Why has Wang Xizhi s character been raised so high by successive dynasties? What s so good about it?

The reason why Wang Xizhi can be famous through the ages and is regarded as a "book saint", in addition to writing a "Lanting Preface", the first thing he wants to thank is - Tang Taizong.

Tang Taizong to the Tang Dynasty Emperor, as Wang Xizhi's number one fan, the power of the country personally presided over the promotion of Wang Xizhi's calligraphy and popularization, extensive collection of folk "two kings" law books to the royal family, ordered Huairen to collect Wang Xi's calligraphy into the "Holy Order" famous article, focus on the cultivation and use of Yu Shinan, Ouyang Xun, Chu Suiliang and other calligraphy masters, set up a special calligraphy institution to focus on cultivating high-end calligraphy talents. If it weren't for the great promotion of this emperor, I am afraid that there would not be an existence like the god of Wang Xi.

Of course, Wang Xizhi still has real kung fu in his hands, from small Kai to Xingshu and cursive script, he can be called a character who founded the sect, and it is by no means by chewing others to imitate and plagiarize others. Before Wang Xizhi, calligraphy has experienced the process from ancient characters (oracle bones, golden texts, large seals and small seals) to the subordination, which paved the way for Wang Xizhi's calligraphy innovation, and at the same time, the Han and Wei dynasties have appeared grass sage "Zhang Zhi" and Zhong Xuan, Cai Yong, Mrs. Wei, these calligraphy bosses, and the cursive script of Liubian has also appeared widely among the people, Wang Xizhi has successfully promoted and optimized the line of calligraphy and line cursive on this basis, so that this kind of concise and vivid font has risen to the height of art. And theoretically gave a high degree of summary and induction.

Wang Xizhi successfully used the side of the line of cursive, that is, to achieve the convenience of writing can also produce a variety of changes, the alternating conversion of the side and the center, can not only express the muscles and bones of the line but also increase the beauty of the skin, this penmanship skills since Wang Xizhi has been widely inherited by later generations, and the seal penmanship has formed two major penmanship systems and has been inherited.

From an aesthetic point of view, due to the influence of Lao Zhuang's thought in the Wei and Jin dynasties, the society began to advocate nature and emphasize individuality, providing a good atmosphere for artistic creation.

Wang Xizhi's calligraphy is good, not only because of the uniqueness and innovation of the technique, but more importantly, his calligraphy style represents and embodies the "beauty of the mean, the beauty of nature" of traditional culture, and integrates the image of all things in the universe into the creation of calligraphy, so that calligraphy is no longer a simple writing but has become an artistic language of "narrating romance". In order to understand the wonder of Wang Xizhi's calligraphy, we must start from multiple perspectives such as history, philosophy, and literature, rather than just copying itself.

The reason why Wang Xizhi's words were raised so high by the past dynasties, mainly his words had a profound impact on the past dynasties, he founded calligraphy, he is the founder of Chinese classical traditional calligraphy, proficient in various fonts such as li, grass, line, regular script, etc., he is known as the "book saint", after he abandoned the official and settled in Jinting, calligraphy hung all over the hall, but his true handwriting did not remain, in addition to his work "Lanting Collection Preface" is known as "the first line of books in the world".

Because Wang Xizhi's words are indeed very beautiful. Fortunately, he is very stylish, fortunately, he is very talented, he is very artistic, and he expresses his feelings very well.

We don't have his authentic works today, and we don't even have good copies to circulate in the world, and the few articles that others have copied are no longer enough to see the whole picture of him. What makes Tang Taizong and other famous calligraphers since the Jin Dynasty talk about it is definitely not false. However, even the remaining Linpins have already made us feel the diversity of his Xing, Kai, and Cao styles, and almost every stroke of the brush is in line with the kind of brushwork we want, such as the Eight Methods, and thus became the object of copying by later calligraphers.

This is an achievement that is very difficult to achieve. The emperor's edict is important, but the key is that the emperor's calligraphy teacher also respects him in this way. Yu Shinan, Chu Suiliang, Ouyang Xun and so on.

It is normal for literati to be light, and it is not such a simple thing that all great literati admire.

This is because his characters have a particularly high research value, and then the font is particularly neat, the recognition is relatively high, and the copying effect is particularly good, so such characters are particularly meaningful.

Because when he saw his father studying, he especially wanted to study, and his father thought he was playful, so he gave him the task that as long as he wanted to learn, he must use the knowledge in the book in pen and ink. Only if you are good at calligraphy, then you can better study the knowledge in the book. Since then, he has been learning while practicing calligraphy, and slowly practiced a particularly good-looking font.

This is because he will have a fixed way and method when writing, and each stroke should fall on the place it should be, and the technique is more unique and the strength is greater when writing.

In ordinary life, I insist on practicing my calligraphy every day, and the most important thing is that I have put in a lot of effort in the process, so I can have such a title, and I am also a very talented person.

He has been working hard to practice writing, and he has spent a lot of ink, so he has this effect, and his results are achieved through his efforts.

