The artistic value of the article Camel Xiangzi .

First of all, starting from the need to create a character image, he successfully used the method of portraying the character through delicate psychological description. Due to Shoko's introverted personality and his struggle is a lone struggle, Shoko is often silent throughout the work. Therefore, shaping characters through the excavation and description of the psychology of the characters has become one of the important means of shaping the characters in the works.

For example, the first two chapters of the work describe Shoko's excitement when he buys a new car: his "hands tremble even more,......Pull up the car, almost crying", he pulled the car to a secluded place, carefully examined, "even the place that does not meet his ideal can be forgiven, because it is already his own car". This description is delicate and expressive, it accurately conveys the extraordinary love of a simple and honest young man like Shoko for cars and the uncontrollable excitement after buying a car, so that readers can see what kind of person Shoko once had a strong desire and pursuit of ideals.

After Shoko lost the car for the first time, in order to make more money, he refused to lose his business once, so he began to grab the car with others. At this time, the originally kind Shoko was quite conflicted in her heart: "....There were many times when he grabbed a deal and ran, followed by a scolding behind him.

He never replied, but ran away with his head down, saying in his heart: 'If I hadn't bought a car, I wouldn't have been so shameless!' These brushstrokes vividly describe the painful and contradictory state of mind of a young man whose conscience has not yet been completely extinguished, and who is forced by life to betray his kindness.

It allows the reader to see not only Shoko's original simple and kind nature, but also how he began to slide towards transformation under the weight of darkness. In addition, the work vividly and meticulously describes the various inner pains of Shoko after being deceived by the tiger girl and his complex heart from disappointment to rekindling hope and finally falling into numbness in the face of heavy life blows, so that readers can see the process of Shoko's spiritual changes.

1. Introduction to the writer of "Camel Xiangzi" - Lao She, formerly known as Shu Qingchun, the word Sheyu, and the pen names Jieqing, Honglai, non-me, etc. Because Lao She was born in Lichun, his parents named him "Qingchun", which probably means to celebrate the coming of spring and have a bright future. He is a modern Chinese writer, a writer, a master of language base, a people's artist, a screenwriter of Beijing Renyi, and the first writer in New China to win the title of "People's Artist".

Representative works include "Camel Xiangzi", "Four Worlds in the Same Hall", and the scripts "Teahouse" and "Dragon Whisker Ditch".

2. Introduction to the work "Camel Xiangzi" - "Camel Xiangzi" is a long story written by the people's artist Lao She (Zen Shu Qingchun, 1899-1966), describing the tragic fate of the rickshaw driver during the warlord melee in the 20s of the 20th century. Shoko is a representative of the toiling masses of the old society.

The background of the creation of "Camel Xiangzi".

Camel Xiangzi**, set in old Beijing in the 20s of the 20th century. Shoko lived in an era ruled by the Beiyang warlords.

The backdrop world in Camel Xiangzi is the dark, deformed, and unbalanced old Chinese society, where the people live in poverty, and Xiangzi is only a representative of the vast number of toiling people. Although they have a certain freedom, they have to run for a living, and poverty deprives them of the pitiful freedom they have.

In 1936, a friend of Lao She's from Shandong University talked about his experience of hiring a coachman and what he had seen and heard: a coachman bought a "foreign car" and sold it soon after, and so on and so forth, and finally suffered poverty.

At that time, Lao She felt that the subject could be written as a **. Since the birth of new literature, writers such as Hu Shi and Lu Xun have written about rickshaw drivers, but they have expressed sympathy for rickshaw drivers from the perspective of intellectuals, and have not gone deep into their hearts and souls to appreciate the life of rickshaw drivers.

Because Lao She was born in a poor citizen family, he has been in contact with the lower class people since he was a child, and has a deep understanding of the living conditions and psychology of the working people, all of which provided materials for Lao She's creation of "Camel Xiangzi".

Camel Xiangzi "Camel Xiangzi" is a work that represents the highest level of Lao She's creation. Lao She officially began his literary creation in 1924, and successively published the long works "Lao Zhang's Philosophy", "Zhao Ziyue", and "Erma". From 1930 to the outbreak of the Anti-Japanese War, it was the second period of Lao She's creation.

