Describe the fragments of calligraphy, describe the beautiful passages of calligraphy

The beautiful passage describing calligraphy is as follows:

1. The vertical and horizontal of the word, the beam of the house, should be straight, not tilted.

2. The pen must be volleyed, solid. However, scholars misunderstood the Slang language, and every time they walked into the airslide, they went all the way. It must be said that the air is empty and the pen is solid, so that there can be no drawbacks.

3. The shape is similar, and the calligrapher is superior. However, there is very little news in this, and you must not die under the sentence.

4. The dot paintings are all muscles and bones, and the font is natural and majestic.

5. Reverse the pen, the most powerful. Chu Henan book, all reversed, subordinate to the law.

6. The nature of the pen and ink are based on the temperament of the person. It is a rational person, and the first task of the book is also.

7. Hand and luck, art from the heart. His ambition is in the book, the crown cannot be moved, the poor and lowly cannot be bent, and he is proud and complacent, so as to end his life.

The Story of the Peach Blossom Spring, Eastern Jin Dynasty, Tao Yuanming (selected from "Tao Yuanming Collection").

In the Jin Dynasty, the Wuling people fished for their business. Walk around the river, forget the distance of the road. Suddenly, the peach blossom forest, hundreds of steps on the shore of the clip (jia), there are no miscellaneous trees in it, the fragrant grass is delicious, and the fallen flowers are colorful. The fisherman is very different, and he goes forward again, wanting to exhaust his forest.

When the forest runs out of water, there will be a mountain, and the mountain has a small mouth, as if there is light. The toilet (shě) boat, which enters from the mouth. At the beginning, it is extremely narrow, and only then can it be passed.

Repeat dozens of steps, open (huò) and cheerful. The land is flat, and the houses (shè) 俨 (yǎn) are ran, and there are good fields and beautiful ponds and mulberry bamboos. 阡 (qiān) mo (mò) traffic, chickens and dogs smell each other.

Among them, the clothes of men and women (zhuó) are like outsiders. Yellow hair hangs down (tiáo) and is pleasantly happy.

When he saw the fisherman, he was shocked and asked where he had come from. Answered. Then he had to return home, and set up wine to kill chickens for food.

When the village heard about this person, Xian came to inquire. Since the early days of Yun avoided the chaos of the Qin Dynasty, he led his wife Yi (yì) people to this desperate situation, and did not come back, so he (suì) separated from outsiders. Ask what the world is today, but I don't know that there is a Han, regardless of Wei and Jin.

This person is all (wèi) and sighs (wǎn). The rest of the people returned to their homes, and they all drank and ate. Stop for a few days and resign.

This Chinese language (yù) cloud: "Not enough for (wèi) outsiders also." ”

Once he has gone out and got his boat, he will help him to the road, and he will do it everywhere. And 郡 (jùn) 下, 诣 (yì) 太守, said so. Taishou is sent (qiǎn) people to follow their way, looking for their aspirations, and then they get lost, and they don't get the way back.

Nanyang Liu Ziji (jì), a noble scholar, heard it, and happily went to it. Unsuccessfully, the search for the disease ended. Later, there was no interest.

Wang Xi's book "Orchid Pavilion Preface" du, is an extremely excellent taste to zhi light masterpiece, dao it is compatible with other Western Jin Dynasty calligraphy products, its delicate pen, beautiful structure, smooth flow of gestures, all have the personality and characteristics of Wang Xi's calligraphy. Before Wang Xizhi, most of the calligraphy works were not as chic and gorgeous as the "Orchid Pavilion Preface". Therefore, Wang Xizhi's great contribution to calligraphy lies in his ability to refine the simple calligraphy style of his predecessors of "natural, scattered and wild", and to lead the simple calligraphy style of his ancestors of "natural, scattered and wild" to a new height of "exquisite beauty and exquisite brush and ink skills", so that the aesthetics of calligraphy gradually move from passive to active, to a more emphasis on individuality, to pay more attention to the rational grasp of pen and ink skills, so that the aesthetics of calligraphy has reached a new realm.

Before writing the "Orchid Pavilion Preface" post, it was difficult to perceive the subtlety at the beginning, but the more I wrote, the more I could feel the ingenuity everywhere. In the past, people were in love with Si, so naturally they had to believe it!

Describing calligraphy, this is to go through long-term practice, in order to be effective, such a thing is not achieved overnight, you must have patience, without patience calligraphy is impossible to write well.

The black sandalwood desk is carved with the pattern of double dragons playing with pearls, the old man stands in front of the table, the lean hand holds the lake brush, only to see the old man concentrated, the ink on the rice paper is done in one go, one stroke at a time, but see its skill, strong and powerful.

Find a prose that writes about the scene, I was looking for this kind of prose when I practiced calligraphy at that time! For example, Zhu Ziqing's prose "Spring" is good, you can choose a paragraph to try!

Her pen bai and the pen of movement, ten du

There is a sense of excellence, and the sitting posture is also upright

It didn't take long for the DAO to finish. I'm one.

Look inside, wow! Let her words be like flowing water, very chic, like a master's work, no wonder she is a little expert in calligraphy!

I looked at her strong and powerful words, and I felt very harmonious. The sun shone down again, gilding them with a layer of golden lace.