Mei Lanfang s achievements and career, what kind of person is Mei Lanfang?

Updated on amusement 2024-08-05
8 answers
  1. Anonymous users2024-02-15

    is a very talented person who lives a very disciplined life.

    Mei Lanfang (October 22, 1894, August 8, 1961), known as Lan, also known as Heming, the name of the skirt sister, the word Wanhua, alias the owner of Yuxuan, stage name Lanfang, was born in Beijing in the twentieth year of Guangxu of the Qing Dynasty (1894), and his ancestral home is Taizhou, Jiangsu. Master of Chinese Peking Opera Performing Arts.

    In the early days of the formation of Peking Opera, a generation of old-time artists represented by Mei Qiaoling opened a chapter in the art of Peking Opera men. The Mei School art pioneered by Mei Qiaoling has made outstanding contributions to the improvement and development of the performing arts of Peking Opera, and has also become an important founder of the Mei School of Male Dan.

    Mei Zhufen, the son of Mei Qiaoling, the second-generation successor of the Mei School, inherited his father's mantle and inherited Mei Qiaoling's singing style well, and he contributed to the inheritance of the Mei School art.

  2. Anonymous users2024-02-14

    Mei Lanfang is a person with a patriotic spirit who will not abandon the motherland.

  3. Anonymous users2024-02-13

    Mr. Mei Lanfang is a symbol of Chinese performing arts and the pride of our people.

  4. Anonymous users2024-02-12

    Mei Lanfang is a Peking Opera master who loves Peking Opera and has national integrity.

  5. Anonymous users2024-02-11

    Mei Lanfang insisted on shooting opera films all her life, accumulating valuable experience for the development and prosperity of Chinese opera films, and he made contributions to Chinese opera films and even Chinese films.

    Mei Lanfang began to get involved in opera films as early as the 20s of the 20th century, injecting fresh blood and life into China's early opera films. He has performed abroad many times and has worked closely with international filmmakers to bring Chinese Peking Opera to the world through the screen, allowing foreign film artists to see the possibility of the aesthetic fusion of Chinese opera art tradition and film art.

    Mei Lanfang is good at using singing, recitation, expression, figure, dance and other skills to portray the psychological state of the characters in detail. His performing arts are characterized by simplicity and luxury, dignified and pretty, quiet and emotional, and charming and generous.

    Foreign evaluation of Mei Lanfang:

    Mei Lanfang is one of the most outstanding actors she has ever seen, and New York has never seen such a performance. New York, Le Monde

    Almost a supernatural discovery, over many centuries, the Chinese established a technique of body expression. Regardless of understanding or misunderstanding, Mei Lanfang gave Americans their first glimpse of the art of Peking Opera in China. The Sun

    Mei Lanfang's pantomime performances and costume displays are exquisitely elegant, adorable, and as wonderful as an ancient Chinese vase or embroidered drapery. It's a contact, an encounter with a culture that has mysteriously matured over the centuries. "Time

  6. Anonymous users2024-02-10

    How much has Mei Lanfang contributed to opera? A few apprentices are enough to explain everything, all of them are household names, how much has Mei Lanfang contributed to opera? A few apprentices are enough to explain everything, all of them are household names, how much has Mei Lanfang contributed to opera? A few apprentices are enough to explain everything, and all of them are household names.

  7. Anonymous users2024-02-09

    Mei Lanfang. He is a master of Peking Opera and a very outstanding actor of Jingkun Danxing in modern China, "Mei Pai."

    The founder of art, the four famous Dans.

    The first. Mei Lanfang's artistic achievements are very great and outstanding, he founded the Mei School, carried forward the opera, and made outstanding achievements himself, Mei Lanfang's artistic achievements have gradually evolved into the representative of the opera system, that is, the Mei Lanfang system. And Mei Lanfang seems to live for opera, he has created new forms of opera, and at the same time created more beautiful and classic characters and repertoire.

  8. Anonymous users2024-02-08

    Mei Lanfang (1894 1961), Minglan, the name of the skirt sister, the word Wanhua, also known as Huanhua, alias the owner of Yuxuan, stage name Lanfang. Han nationality, born in Beijing, ancestral home in Taizhou, Jiangsu. Born in a family of Liyuan, he learned opera at the age of 8, worshiped Wu Lingxian as a teacher at the age of 9 to learn Tsing Yi, and often followed Qin Zhifen and Hu Ergeng to learn Huadan opera, and appeared on stage at the age of 10.

    Grandmother Wunian Tan Xiren, lost her father at the age of four, lost her mother at the age of twelve, and her uncle was in Yunhetang's private apartment. Gong Qingyi, also acting as a knife and horse. He is good at Dan horns, has a beautiful appearance, has a mellow singing voice, and is graceful and generous in the typhoon, and is known as the grandmaster of the Danxing generation.

    After a long period of stage practice, he has created and developed all aspects of Peking Opera Danjiao's singing, recitation, dance, **, costumes, makeup, etc., and has formed his own artistic style, known as "Mei School". Before 1949, he performed in Japan, the United States, and the Soviet Union, and was awarded honorary doctorates of letters from Pomona College and the University of Southern California. Mr. Mei was also a great patriot, who had a beard and ambition during the Anti-Japanese War, refused to perform, and made a living by writing and selling paintings.

    After the liberation, he successively served as the president of the China Peking Opera Company, the president of the China Academy of Drama, the vice chairman of the China Federation of Literary and Art Circles, and the vice chairman of the Chinese Dramatists Association. In 1959, he joined the Communist Party of China, and at the age of 65, he rehearsed his last new play "Mu Guiying in Command". He died of a heart attack in Beijing on August 8, 1961.

    He was 67 years old.

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