank wore a blue hat and a green coat, braved the slanting wind and drizzle, and fished leisurely, he was fascinated by the beautiful spring scenery, and did not even go home when it rained.
Exegesis. Yugezi: The name of the word brand.
This tune was originally a famous song of Tang Jiaofang. It is divided into monotonic and two-tone bodies. Monotonous twenty-seven characters, flat rhyme, with Zhang's tune is the most famous.
Double tone, five crosses, rhyme. "Fisherman's Song", also known as "Fisherman" or "Fisherman's Music", is probably a folk fisherman's song. According to the record quoted in the "Cilin Chronicle", Zhang Zhihe once met Yan Zhenqing, the assassin of Huzhou, because the boat was dilapidated, and asked Yan Zhenqing to help replace it, and wrote "Fishing Song".
The word plate "Fisherman's Song" was named after the "Fisherman's Song" written by Zhang Zhihe. "Zi" is the abbreviation of "tune".
Xisai Mountain: Huzhou, Zhejiang.
Egret: A white waterfowl.
Peach blossom flowing water: The season when the peach blossoms are in full bloom is when the spring water is in full bloom, commonly known as peach blossom flood or peach blossom water.
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Spring scenery is generally written about spring grass, flowers, spring rain, willows, spring breeze, swallows, flowers in full bloom, peach blossoms and so on.
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The imagery of spring poetry is rich and colorful, including various forms such as nature, humanity, and society, as well as the relationship between them.
First of all, the natural imagery in the spring poem is extremely important, including flowers and plants, bird songs, spring rain, sunshine, sunset, and so on. For example, flowers bloom and fall, symbolizing youth and prosperity in spring; Birds sing, symbolizing the joy and joy of spring; The spring rain is thin, symbolizing the moisture of spring; The sun is shining, symbolizing the warmth of spring; The sunset is brilliant, symbolizing the beauty and tranquility of spring.
Secondly, the humanistic imagery in the spring poems is also very important, including pastorals, landscapes, towns, fishing villages, and so on. For example, the pastoral scene, which symbolizes the tranquility and tranquility of spring; The landscape symbolizes the beauty and nature of spring; The townscape symbolizes the prosperity and vitality of spring; The scene of a fishing village symbolizes the freshness and tranquility of spring.
In addition, the social imagery in the spring poems is also very important, including farming, the countryside, the city, religion, and so on. For example, the agricultural scene symbolizes the industriousness and vitality of spring; a rural scene, symbolizing the tranquility and serenity of spring; The cityscape, which symbolizes the prosperity and prosperity of spring; A religious scene that symbolizes the sacredness and solemnity of spring.
In short, the imagery of spring poetry is rich and colorful, including various forms such as nature, humanity, and society, as well as the relationship between them. Together, these images form a beautiful spring picture, allowing people to feel the beauty and peace of spring.
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Spring. Throughout the year, the spring rain is the softest, and the drizzle, when all things are born, silently infiltrates and nourishes the earth. Therefore, there is Du Fu's "Happy Rain on a Spring Night": "Good rain knows the season, when spring happens." Dive into the night with the wind, moisturizing things silently. ”
There is also Han Yu's "The light rain in the heavenly street is as moist as a crisp, and the grass color is close but there is nothing", which writes the delicate and moist spring rain vividly, and many people in ancient and modern times appreciate it.
Spring breeze. The spring rain is moist, the spring breeze is warm, blowing the peach blossoms, blowing the green willows, and waking up the grass. Spring breeze is the protagonist of many poems? Let's roughly memorize it-
The spring breeze is on the south bank of the Green River", "The spring breeze is proud, the horseshoe is urgent", "The spring breeze is ten miles of Yangzhou Road", "The spring breeze is not the Yumen Pass", "The spring breeze is also a guest in the world", "The spring breeze sends wine into Tusu"...
Spring grass. Spring grass appears as an image in poetry, and there are generally two most common meanings, one is vitality, and the other is melancholy. In spring, the grass is green, and the sky is full of vitality. "Spring grass grows in the pond", a spring scene jumps on the paper.
And the spring grass is often small and spreading, just like full of melancholy, flowing, growing, "away from hatred just like spring grass, gradually drifting away and still alive......".
Peach blossom pear blossom variety of flowers.
A single flower is not spring, a hundred flowers bloom in spring. Spring is the festival of flowers, all kinds of flowers compete in this season, and poetry has become a "competition field" for all kinds of flowers.
