I ve been teaching high notes for a long time, can you tell me how to sing bass?

The requirement is higher than the level of effort! In fact, it is more difficult to sing a good bass than a high note, from the aspect of singing skills, sing popular songs and practice chest resonance, so that your bass is full enough to be thicker, and you have a solid foundation in singing, you can naturally bring in feelings to express and express the effect you want.

Here are the quotes.

A passage from a friend in Haku, I hope it will help you! ）

My opinion: bel canto singing bass depends on abdominal resonance, while popular singing is not necessary, you try to sound backwards, and then feel the feeling of slower air flow hitting the vocal cords, and at the same time there should be laryngeal resonance.

Here are some of the sources:

Remember that the breath must be low, you may not be used to it at first, and after a long time, you will be able to get a good mid-bass. The mid-bass should generally be full and affectionate. But like the treble, many people lack the resonance of the mid-bass.

The bass is reflected in the resonance of the chest cavity and the wide voice structure, which is relatively congenital. In my experience, it is difficult to practice a voice that can't go down in the bass, and it's good to be able to go down a few scales. Therefore, it is not only difficult to sing high notes, but also to low notes.

I don't know if you have watched Jacky Cheung's 2003 concert, the song "If this is not love", after listening to it, you will feel that few people who sing pop songs can be low. If you have to record a song with a rich bass, and you can record it in the morning without brushing your teeth or washing your face, the sound will go down a lot. Therefore, people who lack mid-bass try to avoid such songs, promote their strengths and avoid their weaknesses, and people with rich mid-bass must give full play to its potential, and it is very charming to sing well in mid-bass!

Singing bass should relax the chest and voice, and some resonance can be strengthened by sighing, and some breath can be added to the really low place to produce oral resonance, and the sound will feel thicker. But either way, people with naturally strong voices have a lot more room to play. Singing alto should be polished more, including spitting words and ventilation are beautiful, of course, this is related to feeling the singing skills, and the middle bass or listen more to "who is knocking on my window, who is stirring the strings; That forgotten time ......Cai Qin: "Yes." ”

The bass is not the voice to sing the low point !!

It is common among vocal students to sing too much in the treble and not in the bass, and this is also true in both the high and low voices, and this problem is shared by both boys and girls. This is a phenomenon that is often seen in vocal learning, and the middle and high parts are particularly prominent for the following reasons. Phenomenatically, it is mainly due to the excessive and inappropriate pursuit of treble.

Some students are eager to sing high notes before they have laid a foundation in the middle vocal area, and they are willful and shout high notes for a long time. At the beginning of learning to sing, you should first establish a pleasant middle vocal area, and do not practice the highest and lowest notes too early, especially for soprano and tenor. When the midrange is still unstable, it is harmful to the voice to go beyond the limit to expand the vocal range.

Therefore; Only by laying a good foundation for the middle vocal area can we expand the vocal range and make the vocal area connected and unified. We know that the middle vocal area is the foundation of a singer's voice development and must be trained well. In this regard, many students often lack a clear understanding.

They do not have enough understanding of the importance of the middle vocal area, and they often ask for singing loudly, brightly, and high too early, and even when some obvious "faults" have not been corrected and the middle vocal area has not laid a good foundation, they will sing too many high notes and sing difficult vocal works, so that the rush to achieve results can only get diametrically opposite results. People with the same tendency to make mistakes tend to pass through the mid-vocal area every time they practice it, and focus too much on inappropriate treble practice (which is a big part of shouting).

In fact, it's not that you can't sing, it's just that you're not used to it, because there aren't many people who can sing high notes, if you can sing high notes, the voice that says the name belongs to the high-key part, and if you do sing low notes, it's hard to distinguish your own voice.

Rule 1: The pitch increases as the number increases. From this, it is easy to get that C5 is higher than C4, higher than C3, higher than C2, higher than C1, and so on. [C5 can be understood as five groups of C, in the same way, C4 is four groups of C, and so on].

Rule 2: The pitch increases with cdefgab. From this, it is easy to get that C4 is lower than D4, lower than E4, lower than F4, and so on. [C4, D4, E4, etc. white keys on the piano].

Rule 3: In addition to this, you can also see strange markers such as BB4, C 5, and EB5. In fact, BB4 (B4 flat) is a tone that is one key lower than B4, and it is also a tone that is one key higher than A4.

That is, BB4 is pitched to A4 (A4). [A key is a semitone, and a whole tone is equal to two semitones.] BB4, C 5, EB5, etc. are located on the black keys on the piano].

Rule 4: c--c --d--d --e--f--f --g--g --a--a --b, it can be seen that the increase of e by one key is to f. So we can see from the piano that every seven white keys are interspersed with only five black keys from the far left or right.

A hard-working friend helped make this illustration.

That's pretty much it for the rules, and we've got a preliminary idea of one way to mark pitch. What about bass, alto, and treble, which are from ** to **?

As far as I know, it is generally said that the soprano of the average boy is f4 and above (there are some boys with a thin voice, their treble can be A4 and above), and the treble of the average girl is A4 and above. There will also be super-trebles, such as A5 or above for boys and C6 or above for girls.

Five sets of trebles, as the name suggests, are in the range of C5--B5. Four groups of trebles, boys are generally in the range of F4--B4, and girls are generally in the range of A4--B4.

As for the mid-bass, it's more ingenious....I don't know where the clear dividing line between alto and bass is, and I've never seen a more common statement, maybe it's because of my contact limitations, or maybe it's because the mid-bass dividing line doesn't have the value of vocal singing, so it's been ignored....

However, if it is subwoofer, it should be below E2 for boys and A2 for girls.

