When learning watercolor, how do you correctly handle the relationship between light and dark in you

The brightness and darkness of watercolor are mainly controlled by moisture. When the color is saturated (that is, there is more color and less moisture), the brightness is high when there is more relative moisture and less color. The second is to control the brightness and darkness of the color by the change of color.

For example, when painting Ya pear, you can use tartrazine that is not very saturated in the bright part, and you can use the saturated color of ochre and earth yellow to outline the dark fill. However, the body color should be painted according to the changes in the environment, it is recommended to paint more, observe the color more, and half of the color picking beginner depends on feeling. The other half of the experience will be accumulated by plainness.

In such a situation, we must pay attention to the matching of colors, and then we should also choose some suitable colors to match, and we should also observe life more in ordinary times, and deal with the relationship between light and dark through some life experience and skills.

For places with high density, you should choose dark treatment, but for less dense or petals and sunlight, you should do light treatment, you can choose to drop some water, and then go to treatment.

It definitely needs to be classified according to the color of the watercolor, and we must take a closer look at the shadow part, which can be used as a dark area.

With the development of society, more and more people realize the importance of learning more than one skill. For many people, learning to draw watercolors is an easy and effective way to express their stress. However, it is difficult to learn anything new, it requires a long-term process, and at the same time, it is easy to make all kinds of mistakes in the process of learning.

Once such misunderstandings become habits, it is difficult to correct them, so in the process of learning watercolor, there are several misunderstandings that we need to pay attention to.

Anything that wants to succeed is inseparable from the "100,000-hour rule", and it is easy for us to ignore the long-term persistence in the learning process of newbies. So, the first misconception is not to think that watercolor is easier to learn than other paintings. Any painting requires long-term practice to be successful, which is very important for beginners.

Before studying, we must first establish a correct learning attitude, and continuous practice is the foundation of our success in everything we do.

When we first came into contact with watercolor, we inevitably came into contact with many masters' works, and this is a very good learning opportunity. Copying the works of the masters can not only help us establish a good aesthetic of painting, but also allow us to establish a certain compositional foundation. And these things are very important for us to improve our technology in the future.

Therefore, the works of famous artists must be copied more, which not only has a great improvement in our aesthetics, but also helps a lot in the future examination process.

Many people often have an uncontrollable enthusiasm for creating when they are new to watercolor, but when we are not yet at home, we must restrain our desire to create. Because once a bad study habit is established, there will be all kinds of problems when we start to really create, so we need to make it clear that our main task at this time is to build a solid foundation, not to develop our creative talents.

Ordinary paper and sketch paper are thin and soft, try watercolor with sketch paper, gouache paper or sketch paper, and you will be surprised to find that the manuscript that takes more than 1 hour will break as soon as it gets wet.

There is a good chance that you will not be able to recognize the color. It is easy to match colors unevenly. Every day it gets really dirty. And some places are deep, some places are shallow.

It is easy to fall into the mistakes of drawing without mounting paper, using paint indiscriminately, directly dipping colors, pencils are stiff, and smearing back and forth, etc., and only by avoiding these misunderstandings can we progress.

Introduction: Some friends said that the gouache color they painted did not look bright and transparent, and wondered if it was too much water when mixing colors? The answer is that it may be due to the use of too much water, but it is also related to other factors.

Friends who have been exposed to gouache know that when mixing colors with gouache and water, the more water you put in, the smaller the concentration of gouache, and the lighter and more transparent the color. In this case, you can change the ratio of gouache and water, reduce the water a little, and experiment again. <>

There are all kinds of gouache on the market, for the choice of gouache brand to choose a big brand is better, the quality of miscellaneous gouache may not be too good, so when painting, the color may be too transparent, or too heavy, it will appear that the color is not bright, which will affect the mood of the creator. When choosing gouache, try to go to a physical store to buy it, because then you can try it out on the spot, and save yourself from regretting it after buying it online, and you need to return it, which is more troublesome. <>

When painting watercolor, the effect is transparent, or heavy, and it has a lot to do with the strength of your brushstrokes. The lighter your brushstrokes, the more transparent the colors will be. Conversely, the heavier the stroke, the thicker the color.

