Song Dynasty poet Fan Chengda s ancient poems about pastoral landscapes?

Spring Pastoral Miscellaneous (Part 1).

The willow flower is deep in the alley, and the new green of the mulberry leaf tip is not completed.

There is nothing to do when you sit and sleep, and you can watch the silkworms on a sunny day with a full window.

Spring Pastoral Miscellaneous (Part 2).

The soil plaster is about to move, and the rain is frequent, and thousands of grass and flowers are blooming.

The barren furrow is still green, and the neighbor's bamboo shoots come over the wall.

Spring Pastoral Miscellaneous (Part 3).

The two wheat fields in the high fields are green and the mountains are green, and the low fields near the water are green and not cultivated.

The peach is full of spring, and the song and drums pass the Qingming.

Spring Pastoral Miscellaneous (Part 4).

The old pot is ripe and brings it to the Tiantou Sacrifice Society.

Spring Pastoral Miscellaneous (its fifth).

The society burned money like thunder, and the sun slanted to help the drunkard back.

The green branches are full of flowers, and I know that my children and grandchildren are fighting grass.

Expressing emotion: This poem warmly praises the intense and busy labor life of the peasants in simple language. The first two lines describe the hard work of rural men and women day and night, showing the poet's sympathy and admiration for the working people; The last two sentences describe the life of rural children, revealing the author's love for rural childhood.

Four Seasons Pastoral Miscellaneous Songs: Two Songs

Fan Chengda's pastoral poems shine in the long river of poetry in our country, and they have a height that other idylls cannot reach.

1) Fan Chengda's idyllic poems have "three beauties", namely ** beauty, painting beauty and architectural beauty. Beauty refers to the distinct syllables or rhythms of a poem that make the poem catchy to read. The beauty of painting refers to the rich and gorgeous rhetoric, bright colors of poetry, and gorgeous images, that is, the artistic conception of human feelings is expressed with a kind of painting-like beauty of words.

Architectural beauty refers to the uniform and symmetrical layout of the poems, and the neatness and uniformity of the poems.

2) Fan Chengda has a unique creative perspective, standing in the perspective of different characters to speculate on the hearts of the characters and express the emotions of the characters, so as to show the pastoral scenery, depict the pastoral life, and express the poet's emotions, which is what we usually call the spokesperson. Fan Chengda uses such a unique creative perspective to make the poems more interesting, convincing and infectious.

3) Fan Chengda's pastoral poems are the first to open a group of seven unique poems" His "Four Seasons Pastoral Miscellaneous Poems" is a group of poems composed of sixty seven-character quatrains, which are described from the different seasons of spring, summer, autumn and winter, a poem sings about a thing or an event, and each poem is an inseparable whole, they are mutually influencing and parallel dialectical relationships, which part is missing is incomplete, it is a regret and defect.

4) In terms of subject matter, Fan Chengda's pastoral poems break through the scope of expression of traditional pastoral poems, change the themes of traditional pastoral poems that simply describe pastoral scenery, or express pastoral leisurely life, or express hidden tastes, and integrate the agricultural poems in the Book of Songs, the pastoral poems that reflect the tranquility and leisure of the secluded life and the hard life of the peasants, and the poems that reflect the class oppression, so as to give the pastoral poems with the main characteristics of tranquility and leisure in the past with a new and deeper ideological connotation.

5) Fan Chengda's pastoral poems not only open up the theme, artistic characteristics and ideological realm of pastoral poetry, have unique artistic value, but also systematically describe pastoral life, which has a great impact on the breadth and depth of rural life, and broadens the space and intensity of traditional pastoral poetry to a large extent, which is the poet's unique understanding and ingenious expression of traditional pastoral poetry, and is the poet's innovation and development of pastoral poetry.

Song Dynasty poet Fan Chengda.

In the thirteenth year of Chunxi (1186), he wrote the Four Seasons Pastoral Miscellaneous ("Four Seasons Pastoral Miscellaneous Sixty Songs.

Fan Chengwei spent ten years in Shihu to live a relatively leisurely and prosperous life, wrote his last masterpiece in the thirteenth year of Chunxi (1186), and wrote the "Sixty Songs of the Four Seasons Pastoral Miscellaneous" for his hometown around the third year of Shaoxi (1192).

Sixty Songs of Four O'clock Pastoral Miscellaneous Songs" is the Southern Song Dynasty.

The poet Fan Chengda wrote a group of large-scale idyllic poems after retiring to his hometown, divided into spring and late spring.

There are five parts of summer, autumn and winter, with 12 songs in each part, for a total of 60 songs. The poem describes the scenery of the four seasons of spring, summer, autumn and winter in the countryside and the life of the peasants, and also reflects the exploitation and hardship of the peasants.

Among them, there are 12 songs of spring pastoral miscellaneous, 12 songs of late spring pastoral miscellaneous, 12 songs of summer pastoral miscellaneous, 12 songs of autumn pastoral miscellaneous, and 12 songs of winter pastoral miscellaneous, a total of 60 songs. It depicts the different scenes in the countryside in the four seasons, and vividly draws a dynamic map of pastoral farming.

The Song Dynasty poet Fan Chengda wrote his last masterpiece "Sixty Songs of Pastoral Miscellaneous Songs at Four Seasons" in the thirteenth year of Chunxi (1186).

"Summer Pastoral Miscellaneous: The Seventh" Song Fan Chengda.