What is the purpose of sketching, the main points of sketching

As far as pure painting is concerned, drawing is a basic discipline, and it cultivates the painter's ability to observe the outside world, grasp the picture as a whole, and shape the object, which is its purpose.

Sketching is the foundation of Western painting, which focuses on accurate modeling and mainly trains your eyes and hands to cooperate. Then there's the way you observe, which is an important aspect of your sketching training and will influence your ...... later in life

It's about developing your styling skills. It is equivalent to practicing excellent martial arts, and the basic skills must be solid.

The main purpose is to connect the relationship between light and dark, and the relationship between light and dark is also needed for drawing colors and sketching.

I don't think you need to have a purpose in painting, but if you really want to talk about a purpose, it's to depict subjective things. to create formal beauty. This is a kind of creation, a kind of spiritual edification.

Use a single color to shape the body, and master the ability to express three-dimensional space or shape with a flat surface.

1. Basic skills of modeling, materials for various paintings.

2. An independent form of artistic expression.

3. Compulsory subjects for all art academies.

4. It is a skill that requires hard work.

If you really like the foundation of practice before the entrance examination, it is the foundation of future design and the foundation of all art.

Nowadays, there are a lot of people who are going to take the exams, like me. Sketching is also the foundation for learning color.

Improve styling ability.

and judgment.

Drawing is all plastic art.

The foundation. Both plastic arts such as painting, architecture, sculpture, arts and crafts.

and other art categories are based on sketch learning and training.

Broadly speaking, all monochrome paintings are sketches; In a narrow sense, using monochrome to depict the spatial sense, three-dimensional sense, and texture of objects through simple and artistic aesthetic characteristics such as lines, structures, block surfaces, light and shade, and perspective relationships is sketching.

Drawing, as an effective and important basic training for all plastic arts, is to initially cultivate students' keen observation, modeling, creation, design, and aesthetic abilities in painting, architecture, sculpture, arts and crafts, etc.; The professional basic learning and training in the sketching stage will have a very important impact on the further study in the future.

Sketching is more important for the in-depth study of painting, and in the sketching stage, it is better to solve the ability of observation methods, body modeling, artistic expression, appreciation of aesthetics, thinking and imagination, creative conception, etc., for the future, such as oil painting and Chinese painting.

Printmaking, watercolor.

There are many main points in sketching, and the following is a brief description of some of them:

1. Shape. The form is the external form of the existence of the objective object in space. Any object is distinguished from other objects by its specific physical existence.

To grasp the basic shape of an object is to grasp its physical characteristics. An accurate grasp of the physical characteristics of the image lays the foundation for sketch modeling.

2. Structure. The structure in the sketch mainly refers to the internal structure and combination relationship of the object. Form and structure are the relationship between appearance and connotation.

The grasp of the structural relationship of the object in painting mainly lies in the use of the surface to reflect the basic physical characteristics of the object, which is convenient to understand and grasp the complex structural relationship, which is conducive to the shaping of the head of the image.

3. Proportion. The structure, shape and other modeling factors of the image are inevitably related to a certain scale in the appearance and form, and the relationship between different scales is manifested in a certain proportional relationship.

4. Perspective. The spatial phenomenon of seeing objects in the natural world presenting a large and small space is the phenomenon of perspective. In sketching, the use of perspective is to determine the depth of the object on the picture, that is, the spatial position of the object and its parts in the chaotic picture, which is the basic factor in expressing the three-dimensional sense of the object and creating the spatial effect in painting.

Summary. Tone: We know that sketching has three major sides and five major tones, namely:

Backlit (black), light-receiving (white), side-lit (gray). Specular (the brightest point of the light-receiving object), Gray (the area between the highlight and the light-dark border), and the light-dark boundary (the dark shadow that occurs between the bright and dark parts of the object). The shape of the plaster is relatively simple, and the analysis of these contents is generally the structural turning point of the object), reflection (the backlight part of the object is affected by the reflected light of other objects or the environment in which the object is located), and projection (the object itself is clearer when it is empty after blocking the light, so when you really understand these knowledge points from the plaster, you can continue to learn.

What can I draw help with sketching?

Please wait patiently for a few minutes.

Painting plaster. Isn't it just a random drawing, why does a random painting of something actually improve the sketch to a certain extent, I don't have any inspiration <> painting anything now

The importance of gypsum stems from the fact that it is the basis of a still life! Shape: First of all, we start from the shape, the simple shape has a sphere, a cube, a Mitsubishi cone, etc., these simple shapes constitute a variety of complex shapes, all still life can be split and decomposed into simple geometry, so in terms of shape, it is the most basic and the most difficult.

Students must pay attention to the perspective changes and spatial changes of the shape when modeling, and the lines drawn should be accurate, definite and changeable, so that the shape can stand up to scrutiny.

Tone: We know that there are three major tones in sketching, namely: backlit (black), light-receiving (white), and side-lit (gray).

Specular (the brightest point of the light-receiving object), Gray (the area between the highlight and the light-dark border), and the light-dark boundary (the dark shadow that occurs between the bright and dark parts of the object). The shape of the plaster is relatively simple, and the analysis of these contents is generally the structural turning point of the object), reflection (the backlight part of the object is affected by the reflected light of other objects or the environment in which the object is located), and projection (the object itself is clearer when it is empty after blocking the light, so when you really understand these knowledge points from the plaster, you can continue to learn.

Virtuality and reality: Painting plaster to the later stage, you also need to add the background, countertop and other content to help the picture express the virtual and real, put aside some complex countertops and dazzling interlinings, we have to shape the relationship between virtual and real through lines, the background usually occupies one-third to two-thirds of the area of the picture, darker than the color of the countertop, especially when there is a white still life, they need to use a darker background to set off the shape, and the part of the countertop follows the light to light, the backlight is dark, and the color is from front to back, from light to dark.

Sketching, the foundation is very important, at the beginning must lay a good foundation, the foundation to ask, from the shape, line, virtual reality is very important, and there is imitation, only when the foundation is laid, imitation can be created.