The mountain dwelling is the matter, Wang Wei is all over the word appreciation, and the mountain dw

The mountain dwelling is a matter Wang Wei is lonely and covers the firewood, and the sky is facing the sunset. The crane's nest is full of pine trees, and people visit the door rarely. The green bamboo contains new powder, and the red lotus falls into the old clothes.

The fireworks at the ferry, and the lings are returned everywhere. The first couplet is a portrayal of his state of mind when he lived alone in the mountains. Gu An's "Tang Law Sales Xia Lu" said, "The first sentence of this poem has the words 'cover the firewood', and the following seven sentences are all scenes outside the door, how can I say it?"

I don't know that the ancients used it the most strictly, and the intention was the most lively, such as the sentence "covering the firewood" followed by the sentence "the vast sky is against the sunset", and you will know that the three words "covering the firewood" are imaginary sentences, not real sentences. Why force a "virtual" solution, it is also possible to make a "real" solution. People can also cover up outside the door, when it is indoor silence, so go out to cover, look around the mountain house exterior to relieve boredom, the poem title "that is", the foreground is also.

If you are in the retreat room, what can you do! The mountain dwelling is seen, and the scenery is lonely and clear, that is, it makes people leisurely, Tao Taoran, and there is no sense of silence. The poet uses the most expressive words to express the most prominent impression and feeling of the scenery to him, in order to highlight the natural ecology of the scene and the rheological characteristics of letting it disappear, constituting a profound overall hint of Zen interest, the fleeting trance of the light and color image, but the return to the person is between the trance and the trance.

From the perspective of literary aesthetics, the ecology is lively, full of interest, and the quiet life full of poetry and painting is full of sporty and vital beauty. The neck couplet old clothes refer to the lotus flower leaves. The neck couplet uses "green bamboo" to "red lotus", "new powder" to "old clothes", and the flow of light and shadow reflects Maha's love for a secluded life.

Wang Wei is good at painting by nature, proficient in painting theory, and transplants painting art to enrich and improve the expressiveness of poetry. This sentence is the proof of this. The last word of the tail couplet falls on a "return", which is in line with the meaning of its retreat, and there is a faint feeling of Tao Latent.

In Wang Wei's idyllic poems, although the surrounding is lively, endless, and full of vitality, the poet's heart is lonely. All things in nature are lively and vivid, tender bamboo, red lotus, only the poet's heart is lonely and lonely. Such a mentality prompted Wang Wei to devote himself to discovering and appreciating the countryside.

The word "all over" shows that there are many pine and cranes, and the word "rare" shows that there are few visitors, and the two contrast to write the seclusion of the mountain dwelling environment.

Loneliness covers the firewood, and the vastness is against the sunset.

The crane's nest is full of pine trees, and people visit the door rarely.

The green bamboo contains new powder, and the red lotus falls into the old clothes.

The fireworks at the ferry, and the lings are returned everywhere.

Su Shi said that Wang Wei "has a painting in the poem", "there is a poem in the painting", the word "through" shows that there are many pine and cranes, and the word "rare" shows that there are few visitors, and the two compare to write the tranquility of the mountain dwelling environment. The "all" here refers to the crane nest and the pine tree at the same time, everywhere, and there seems to be a certain rule, not very messy, similar to the artistic conception in landscape painting, the poet Buddha Wang Wei is the representative of the Tang Dynasty landscape idyll, his poems can often correspond to a landscape painting, the side scene referred to here, that is, a lonely life scene in the mountains and forests, is very real, not ethereal such as the kind of fairyland, a "through" word makes the pine crane nest in the mountains and forests more concrete, in such a large environment, dotted with other small environments, Stories on such platforms ...

Why Leisure?? There should be a kind of loneliness and homesickness.

Mountain dwellings are a thing. Tang Dynasty: Wang Wei.

Loneliness covers the firewood, and the vastness is against the sunset.

The crane's nest is full of pine trees, and people visit the door rarely.

Green bamboo contains new powder, red lotus.

Fallen clothes. The fireworks at the ferry, and the lings are returned everywhere.

Translation: Silently close the fence tightly, looking at the slanting sun in the vast twilight.

The pine trees are scattered all around, and visitors to Chaimen are sparsely deserted.

The tender bamboo knots have been added with a layer of new powder, and the old lotus flowers have already fallen into patches of red.

The fishing fire at the ferry is dotted, and it is the people who pick Ling everywhere to return by boat.

Notes: Mountain dwelling: Seclusion in the mountains and forests.

Warring States Policy: Han Ce I": "The Korean land is sinister, the mountain dwelling, born of grains, not wheat but beans; What the people eat, most of them is bean rice soup. "Instant Facts:

Poems about current events. Song Wei Qingzhi's "Poet Jade Dust, Destiny, Lingyang Meaning Must Be Destiny": "Where a poem must be written at the end of the sentence, do not get a sentence and a couplet first, so it becomes a chapter, so it does not mean much."

However, the ancients were inevitably like this, such as reminiscences, instant events, etc., all became poems first, and then the propositioners also. ”

Loneliness: Silence, silence. "Chu Ci, Liu Xiang, Nine Sighs, Sorrow": The song of patrolling Lu Yi is long, and the emptiness is lonely. "Chai Gate: Chai Gate. It also refers to the poor homeland. Liang Fanyun of the Southern Dynasty "Gift to Zhang Xuzhouji".

Poem: "I also heard that the child said that there was a guest firewood." ”

Sunset: Sunset, sunset. Jin Lu machine.

Proposed Dongcheng Yi He Gao" poem: "Three Lu knots fly brins, and the big old man is shining." ”

Crane nest: nest is a verb, as a perch, not the meaning of the noun "nest".

Long (bì) gate: a door made of wattle bamboo, also known as the chai door. It often refers to a simple and dilapidated house.

New powder: refers to bamboo.

It has just grown, and the bamboo has a white fluffy powder around it.

Former clothes: refers to the lotus flower leaves.

Ferry: Judah Ferry. Where to cross the river. Emperor Jianwen of Liang in the Southern Dynasty.

One of Xiao Gang's "Wuqi Song": "Picking lotus crosses the Yellow River, and Lang wants to cross the storm today." "Fireworks:

Refers to cooking smoke. "Historical Records: The Book of Laws": "The world is rich, Su to more than ten dollars, the rooster barks at the dog, and the fireworks are thousands of miles, can it be described as a happy person?"

A "light".

The translation of "Mountain Dwelling is a Thing" is like this:

Silently closed the fence tightly, looking at the slanting sun in the vast twilight.

The pine trees are scattered all around, and visitors to Chaimen are sparsely deserted.

The tender bamboo knots have been added with a layer of new powder, and the old lotus flowers have already fallen into patches of red.

The fishing fire at the ferry is dotted, and it is the people who pick Ling everywhere to return by boat.

The character "Everywhere" uses an exaggerated technique to express the scenery of the mountains with dense pine trees and many cranes, in contrast to the word "rare" that expresses the few visitors. The contrast between the two writes about the seclusion of the mountain dwelling environment, which is exactly what the author yearns for, indicating the taste of seclusion.