The peach blossoms on the human face reflect each other red", "a branch of pear blossoms brings rain in spring", "wet clothes, apricot blossom rain", "sunrise river flowers are red and win fire"...
Also, the willow trees that weep green in spring, the spring water, the swallows that fly together, the clear full moon...When everything in the spring is in poetry, everything is full of poetry.
In the late days, the rivers and mountains are beautiful, and the spring breeze is fragrant with flowers and plants.
The mud melts and flies the swallows, and the sand warms the mandarin ducks.
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First, when you are old and strong, you would rather move the heart of the white head. - Preface to the Pavilion of King Teng
Second, but make the dragon city fly, do not teach Hu Ma to Yin Mountain. - Out of the Stopper
3. The bereaved people endured death and hoped to recover, and there were a few tear stains tonight. - Lu You's "Guan Shanyue".
Fourth, sighing four or five times in the middle of the night, often worrying about the big country. - After the chaos and separation, the grace of heaven flows in the night
Fifth, the night vision is too white to collect the light, and there is no battlefield to serve the country. - Lu You's "Longtou Water".
Sixth, the building boat crosses the snow melon island at night, and the iron horse is scattered in the autumn wind. - Book Anger Part I
Seventh, lying down at night to listen to the wind and rain, the iron horse Binghe fell into a dream. —November 4th
8. There is an oath in the chest that is deeper than the sea, and he is willing to make Shenzhou sink on the land. - Song Zheng Sixiao, "Ertong".
9. Patriotism does not distinguish between first and last, and wandering will eventually delay the future. Zhu Yunshan's "Gift to ** Old Friends".
10. The thousand-year-old annals are shameless, and a heart is repaid to the Son of Heaven. - Jin Wrong Knife Line".
Ten. 1. The body is dead, the spirit is the spirit, and the soul is resolute! - Qu Yuan.
Ten. Second, the husband is in the world, when the world is swept away, and everything is in one room! - Fan Ye.
Ten. 3. Born with a real name in the world, who can be in the middle of a thousand years. - Lu You's "Book Anger".
Ten. Fourth, where to look at China? Full of scenery Beigu Building. ——Xin Qiji, "Nanxiangzi Dengjingkou Beiguting Youhuai".
Ten. Fifth, the body is dead and the god is the spirit, and the soul of the child is the ghost. - Warring States Chu Qu Yuan, "National Martyrdom".
Ten. Sixth, with a sound of He Manzi, tears fell in front of the king. ——Zhang Hu, "Palace Words: Three Thousand Miles from the Old Country".
Ten. 7. Take the affairs of the country as their own responsibility. - Han Yu.
Ten. Eighth, the history of the former virtuous country and home, from diligence and thrift to luxury. ——Li Shangyin, "Song of History, Part II".
Ten. 9. Take the country as the country and the world as the world. - Pipe
Two. 10. The warm wind smokes the tourists and makes Hangzhou Bianzhou. - Title: Lin Andi
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1, Lu Chai - (Tang) Wang Wei.
There is no one in the empty mountain, but there is a sound of people's voices.
Return to the deep forest, and revisit the moss.
2, Chunxiao - (Tang) Meng Haoran.
I don't know when I sleep in spring, and I smell birds everywhere.
The sound of wind and rain comes at night, and the flowers fall to know how much.
3, Jiang Xue - (Tang) Liu Zongyuan.
Thousands of mountains and birds fly away, and thousands of people disappear.
Lonely boat, fishing alone in the cold river and snow.
4, Spring resentment - (Tang) Jin Changxu.
Playing the yellow warbler, Mo Jiao cried on the branches.
When crying, the concubine dreamed, and did not get Liaoxi.
5, Acacia - (Tang) Wang Wei.
Red beans are born in the south, and a few branches are sent in spring.
May you pick more, this thing is the most lovely.
6, grievances - (Tang) Li Bai.
The beauty rolls the beaded curtain and sits deeply on the eyebrows.
But when I saw the tears wet, I didn't know who I hated.
7. Farewell - (Tang) Wang Wei.
Send each other off in the mountains, and cover the firewood at dusk.
The spring grass will be green next year, and the king and grandson will not return.
8. Miscellaneous poems - (Tang) Wang Wei.
If you come from your hometown, you should know about your hometown.
In front of the window in the coming day, the cold plum blossoms?