If you dislike the choice of gouache is more troublesome, you can buy a tablet to learn board painting, the types of pens in the board painting are quite many, which can meet the needs of users for various types of painting, and can save people from worrying about the quality of gouache and the proportion of water transfer. <>

Among the many types of art, there are many friends who like gouache, and the paintings painted with gouache are more transparent and energetic. And whether it is the shaping of characters or the portrayal of street scenes, it can draw a relatively good effect.

It may be related to the imbalance of water transfer ratio, because if too much water is put in, the smaller the concentration of gouache, the lighter and more transparent the color, so it is recommended to change the mixing ratio of gouache and water, so that the gouache can reach a saturated state.

It is because it is used a lot when mixing colors, and this will also affect the result of painting, and it will also affect the effect of the pigment, so we must pay attention to this aspect when mixing pigments.

In this case, it may be that when you use too much water in color mixing, you may not pay attention to the color ratio, so it will lead to the color not being bright enough.

1. Dry painting and wet painting.

The dry painting method is a multi-layered painting method. Coloring the dry base color with the method of layer coating does not seek the permeation effect, and can be colored over and over again calmly, which is easier to master, and is suitable for beginners to practice. The expressive and clear shape structure and rich color gradation are the specialties of dry painting.

1. The dry painting method can be layered, colored, colored, dry brush and other specific methods.

1) Layer coating. That is, the overlapping of the dry, after the coloring is dry, and then the color, layer by layer, the color is overlapped to express the object. The number of color layers in the picture is different, some places can be done once, and some places need to be two, three or more times, but it is not advisable to use too many times, so as not to lose the color of transparency.

The layering is like a colored overlay, and the mixing effect of the base color is expected in advance, which cannot be ignored.

2) Cover color. In fact, it is also a dry overlapping method, and the color area is larger, for example, several pieces of color in the picture are not unified enough, so you have to use the method of color covering, and cover the color to make it unified. If a certain piece of color is too warm, a layer of cold color will change its cold and warm properties.

The color of the cover should be painted thinly in a brighter color, spread over and over again, and generally do not return to the pen, otherwise the background color will be dirty. This method is often used in the process of coloring the mountains and in the final adjustment of the picture.

3) Coloring. Dry coloring is to paint from the side of the adjacent color after it has dried, and there is no seepage between the color blocks, and each color itself can also be wet painted to increase the variation. This method is characterized by the clear outline of the object and the vivid color.

4) Dry pen. The pen head has less water and more color, and the pen is easy to fly white; Drawing quickly on coarse gauze paper with relatively full water will also produce flying white. Expressions such as sparkle or softness often use the method of dry brushwork.

The dry painting method should not only make a fuss about the word "dry", but also make people feel full of moisture and wet marks to avoid dryness and dryness.

2. Wet painting can be divided into two types: wet overlapping and wet coloring.

1) Wet overlap.

Soak or partially brush the paper, coloring at the end of dryness and overlapping colors at the end of coloring. Moisture, time is mastered, and the effect is natural and rounded. Expressing the atmosphere of rain and fog and the taste of moist and watery water is his finger and vertical specialty, which is beyond the reach of some types of paintings.

2) Wet coloring.

When the color is close to the end of drying, the water color seeps, the junction is blurred, and the gradient of the transition soft color is often used in this method. When coloring, the water should be used evenly, otherwise, the water will flow more to less places, and it is easy to produce unnecessary water stains.

Most of the watercolor paintings are carried out in combination with dry painting and wet painting, and the picture based on wet painting is partially dry painting, and the picture based on dry painting also has a wet painting part, which is a combination of dry and wet, full of expression, dry and dry, and full of fun.

Second, the mastery of moisture.

The use and mastery of water is one of the main points of watercolor technique. Water has the characteristics of seepage, flow, and evaporation on the picture, and it is necessary to be familiar with "water-based" when painting watercolor. Giving full play to the role of water is an important factor in painting watercolors well.

