How to hold the violin in the right hand, and the correct posture of the violin in the left hand

The question you ask should be how to hold a bow in your right hand. Instead of holding the piano on the right! If you want to express your question about how to hold a bow, it would be:

The thumb of the right hand is on the protruding wood, and the thumb is bent, and the thumb is not straight against the wood. The index finger bends the second joint and straddles the metal (where the bow hairs are attached to the wood). And there's a dot on the wood, and on most bows, there's a small metal circle on the wood intermediary. , so that the index finger can hold down the bow, and the force can be controlled when moving the bow, so that you can pull the heavy bow and other techniques. The middle and ring fingers are naturally placed on the wooden block, so that you can pinch the bow with your thumb. This stabilizes the bow.

Remember to bend your thumb slightly, not straight, and put your thumb and middle finger directly into an egg, and you've succeeded. The little finger is gently placed on the tail of the bow, that is, on the wood, in fact, the little thumb is casual, according to your own habits, whether you can put it on the tail of the bow or not.

Holding the bow should be done so that the bow does not fall off and does not push too hard. It's like holding a bird in your hand, not letting it fly or pinching it to death.

I hope you'll understand.

Finally, good luck and the more you pull, the better!

The thumb of the right hand is halfway touching the protruding part of the wood behind the black rubber sleeve. The first and second joints of the fingers are naturally bent.

Sorry, it's impossible, the violin must be left handed. Beg.

There are two positions to play the violin: standing and sitting. Generally in the ensemble or ensemble to take a seated position; Take a standing position when playing in unison or solo. You can practice standing or sitting, but it's best for beginners to practice standing in order to fully grasp the balance of the various parts of the body during playing.

When standing, your feet should be slightly apart (about the same distance as your shoulders) and firmly support your upper body movement.

The piano should be clamped flat. Don't overlook this question, it has a lot to do with developing your bow skills.

Place the piano on the left shoulder clavicle, so that the lower jaw is attached to the cheek rest, the left shoulder is slightly raised, and the lower jaw and shoulder clamp the piano, the piano is about 45 degrees to the left of the front, and you must be able to support the piano without using your hands, and the piano can still maintain the correct position, so that the left and right hands can move freely.

There are two main ways to hold the violin in the left hand: one is to form a triangular gap between the thumb and index finger, and the thumb is straight.

The other is to form a semicircle between the thumb and index finger and put the neck into it. There is little or no space between the thumb and index finger, and the thumb is curved.

The correct state of the violin in the left hand is: the shoulders are stable and relaxed, and the piano hangs naturally; Gently hold the neck with your hands facing outward, rotate your elbows inwards and palms outward, place the violin on your collarbone, with the end of the body close to your neck, looking for the best position for the body to fit your collarbone, and relax your head. With the left cheek and chin resting on the cheek rest, using the weight of the head and chin to prevent the violin from slipping off the collarbone, the left thumb is slightly bent and placed loosely on the left side of the neck, supporting the neck with the base of the index finger, and the direction of the headstock is about 15 degrees to the front of the shoulder and body.

The upper plane of the fingerboard is located below the second joint of the left index finger, when the index finger is bent to the fingerboard, the plane of the fingerboard and the index finger form a small square that naturally bends, the left thumb is slightly bent and the left thumb is slightly bent against the neck, the left thumb and index finger are gently pinched on the side of the left thumb and index finger, and the root of the two fingers forms a small hole with the neck.

The correct posture of the left hand of the violin is as follows:

The violin should be flat, with the surface slightly tilted to the right and the direction slightly to the left. The angle of holding the piano to the left varies from person to person, depending on the length of the left and right arms, and it is generally advisable to carry the bow naturally and straight with the right hand to the tip of the bow.

Place the lower left side of the back plate of the violin on the left collarbone near the neck, keep the head straight and turn slightly to the left, press the left jaw under the paw pad naturally, and then hold the base of the left index finger and the first muscle part of the thumb naturally on the neck.

The thumb is slightly curved and the middle finger is basically opposite, the first finger is pressed at a whole tone position above the empty string, and the palm is twisted inward so that the fingers are aligned anteriorly and backward in the direction of the fingerboard, and the wrist and lower arm are basically straight.