During this period, he successively created the novella "Xiaopo's Birthday", the novella "The Story of Cat City", "Divorce", "The Biography of Niu Tianci", "Dr. Wen", "Camel Xiangzi" and the short story "Crescent Moon", "Soul Breaking Gun" and so on. Among them, "The Story of Cat City" is an allegorical style**, and the work uses Cat City to allude to the dark China under the rule of the Kuomintang and show the weakness of national character. "Divorce" is one of the more successful novels created by Lao She**, which is based on the life of civil servants in Beijing at that time.

The work indirectly exposes the corruption of the bureaucracy through the gray and boring life picture of a group of civil servants serving in the reactionary **, and at the same time, the second half of the work also reveals the evil of the secret service system. This work marks that Lao She has matured in the creation of long stories. The short story ** "Crescent Moon" is a highly praised and excellent work.

** With the two generations of mother and daughter forced by life and having to sell their bodies for a living, the tragic experience of selling their bodies is the theme, and the bleak memories of their daughters are used as clues to write the painful fate of women at the bottom of the city. In terms of art, "Crescent Moon" pays attention to the creation of artistic conception, and it is a poetic **. After the outbreak of the Anti-Japanese War, Lao She's creation entered another peak period.

During this period, Lao She created "Cremation".

Xiangzi, a bankrupt farmer, came to Beiping from the countryside to make a living by pulling foreign carts. He was determined to buy a car of his own and live a life of self-reliance. After three years of hard work, he finally used his savings to buy a foreign car.

But it didn't take long for the warlord's rebels to capture him with his people and car. He took advantage of the fire of the army to sneak out and took three camels with him. He returned to Peking and sold the camel for very little money, so he could only pull a rented car, hoping to save money to buy another one.

But unfortunately he was defrauded of his only savings by the reactionary ** detectives. And because the master evaded the tracking of the spies, he lost a relatively stable job. In desperation, he returned to the garage where he used to work and continued to pull the rented car.

Shoko is taken by the daughter of the owner of the car factory, Hu Niu, who wants to marry Shoko and is cut off by her father.

Xiangzi couldn't stay in the depot any longer, so he had no choice but to marry the tiger girl. Bought a car with Tiger Girl's savings. But soon, Tiger Girl died in childbirth, and Shoko had to sell the car to take care of Tiger Girl's funeral.

After many setbacks, Shoko's dream of pulling her own car was finally completely shattered. The suicide of Xiaofuzi, whom he loved, blew out the last spark of hope in his heart. He lost faith in life, and went from being good and strong to being willing to degenerate.

This tragedy is a powerful exposé of the old society's crime of turning people into ghosts.

Camel Xiangzi has a strict structure, the main line is clear, and the best is good at using a variety of means of expression, delicately describing the psychological state of the characters, the language is simple and natural, accurate and rich, vivid and bright, with a distinct local color and life Qi is returning to do Qinghui.

The rickshaw driver is a creative object that often appears in modern literary works, Lao She unusually gave up the condescending posture of the judge, and really went deep into the real life of Xiangzi, and went deep into Xiangzi's rich and delicate inner world, so as to observe the world through Xiangzi's eyes, and feel the world through Xiangzi's heart, so that the life of the coachmen became three-dimensional and detailed, and the typical characters also had spiritual depth.

Xiangzi comes from the countryside, with the peasant's unique simplicity, stubbornness and dullness, with the story, Xiangzi's character has also changed, from the initial simple wooden step by step to become vulgar, because there are a large number of detailed and three-dimensional details of life, there are rich and delicate inner descriptions, his depravity process is more real and inevitable.

This is also the basis of his artistic appeal, ** uses a large psychological description, Xiangzi's personality is silent, tenacious and even wooden, but there is a rod and scale in his heart, and the psychological description just highlights his character, Lao She is not limited to direct analysis, writing a large section of inner monologue, but combined with the development of the plot.