Compared with other types of painting, watercolor has its own unique way of painting. The most prominent point is that the transparency of watercolor determines that watercolor cannot withstand the repeated modification of light and dark, and many times, the bright part needs to be expressed with paper color and light color, and once the painting is dark, it is not easy to remedy.

Therefore, most painters will start from the brightest point, and implement the grayscale relationship of the picture little by little, and in general, watercolor is a transition that makes the picture from light to dark.

In the monochrome Zhilian watercolor below, this process is revealed.

Start with a soft pencil and mark the outlines of the horizon, the fence, the people and the crows. Wet the paper and apply a layer of gray while wet to determine the tone of the picture. This process is done on wet paper and will create a very gentle effect.

After the gray is painted, you can also apply a darker gray to the ground part, when the pen has less moisture than the first color, and the pigment concentration is more concentrated. At this time, the picture will appear gray, don't worry, the gray scale will be significantly reduced after the paper is dry.

After the paper has dried, color it a second time and continue to deepen the ground part near it.

Draw the fence, pay attention to the perspective, far small and near large, far virtual and close to real, far faint and near thick. Use a nylon pen to dip it in water to wash out some blades of grass.

Draw the characters and continue to add some small details to make the picture appear richer.

Although this example is a monochrome exercise, it follows the basic order of watercolor painting: from light to dark, from virtual to solid. Although some masters advocate painting from the darkest place, most watercolor painters start from the light part, and sometimes the truth is not in the hands of a few people, from light to dark, from virtual to real, it is still a very reliable order of painting.

Monochrome is the purest, and the less fake pigment there is, the brighter it gets. The highlights and shadows should be excessive, and the shadows should also have ambient colors and reflections.

Wet painting. I paint watercolors.

The kind of gradient with the same color is light and dark, and the forest process is not very good.

After a layer of light goes up.

Go deep. Problem 1: The paper is crumpled. Then the concave places a lot of watercolor.

The solution to the trace annihilation is to use imported high-grade watercolor paper.

The disadvantage is that it is on the high side. The second is to choose domestic watercolor paper.

Then make a gesture and mount it on the drawing board.

Wait for the water to evaporate to the right time before drawing.

Or dry it all and set aside.

Question 2: I feel that it is still very weak after going deep.

Is it a problem with too much water?

Solution: First, as you said, it is the problem of too much water.

This needs to wait for the water to evaporate to a certain appropriate level before proceeding to the next step.

Neither too wet nor too dry.

The second is. Watercolor paint is a few degrees weaker when painted than when it dries.

The darker the color, the greater the relative difference.

Therefore, a deliberate aggravation of several degrees is required.

When it dries, it will achieve a more desirable color depth.

This requires you to try a few more times.

Third, the saturation of the color should be as large as possible.

I'm sure you'll get the hang of it soon.

Question 3: After drying, the deep and light are made into a circle.

It's not pretty. How to eliminate this.

Solution: First, the quality of the watercolor paper is not good.

Uneven water absorption.

Need to replace *** watercolor paper.

Second, the grasp of dry humidity is not very in place.

This also requires a lot of experimentation.

Sometimes this can happen if it's too dry or too wet.

In addition, this kind of case is used wisely.

It's still a good technique.

Question 4: I draw the next stroke. When you close the pen, there will be a little watercolor with a lot of moisture left on the painting. How to eliminate.

Solution: This is first of all caused by the pen you are using to hold too much water.

First, after storing water, first remove the excess water and then dip it in color.

The second is to give up the sheep's pen for a pen or a wolf's pen.

The third is to use paper towels or calligraphy to use raw rice paper to assist in water absorption.

Hopefully, what you have said above will help you.

Finally, I wish you early progress.

1. When sticking the sticker, it should be flattened and the gas inside should be released;

2. When mixing color, it is necessary to mix evenly, just make it almost as much as you want, don't have too much water, and if the ratio of dye and water is uneven, it will be not deep in the filial piety;

3. That's the reason why you love to stay at the end when you close the pen;

4. Suck it with a dry towel or suck it with soft paper carefully, and it should be too close to it.