The elbow can be moved in a "rudder style" as needed to play a certain string, such as when playing the G string, the elbow moves to the right, and when playing the E string, the elbow moves to the left. The whole piano should be held firmly, flexibly and naturally.

Do not shrug your left shoulder, so as not to cause tension and affect the free movement of the entire left hand; Maintain an appropriate space between the face of the piano neck and the index finger and thumb, so that the fingers can press the strings comfortably from the sedan chair and move the left hand, down, left and right.

How to avoid accidental damage to your violin:

1. Place the back of the piano on the table.

When the violin is placed on the table when necessary, the back plate must be downward, and the top part of the violin can easily collapse under pressure on the bridge alone. Most people know this concept, and the people who need to pay special attention to this matter should be children learning the piano.

2. The correct direction of the piano case.

Whether you carry the piano on your shoulder or hold it in your hand, you should turn the back plate of the piano inward, that is, the bottom of the case is facing inward, and the lid is facing outward, because the back plate is still stronger than the direction of the panel, and it is inevitable that the case will hit the body when carrying, so you should avoid colliding in the direction of the back plate of the more fragile surface.

3. Adjust the bridge regularly.

The direction of the bridge will gradually tilt forward due to the relationship between frequent tuning, and the slope of the bridge will cause the bridge to fall down and crush the panel or the bridge will be deformed, so it needs to be checked regularly to adjust to the correct position.

Keeping your wrists in line with your hands is one of the most important requirements for standard piano holding. The palms and forearms are in a straight line that naturally extends, and the wrists should not be concave or protruding. Turn the palm of the hand slightly inward, the thumb is opposite to the index finger and the middle finger, and gently clamp the piano with the base of the thumb and index finger, paying attention to the muscles at the base of the thumb and finger must be relaxed.

The depth of the thumb position depends on the specific situation of each person's thumb, but regardless of the length or shortness, the mouth of the tiger must not be attached to the neck. The wrist is obviously bent, which directly leads to the fingers not being able to stretch out, making it difficult to press the correct sound, not to mention other techniques such as flexibly changing positions.

Precautions for pressing the strings:

In order to play the perfect **, in addition to the need for the right hand to skillfully and accurately control the bow, it must also rely on the fingers of the left hand to instantly press the strings to the fretboard, the faster the speed, the clearer and more natural the sound quality, but in the process of pressing the strings, you must also deal with the strength, not to make the fingers appear too stiff.

In order for the left hand to move correctly, flexibly, agilely, forcefully and naturally comfortably, the right hand must be able to move the bow easily and easily, and it is necessary to have a correct posture for holding the piano. The violin should be flat (generally the strings are flat, but it can also be high or low according to the actual needs of the performance), the surface is slightly inclined to the right, and the direction of the piano is slightly to the left. The angle at which the piano is held to the left varies from person to person, depending on the length of the left and right arms, and it is generally advisable to carry the bow naturally and straight with the right hand to the tip of the bow.

The fingers of the left hand are naturally curved in a semi-circular shape when pressed on the strings, and the fingers are raised from the strings in a semicircle. The finger strings and lifting are mainly based on the knuckle joints, followed by the adjustment of the small joints according to their intervals, and the speed of the fingers rises and falls according to the length of the notes, the speed of the music, and the mood (except for the practice of finger agility and dynamics). The second joint of the thumb should be slightly bent, with the center of the thumb facing the neck, and the second joint of the other four fingers should be slightly bent so that each finger is curved so that the fullest part of the belly of each finger touches the string.

The thumb and index finger are V-shaped, and the tiger's mouth and neck keep a certain space; In the wrong demonstration on the right, there is no space between the tiger's mouth and the neck, and the thumb exceeds the fingerboard too much, which will cause various problems such as holding the piano too tightly, and the tightness of the thumb Nianling leads to various problems such as the left fingers are not flexible enough. The index finger is called 1 finger, the middle finger is called 2 fingers, the ring finger is called 3 fingers, and the little finger is called 4 fingers, and they are placed on the tape of the four tones of fa, so, and la si in turn. When applying the adhesive tape, you should ask an experienced person to help, or use a sound effect, adjust the standard tone, and then stick the adhesive tape on the cardboard, if the finger is over the adhesive tape, the sound will be high, otherwise, the sound will be low.