In the poem Tianjingsha Autumn Thoughts , is Tianjingsha the title?

The Chinese textbook marks that Tianjingsha is the name of the song.

"Tianjingsha Autumn Thoughts".

Tianjingsha" song brand name. "Autumn Thoughts" thoughts in autumn. The title is "Thinking"."Autumn" is a specific season, and the word "Autumn Thoughts" sums up the content of the whole song. This song is called "the ancestor of autumn thought" by later generations

The genre of Tianjingsha Qiusi is Xiaoling. Xiaoling is a type of loose song. The syntax of "Tianjingsha Qiusi" is unique, and the first three sentences are all composed of noun phrases, listing a total of nine scenes, which is concise and meaningful.

The whole song is only five sentences and 28 characters, the language is extremely concise but the capacity is huge, the meaning is far-reaching, the structure is exquisite, and the frustration is caused, and it is praised as "the ancestor of autumn thought" by later generations.

Xiaoling introduced. Xiaoling is one of the tonal styles, referring to short words, usually with short words within 58 words as small orders, such as "16 character orders", "such as dream orders", etc., but the words called "order" are not all small orders, such as "100 words order" that has as many as 100 words.

Xiaoling is the predecessor in the word. Because in the period of the five dynasties when Xiaoling was prevalent, there were no slow words. Nie Guanqing's "Dolly" by Nie Guanqing, a scholar in the Qing Dynasty of the Northern Song Dynasty, is the earliest masterpiece of slow words that can be seen in modern times, and the first one to fill in a large number of slow words is, of course, Liu Yong.

However, the earliest Xiaoling can be traced back to the "River Biography" of the Yang Emperor of the Sui Dynasty, which shows that the origin of Xiaoling is the origin of the word.

The theme of "Tianjingsha Autumn Thoughts" is to express the loneliness and homesickness of the wandering wanderer. "Tianjingsha Autumn Thoughts" outlines a bleak and depressed autumn scene, and contrasts with the quiet countryside of the small bridge and flowing water people's house, so as to highlight the wandering foolish wanderer's longing for his hometown and the wanderer's sorrow of being tired of wandering.

Appreciation of Tianjingsha Qiusi.

Through the language of white drawing, the poet uses a series of concise but powerful imagery to sketch a picture of the countryside at dusk. On one side is the dead vine and old tree, full of decay and sorrow;On the other side, there is a quiet rural scene of small bridges and flowing waters, and you can imagine what a warm and welcoming scene it is, but the poet can only taste the sourness of being a stranger under the ancient road of the west wind.

Translation of Tianjingsha Qiusi.

At dusk, dead vines entwined the old trees, and a flock of crows perched on the trees, making a terrible wail. The water under the small bridge made a gurgling sound, and the smoke of the farmers around the small bridge curled. A thin horse on the ancient road is struggling to move forward against the west wind.

The setting sun gradually loses its luster and sets in the west. In the bleak night, only the lonely traveler wanders in a distant place.

The full text of Tianjingsha Qiusi.

"Tianjingsha Autumn Thoughts".

Withered vines and old trees, faint crows, small bridges and flowing water, ancient roads and westerly winds and thin horses. The sun is setting, and the heartbroken man is at the end of the world.

The scene described in the poem has withered vines.

Old trees. Crow.

Small bridge. Water.

Family. Road.

Zephyr. Skinny horses.

A total of nine things were written: vines, trees, crows, bridges, water, homes, roads, winds, and horses.

The names of the nine kinds of things are preceded by modifiers that express their own characteristics, such as dry, old, faint, small, flow, human, ancient, western, and thin, so that each thing has a distinct personality, so that these tangible and perceptible things have an obvious late autumn color, and have something in common with the intangible abstract misery, and use the tangible to express the intangible, so that people feel concrete and vivid.

Eye-catching sentence: The broken intestine is at the end of the world.

On this picture of the village in late autumn, there is a wandering wanderer, on the desolate ancient road where the sun is shining, leading a thin horse, facing the miserable autumn wind, walking all over the place, sorrowful and broken, but he does not know where he belongs, revealing the poet's sad feelings that he has never met, and appropriately expresses the sorrow of the wanderer who has fallen into a foreign land.

The vine old tree is faint and crow, the small bridge and flowing water, and the ancient road west wind and thin horse. The sun is setting, and the heartbroken man is at the end of the world.

Looking at the crows at dusk, looking for dead vines and old trees to perch on, and up close, there are people living with small bridges and flowing water, and only a thin horse carrying a wandering wanderer in front of him slowly moves on the ancient road of autumn wind. Seeing that the afterglow of the sunset has already dimmed, the disemboweled people who are wandering outside are wandering the world.

This is Ma Zhiyuan's famous song, with 28 words outlining a picture of the wilderness. This song is composed of the heartbroken man touching the scene. The author's lyrical motives can be seen from the title.

The first two sentences of withered vines and old trees are faint, and the small bridge and flowing water are people's homes, which creates a cold and gloomy atmosphere, and shows a fresh and quiet realm. The small bridge and flowing water people feel elegant and leisurely. The 12 characters paint a picture of a secluded village in late autumn. The poet depicts a desolate and miserable artistic conception of the autumn wind, adding another layer of desolation to the secluded village.

The setting sun gives this dim picture a bleak light, which deepens the sad atmosphere. The poet skillfully connects ten kinds of prosaic objective scenes, and through the six characters of dry, old, faint, ancient, western, and thin, the poet's infinite melancholy is naturally contained in the picture. The last sentence, the broken intestine is the finishing touch at the end of the world, at this time in the late autumn village picture, there is a wandering wanderer, in the desolate ancient road of the remnant sunset, leading a thin horse, facing the miserable autumn wind, walking all over, sad and broken, but I don't know where I want to go, revealing the poet's sad feelings that I have never met, and appropriately expresses the theme.

The imagery that appears is:

1."The yellow flowers are piled up all over the ground, haggard and damaged, who can pick them now? "Chrysanthemums are autumn flowers, which is sad, although the courtyard is full of bloom, but because of their emaciation and thinness, they are not in the mood to pick flowers and enjoy the flowers.

Flowers have always been a metaphor for women, and the chrysanthemums here are sad and damaging their faces, and they also refer to the fact that the lyricist is now lonely and lonely, with no one to appreciate or protect.

2."Three glasses and two light wines, how can he be in a hurry late. "It's not that the wine is light, the sorrow is too heavy, and the wine can't suppress the sorrow, so naturally I feel that the wine tastes light, which is a subjective feeling. The word "light" shows how bleak and bleak the author's later years were.

3."How can he be in a hurry when he is late. "The autumn wind can render sorrow 4"The geese are also sad, but they are old acquaintances. "When geese fly from north to south, the lyricist also comes from north to south; And Hong Yan once wrote letters for her and her husband. The goose symbolizes sorrow.

5."The sycamore is more and drizzle, and it drips by dusk. It also means sorrow and longing.