9, Chunwang - (Tang) Du Fu.
The country is broken by mountains and rivers, and the city is deep in spring.
When I feel the tears, I hate the birds.
The beacon fire lasted for three months, and the family letter was worth 10,000 dollars.
The whitehead scratching is shorter, and the hairpin is overwhelming.
10, Chishang - (Tang) Bai Juyi.
The little baby propped up the dinghy and secretly picked the white lotus.
I don't understand the hidden traces, and the duckweed opens together.
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There are kites and people moving in the spring realm.
The author focuses on portraying the vibrant picture of people in the early spring. The kite is the messenger of spring, and the more kites are written, in fact, there are more people.
From the "kite in the sky" to lead out the children on the earth to welcome spring, and then write "in the city and in the countryside, every household, old and young" a jubilant spring scene, constituting a picture of spring.
Then the author put the finishing touch: "The plan of the year lies in spring, just beginning, some are labor, and some are hope." It reveals the main purpose of the article, arouses people's thoughts and feelings about spring, and achieves an emotional resonance.
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Zhu Ziqing's "Spring" describes the scenery of spring as grass, flowers, wind, and rain; It shows the pictures of looking forward to spring, spring sketch, spring flower, spring breeze, spring rain and spring.
"Spring" is Zhu Ziqing's masterpiece of writing scenes. The whole article is closely related to the theme of spring, from looking forward to spring, to describing spring, and then to praising spring, the author methodically presents the beautiful, moving and vibrant pictures of spring in front of the reader, so that the author expresses his inner feelings, that is, he loves spring.
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1. Begonias, locust trees, wisteria, you don't let me, I don't let you, they are all vying to bloom. The pink ones are like rouge, the white ones are like snowflakes, and the purple ones are like precious stones. The air was filled with a light or rich fragrance, almost like it was about to incense the whole earth.
When I close my eyes, I can feel the petals brushing against my cheeks. Memories seem to stop there, such a season of flowers, such a spring, birds everywhere: nesting among the branches, singing among the leaves, flying in the blue sky, black, gray, colorful, lively as if going to a spring banquet, full of interest.
2. The peach tree, the pear tree, and the persimmon tree, if you don't let me, I won't let you, they are all full of fruit, pink like rouge, yellow like gold, and red like lanterns. The air is filled with the enticing aroma of fruit; When you close your eyes, your mouth seems to be full of sweet juice from the fruit. Under the trees, the peasants and uncles were busy harvesting, and the cheerful laughter reached the horizon.
Chrysanthemums also come to join in the fun: blooming in the fields, growing in the garden, huge, petite, like rushing to an autumn date, full of interest.
3. Laurel, maple, and evergreen, with a lush and deep style and distinctive temperament, show their style, gold-like yellow, agate-like red, and jade-like green, just like a painter's carefully painted picture. Birds are busy migrating, and ants are collecting winter rations. Daisies, a bunch of red, petunias, all over the place at a glance:
Orange, purple, violet, spread in the flower bed, like a carpet, but also smiling in the autumn wind!
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They are: spring sketch, spring flower, spring breeze, spring rain, and spring.
The author first observes the spring scenery in a comprehensive and holistic way, sketches the outline of the spring scene from the aspects of mountain scenery, spring water and sunlight, and then makes an overall observation, and then depicts it microscopically, observing the various scenes of spring in an orderly and detailed manner.
Spring is a work by modern essayist Zhu Ziqing.
Zhu Ziqing (November 22, 1898 - August 12, 1948), formerly known as Zihua, called Qiushi, later changed his name to Ziqing, and his name was Peixian. He is a modern Chinese essayist, poet, scholar, and fighter for democracy.
Originally from Shaoxing, Zhejiang, he was born in Donghai County, Jiangsu Province (now Pingming Town, Donghai County, Lianyungang City), and later settled in Yangzhou with his grandfather and father, claiming that "I am from Yangzhou". He graduated from high school in 1916 and was successfully admitted to the preparatory department of Peking University. In 1919 he began to publish poetry.
In 1928, the first collection of essays, The Back, was published. In July 1932, he was appointed head of the Department of Chinese Literature at Tsinghua University. In 1934, he published "Miscellaneous Notes on European Travel" and "Miscellaneous Notes on London".
In 1935, he published a collection of essays, You and Me.
On August 12, 1948, he died of gastric perforation in Beiping at the age of 50.
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