How beautiful is the calligraphy that is admired by Zhao Mengfu?

Yu and Bo Ji classmates cursive, Bo Ji Yu far away, try to chase it and can not reach, Bo Ji has been gone, the world is called the servant book, the so-called no Buddha called Zun Er. The calligraphy of the two was called "two wonderful" at that time.

Zhao Mengfu's calligraphy is good at absorbing the strengths of others, and can fuse the strengths of other calligraphers into one furnace. At the same time, he studied calligraphy theory very deeply, and put forward a lot of calligraphy theories, which had a very deep impact on later generations.

It's very beautiful, there's a unique atmosphere in it, it's tactful, it's really beautiful.

Zhao Mengfu's representative calligraphy works include "Luo Shen Fu", "Tao Te Ching", "Bilba Tablet", "Xuanmiaoguan Rebuilding the Three Gates", and "Linhuang Ting Jing".

Zhao Mengfu fǔ (October 20, 1254, July 30, 1322), the character Ziang, Han nationality, known as Songxue Daoren, also known as Crystal Palace Daoren (a said Shuijing Palace Daoren), Oubo, middle-aged once signed Meng Qian.

The style of Zhao Mengfu's works

Zhao Mengfu was an influential calligrapher in the early Yuan Dynasty. Its seal, Zhou, points, subordinates, Kai, cursive books are all good, with regular script, line of writing the deepest, the most extensive influence. According to the Ming Song Lian's account, Zhao's calligraphy learned the Siling (i.e., Song Gaozong Zhao Gou) book in his early years, learned "Zhong Xuan and Xi Xian Zhujia" in his middle age, and studied Li Beihai in his later years.

Wang Shimao said: "Wen Minshu mostly comes from the two kings (Wang Xizhi and Wang Xianzhi), and his body is tight, so he gets the right army; If the posture is graceful, it will be a great order; The book tablet is a cool imitation of Li Beihai's "Yuelu" and "Suoluo" style. In addition, he also touched the Dingding Monument of Yuan Wei and Tang Yu Shinan, Chu Suiliang and others; In the seal book, he learned the stone drum text and the curse Chu script; Lishu Liang Hu and Zhong Xuan; Learn to dedicate in cursive writing, and work hard to inherit the tradition.

Zhao Mengfu's calligraphy is good at absorbing the advantages of others, and can integrate the advantages of other calligraphers. At the same time, he conducted in-depth research on the theory of calligraphy, and put forward a lot of calligraphy theories, which had a very profound impact on later generations. Zhao Mengfu is an important calligrapher in the history of Chinese calligraphy, and the evaluation of Zhao Mengfu in history is uneven and complicated.

So what is Zhao Mengfu's calligraphy, what is its significance in the history of calligraphy, and how later generations of calligraphers evaluate his calligraphy, this is a question that requires laborious and judgmental collation and analysis. The predecessors said that Zhao Mengfu's words were vulgar and boneless, too well-known and fluent, but these evaluations serve people as descendants of the Song family, and they are often based on their character, which is worthy of in-depth **. My hobby of Zhao Mengfu's calligraphy gradually changed, from the beginning I hated it to feel a bit vulgar, and gradually I was accepted and liked his calligraphy more and more, occasionally writing his cursive regular script.

Most of the regular script works have been passed down by later generations, among which the regular script works are the most important for the past dynasties.

The works in regular script include "Luo Shen Fu".

The Theory of the Qin Dynasty", the Biography of Ji Di, and the scriptures include the Tao Te Ching of Lao Tzu

Huang Tingjing" and so on. Later generations also classified Zhao Mengfu as one of the "Four Masters of Regular Script". "Yan Liu Ou Zhao".

Zhao is Zhao Mengfu. The other three were all from the Tang Dynasty, and one Tang Dynasty was the maturity and heyday of regular script, and its law degree and level were incomparable to other dynasties.

However, Zhao Mengfu can enter the four masters of regular script, which can prove the achievements of regular script, and the calligraphy of the Yuan Dynasty was deeply influenced by Zhao Mengfu, which is a phenomenon that other dynasties do not have. In Zhao Mengfu's traditional activities of enthusiastically promoting the return of the "two kings" to the classics of the Wei and Jin dynasties, his friends, family, friends, and students were all influenced by him, forming a huge and lasting "Zhao School" style of calligraphy, and he may have been born to eat this bowl of rice.

The most important thing is that his calligraphy is relatively elegant, not only has the aesthetic characteristics of traditional art, but also is very clear, concise, generous, decent, easy to understand, and maintains the traditional elegant art characteristics in creation.

Because Zhao Mengfu's calligraphy is fat but not thin, and it is very energetic. It's also very difficult to copy. It is a very good work.

Zhao Mengfu was a famous calligrapher in the Yuan Dynasty. His regular script pen movement is natural, and the dot painting is round and colorful, with the brushwork of calligraphy; The structure is rigorous, flat and wide; On the whole, it looks beautiful and feminine, steady and generous. "The Legend of the Three Gates" is one of his masterpieces in regular script.

Zhao Mengfu's calligraphy is not overrated, and he and his calligraphy have had a profound and long-lasting influence on the development of calligraphy.

1. Zhao Mengfu is erudite and talented, can be good at poetry and literature, understands economics, works calligraphy, fine painting art, is good at gold and stone, and understands and appreciates. In particular, he has the highest achievements in calligraphy and painting. In painting, he created a new style of painting in the Yuan Dynasty and was known as the "Yuan Ren Crown"; Zhao Mengfu is also good at seal, subordinate, true, line, cursive, especially in Kai, Xingshu is famous in the world.

His style of writing is charming, Xiuyi, strict and neat, the penmanship is familiar, and he creates a "Zhao Ti" book, and Ouyang Xun, Yan Zhenqing, and Liu Gongquan are called "the four masters of regular script".

2. The calligraphy of the Yuan Dynasty was deeply influenced by Zhao Mengfu, which is a phenomenon that other dynasties do not have. In Zhao Mengfu's efforts to promote the study of the "two kings" to return to the classic traditions of the Wei and Jin dynasties, his friends, family members, friends and students, all of whom were influenced by him. It has formed a large and long-lasting "Zhao School" calligraphy style of Shida Lu.

Zhao Mengfu's calligraphy is in the middle of the line, the knot is rigorous, upright and symmetrical, the glyph is slightly flattened, the word posture is beautiful and chic, clear and handsome and charming, and contains the wind and bones. Although his calligraphy is in and out of the "two kings", it has formed its own style.

1. On the basis of inheriting the traditional calligraphy, Zhao simplifies the complex, changes the ancient to the present, and its pen does not contain muddy, does not make the mystery, and the pen path of the pen, the pen and the pen is very clear, so that the scholar is easy to understand and easy to follow.

2. The appearance is round and muscular and connotative, its dot painting is gorgeous, the body is wide and beautiful, and the dot painting echoes very closely. The outside seems to be soft and the inside is strong, the body is beautiful and the skeleton is strong. Scholars not only learn their forms, but also their gods.

3. The pen is round and square, and the flow is traveling. When writing Zhao style, the dot painting needs to be round and beautiful, but the structure of the cloth should be very square and strict, horizontal and straight, skimming and stretching, and the focus is stable. Only in this way can we grasp the characteristics of Zhao Ti.