The treble, some people, can go up with strength, if the bass relies on strength, I'm afraid that many times there will be no strength.

If the midrange is relatively smooth and powerful, it can be played almost as much as you want, and the bass should be relatively relaxed. But many people, blindly pursuing treble, super treble, in a song, when the bass is down, force to reach or squeeze the vocal cords to produce an uncertain sound, making the song unable to express completely.

It would be much easier if the bass could also be combined with the head voice (head cavity control) with emotion.

The bass requires concentration, engagement, and relaxation (but definitely not slackness). In the lower part, the bass has regressed recently, because, hey, in the past few months, the super treble and the whole head voice have been played too much, the foundation is unstable, and they are depressed and reflecting :) First of all, you said that some high notes can be sung and some can't be sung, and there are several reasons for this, such as the span between the front note and the back note is too large, and you can't control it, which means that you have to complete the conversion of the pitch in 1 second or 2 seconds, and the conversion of true and false sounds, because in the sharp f and flat b, these two tones are the voice change points, and there is also the problem of the opening tone being closed accent, and the general opening tone is easy to sing, like "Ah"Love" But the high notes with a closed accent are quite difficult to sing Of course, if you want to sing well, you need to practice, and another reason is the strength of the strength Of course, singing loudly Roar can of course roar very high But it is very difficult for you to sing softly This is all technical work If you want to sing a good high pitch, it is not an overnight effort You need to lay a solid foundation in the original vocal area in order to slowly sing high Otherwise, blindly roaring is easy to cause vocal cord nodules and other problems Singing high notes requires a state Laughing muscles Lift up the person slightly back The center of gravity is a little back Imagine a river in front of you Somebody on the other side of the river How would you call him And then keep it that way Practice a lot It's very effective Some of the high causes are falsetto Then how to deal with falsetto is also a technique Actually, there are pure and semi-pure falsetto Some falsetto is also breath-blowing Of course, I don't know how to say that, after all, I'm also learning, but I can compare you to the high-pitched voice, the mouth shape, up and down, the teeth open, and then blow the voice like a sigh.

The above is all professional knowledge, if you don't fully understand it, you can sing it in the following ways; 1. When you start singing the first sentence, the attack is a little lower, and when you sing to the high note, you will naturally be able to go up 2. If you have a low tone, you can adjust your own tone appropriately to complete It is recommended that you listen to **, follow the hum, after a long time, you will get used to how to use your voice to sing good songs.

If you want to sing a high note well, you need a certain foundation, not that if you want to sing a high note well, you need to practice for this high note!

I don't know if you have a foundation, since you ask for treble, I'll just say treble.

The treble needs to be supported by a steady breath. Beautiful, transparent, and realistic treble needs more powerful breath support.

This is the breath, how to use the so-called dantian qi online to search a car of ......Then talking about the throat, the most important thing in the throat is to relax, when singing high notes, the state of the vocal cords is that most of them are not involved in the vocalization, and the vibration area is reduced, so as to achieve high notes.

Of course, this requires us to control our vocal cords, to practice vocal exercises, and to practice these things.

Singing in the bass pitch and singing in the high pitch is from the point of view of feeling. To sing the bass, keep the channel as transparent when singing the high notes, sing the high notes, don't think about the pitch, do the corresponding technical movements, and the high notes will come out naturally.

In summary, the treble is practiced slowly, and it is in a hurry to succeed and fail.

Here are a few ways to practice singing:

Treble problem--- First of all, teach you a simple and easy-to-learn, high-pitched technique: hold a toothpick between the corners of your mouth and sing, don't fall off, it's easy to sing high notes. (That is, it is often said to open the inner mouth).

The vibrato --- is mainly through the control of the breath, so that the airflow passes through the throat like a wave, and the vibrato is produced, some people control the airflow through the voice, this kind of singing is very outdated, called vibratogram, the amplitude is very large, unnatural.

Everyone's vocal range is different, some people are born with a high pitch, and pitch is something that needs to be practiced, (but be careful, you can't be too tired and will sing your voice bad,)

In fact, you don't have to be too concerned about pitch, find some songs that suit your vocal range to practice, or a little bit of struggle, but you can still sing high notes.

It is necessary to turn on the voice before singing, and drinking some boiling water can help to turn it on. When the sound is turned on, the throat will not be uncomfortable.

In fact, whether singing is good or not is mainly pitch and rhythm.

With these two points, you can only sing, but feelings are the highest level.

Art is endless, for love is the shore.

Pitch is often the ear, when you sing, in fact, the ear is more important, we often ignore the ear when singing, we must listen carefully to sing out of our own voice, in order to grasp the pitch and emotion (must have heard, people who sing with headphones, ** sound overshadows their own voice, so out of tune).

Then you have to listen to the original song more, and you must also listen carefully to the singer's voice with your ears, the human ear is born with the ability to distinguish, you have to distinguish the accompaniment and vocals from the **, and even to each layer of musical instruments in the future.

Practice your ears first, and then talk about anything else.

Under the guidance of a professional vocal teacher, practice your voice, everyone's vocal cords are different, and the degree of opening and closing is not the same, so the width of the innate vocal range is also different, however, whether it is a middle or high tone, after formal training, your vocal range will be broadened on the original basis, and the vocalization is also healthier, and the singing will not damage the voice while singing well!! In addition, don't blindly pursue the treble, the mezzo-soprano is currently in short supply in China, and most people think that the treble is difficult to sing, but in fact, the middle and low vocal areas are even more difficult, and the pronunciation of the words must be strict, no matter what, it is best to suit yourself!!

It's very simple, you go to a vocal teacher and let him listen to it, and that's it, and girls are usually sopranos.