A large number of side descriptions are used to depict his psychological changes, or through short dialogues, or through specific subtle actions to reveal, or with the help of other people's eyes and words to reflect, or with the help of changes in scenery to set off, such psychological descriptions are not only close to the characters' personalities, but also linked to the development of the plot, so as to show the reader a three-dimensional and rich Xiangzi's inner world.

Camel Xiangzi is a Beijing-style realistic feature created by Mr. Lao She**.

The work artistically summarizes Xiangzi's tragic life from full of hope to struggle until he collapsed and went to degeneration, exposing the tragic fate of the people at the bottom of semi-colonial and semi-feudal Chinese society, and Xiangzi's experience proves that it is impossible for the working people in the semi-colonial and semi-feudal era to change their situation through pure hard work and personal struggle.

In this **, the writer Lao She stands on a humanitarian standpoint, expresses deep concern and sympathy for the insulted and damaged weak, and ruthlessly denies the society that destroys people.

The whole work is centered on the writer, the plot revolves around the fate of the characters, the story has a beginning and an end, and the plot echoes before and after, which not only conforms to people's appreciation habits, but also makes the characters more prominent, and the theme of the work is more clear and concentrated, showing the author's complex and simple artistic skills.

Camel Xiangzi is one of Mr. Lao She's masterpieces, which is a long scumbag. If you want to express the theme idea of this article, you first need to understand what the background of the times covered in this work is.

In the 20s of the 20th century, China was a time when warlords were separating and fighting, and the protagonist of this work, Xiangzi, a rickshaw driver at the bottom of society, represented not only a small group of rickshaw drivers, but also thousands of working people at the bottom of society in that era.

At that time, Beiping was not peaceful, and Xiangzi, a rickshaw driver full of vitality, lived a strong life with his own enthusiasm. As fate would have been unfair, Shoko struggled out of the countryside and entered the so-called "big city", and although he was out of step with it, Shoko still threw himself into it without hesitation. This is a good reflection of the idea that the people at the bottom of the society want to change their fate through their own efforts.

Of course, big cities also have the difficulties of big cities, and after three years of hard work in big cities, Xiangzi finally equipped himself with a rickshaw, which also means that he can finally make himself live a hard but not bad life through his own efforts.

The main plot of Camel Shoko:

1. First-class driver.

At the age of eighteen, Xiangzi came to Beiping with the strength and honesty of the countryside, and became a first-class rickshaw driver at that time. He was determined to buy a car of his own.

2. Xiangzi buys a car.

After three years of hard work, Shoko finally scraped together 100 yuan. He immediately used his 96 yuan in Rula Mountain to buy his new car.

3. Losing cars and selling camels.

In less than half a year, the warlord rebels stole Shoko's car and made him work as a coolie. Later, Xiangzi escaped and took the three camels left by the troops, and exchanged them for thirty-five yuan and returned to Beiping. Because he revealed his experience of the number of rounds in his dreams, people began to call him "Camel Xiangzi".

1. The dark green paint on the door, with the gold characters on it, was illuminated by the bright white lamp.

Appreciation: The beauty of the night scene is written, and it also sets off the sadness and desolation of Shoko.

2. He could not see anything outside, as if the darkness of the whole world was waiting for him, stepping from the darkness and then into the darkness; Behind him was the silent camel.

Appreciation: From "stepping from the darkness and then into the darkness", it can be seen that he is walking, struggling, and resisting the dark society; But because the will is blind and pure, all struggles are doomed to be fruitless, and eventually return to "nothing", that is, "to go into darkness again".

3. In fact, the rain is not fair, because it falls in a world where there is no justice.

Appreciation: On the one hand, it can be appreciated from the rhythm of music, and on the other hand, it connects the emotionless rain with the world, highlighting the darkness of society and Shoko's dissatisfaction with the society at that time.

4. Yes, after arriving in the city, he can still stand upside down for a long time. Standing like this, he felt that he was very much like a tree, and there was no place up and down that was not quite a place for Sun Wutuo. He was a bit like a tree, strong, silent, and alive.

Appreciation: This sentence describes Xiangzi's appearance, and at the same time, it also uses figurative rhetorical techniques to vividly write Xiangzi's firm character and perseverance.