A couplet from Zhitong Temple in Dream of Red Mansions is full of life philosophy, do you know whi

I know that this couplet is "There is more than enough behind me to withdraw my hand, and there is no way to turn back." This couplet is really full of life philosophy, because it tells us that when we have achievements, we must leave a way for ourselves and don't regret it when we are cornered.

There is more than a hand behind him, and there is no way to turn back. "Fourteen words. There is no rare word in a lifetime, and there is nothing profound that everyone says"Artistic conception", there is no flowery rhetoric, but it is full of the way of life and the philosophy of life.

In the second chapter of "Dream of Red Mansions", it is written: Jia Yu Village suddenly walked to a mountain surrounded by water, and the place where the forest and deep bamboo ,......There is a forehead in front of the door, and the inscription is written"Zhitong Temple"Three words, there is an old and broken couplet next to the door, saying: "There is more than forgetting to withdraw his hand behind him, and there is no way to turn back in front of him."

In the fifth chapter, Baoyu followed Qin to find a place to take a nap, went to the room first, and saw a painting and a couplet hanging, painted as "Burning Quinoa Picture", which painted Liu Xiangdilian and hard reading, and the couplet was "The world is full of knowledge, and the practice of human feelings is the article." Baoyu hurriedly said, "Get out, get out!"

I have such an aversion to fame. If anyone persuades him to take the road of economy, he will denounce it as "bastard talk", which also shows his temperament.

The couplet that Baoyu saw was intended to ridicule the Confucian scholars for being old and sophisticated, and that they had no real talent and learning, but that they were just putting their minds on the painstaking training of human feelings and sophistication, and regarded these vulgar and sleek things as knowledge and learning.

Jia Baoyu in "Dream of Red Mansions" is the image of a rebel within the feudal aristocratic class, and the image of a newcomer on the eve of the collapse of feudal society, which has almost become the consensus of today's majority of red researchers and enthusiasts. When re-reading "Dream of Red Mansions" against the background of men's emancipation, you will find that Cao Xueqin's portrayal of Jia Baoyu as a character reveals the subversion of traditional male gender roles everywhere.

Cao Xueqin is a writer with a preliminary sense of gender equality and the idea of men's emancipation, but in the character he portrayed Jia Baoyu, he embodies many ideas believed in by men's emancipation, the image of a rebel of the feudal aristocratic class, and at the same time a rebel of traditional social gender roles. Let's try to examine the image of Baoyu from the perspective of men's emancipation.

Jia Baoyu betrayed the gender role consciousness that "men should have successful careers". The ideal man under the concept of Confucian culture should be upright, self-cultivation, and family governance, and peace in the world. Jia Baoyu is a figure who has high hopes for his family, and Jia Zheng and others' expectations for Baoyu are naturally "deep and refined", making steady progress, and glorifying their ancestors.

However, Jia Baoyu despised fame and fortune all his life, and hated the so-called "career economy" the most. This kind of "lack of progress" is contrary to the requirements of traditional gender roles for men. In Jia Baoyu's place, the opposite of fame is "Fengyue Poetry Wine", in which he is immersed and enjoyed.

The world is full of knowledge, and the practice of human feelings is the article.

This was seen in the first room where Qin Keqing led Baoyu to take a nap, and Baoyu turned his head and left when he saw it, because what Baoyu hated most was the idea of human affection, sophistication, feudalism, and decay This couplet is exactly what is written.

Written by Qin Taixu.

The world is full of knowledge, and the practice of human feelings is the article.

The world is full of knowledge, and the practice of human feelings is the article.

"These Are Ten Couplets in the Dream of Red Mansions".

When the fake is true, the truth is also false;

There is nowhere to do nothing, and there is no.

Written by Cao Xueqin, too illusory.

Jade seeks a good price in the saga;

The hairpin flies when he waits in the coffin.

Cao Xueqin wrote the Yinlian of Jia Yu Village.

Behind him, he forgot to withdraw his hand;

There is no way back in front of me.

Cao Xueqin wrote the "Zhitong Temple" door couplet.

The world is full of knowledge;

Affection is the article.

Written by Cao Xueqin, Ningfu Shangfanglian.

The tender cold locks the dream because of the cold spring;

The aroma cage is the aroma of wine.

Written by Cao Xueqin, Qin's bedroom, Song Bachelor, Qin Taixu Shulian.

Hibiscus Shadow Breaks Guilan Oar;

Rhombus lotus incense deep written bamboo bridge.

Written by Cao Xueqin, Grand View Garden, Lotus Lotus Champs, Couplet.

Baoding tea is still green;

The ghost window chess is still cold.

Cao Xueqin wrote Jia Baoyu's title Xiaoxiang Pavilion Union.

Around the embankment willow borrowed three penny emerald;

The flowers on the other side are divided into a vein of incense.

Cao Xueqin wrote Jia Baoyu's inscription Qinfang Tinglian.

The sun and the moon are shining on the throne;

The front of the hall is dark and smoky.

Written by Cao Xueqin, Rongxi Tanglian.

Smoky Idle Skeleton;

Izumi Ishino career.

Written by Cao Xueqin, the inner line of the spring room.