1. Wang Xizhi is good at both li, grass, Kai, and line, carefully studies the posture, imitates the hand chase, widely collects the mayor of the town, prepares all the bodies, and smelts in one furnace, getting rid of the Han and Wei pen styles, becoming a family of its own, and having a far-reaching impact. His calligraphy is peaceful and natural, the gestures are euphemistic and subtle, beautiful and beautiful;

2. Judging from the strokes, the pen is fine, and his starting pen is mainly based on Lu Feng and a straight down, easy and natural;

3. From the perspective of glyph structure, the words have different meanings. The 20 most talked-about characters in the "Orchid Pavilion Preface" have different postures, either opening and stretching steadily, or converging in the front, or being upright, or flying fluently, achieving a diverse and unified artistic effect;

4. Judging from the overall layout of the calligraphy works, the whole text is sparse and dense, the opening and closing are wide and narrow, out of nature, and the pen is truly expected. When dealing with word spacing, at the same time, the center line of the word forms an echo, and the bold form the echo and coherence of the word and the word in the line, reflecting the coherent momentum. Due to the relatively thin strokes, the starting and closing strokes are more exposed, coupled with the relatively loose line spacing, thus forming an elegant style and achieving the blend of love and book.

Because the people do write very well, and the most important thing is that he is from the big family, he belongs to the Langya Wang family. His calligraphy is well understood, absorbing the strengths of others, forming a set of self-smiling and self-grinding style, and the influence is very far-reaching.

Because the words he writes are indeed very good-looking, and it is indeed a shouting that it has the effect of entering the wood, and the structure of each font is very accurate. The structure of Zheng pickpockets with this omission is better.

Wang Xizhi: Wang Xizhi (303-361, 321-379), the word Yishao, Han nationality, a famous calligrapher in the Eastern Jin Dynasty, known as the "sage of calligraphy". Langya (now Linyi, Shandong) people, later moved to Huiji Shanyin (now Shaoxing, Zhejiang), in his later years lived in seclusion in Jinting, Yan County.

Wang Xizhi successively served as secretary Xun, general Ningyuan, Jiangzhou Assassin History, and later Huiji Internal History, leading the right general. Its calligraphy is good at both li, grass, Kai, and line, carefully studying the posture, copying the hand chasing, drawing on the strengths of the people, preparing the fine body, smelting in a furnace, getting rid of the Han and Wei pen style, becoming a family of its own, and having a far-reaching influence. The style is peaceful and natural, the gestures are euphemistic and subtle, and the style is beautiful and beautiful.

Wang Xizhi's masterpiece "Orchid Pavilion Preface" is known as "the first book in the world". In the history of calligraphy, he and his son Wang Xianzhi are collectively known as the "two kings".

The idiom "into the wood three points":

It means to describe the strength of the calligraphy pen, and it is also a metaphor for the deep and thorough insight into the text or things.

Tang Dynasty Zhang Huaijun "Book Break: Wang Xizhi":"When the Jin Emperor sacrificed the northern suburbs, he blessed the version, the workers cut it, and the pen was three points into the wood.

It is said that Wang Xizhi's calligraphy is unique:

At that time, Emperor Jin wanted to go to the northern suburbs to worship, and asked Wang Xizhi to write the greetings on a wooden board and send workers to carve them. The letterer cut the wooden board layer after layer, and found that Wang Xizhi's calligraphy ink had been printed all the way to the wooden board. He cut into three points of depth to see the bottom, carpentry marveled at Wang Xizhi's pen strength, calligraphy skills perfect, the strength of the pen can enter the wood three points.

Summary: Wang Xizhi's handwriting is so good, although it is related to his talent, but the most important thing is because of his hard practice. In order to practice the characters well, whether he was resting or walking, he always thought about the structure of the font in his heart, figured out the frame and momentum of the characters, and kept drawing his fingers on the placket.

So after a long time, even the clothes on my body were torn.

He used to practice writing by the pond, and every time he finished writing, he washed the pen and inkstone in the pond. Over time, the water in the entire pond turned black. It can be seen from this that he has put a lot of effort into practicing calligraphy.

Therefore, it is good to practice calligraphy with a brush every day, or to do other things. The habit of fishing for three days and drying nets for two days will not be successful. If you want to succeed, you must persevere! Work hard!

Wang Xizhi's "Orchid Pavilion Preface" calligraphy appreciation:"Orchid Pavilion Preface" is charming and vigorous, and the beauty of the brush runs through every detail of the work. The most outstanding works of art often contain extremely rich and "charming" artistic beauty in a very small space.

"Orchid Pavilion Preface" is not only the beauty of "rhyme" in a very small space, but also the whole thing, the whole article, staggered, free, changeable and introverted, from beginning to end with a calm and unhurried bearing, giving people an elegant and fresh artistic feeling.

Wang Xizhi's words are introverted and subtle, and they are beautiful in their vigor, while "Orchid Pavilion Preface" is chic and natural throughout, with different sizes and different shapes, without traces of deliberate carving, "out of nature". Every word is endowed with vitality by Wang Xizhi, whether static or moving, lying or lying, and the smile, laughter, laughter and anger in his words are detached and free on the paper. Static characters, dynamic souls, you can see how Wang Xizhi's calligraphy skills are, and how the emotions of writing at that time are.

Within the size, "the sages are complete".

The Orchid Pavilion Preface is known as "the first line of books in the world", which is not only manifested in the isomorphism of different words, but also in the homogeneous construction. Where the repetition of the word, the way of writing is also different, such as according to the data, five "Huai" words, seven "no" words, each has a different shape of the hall, ever-changing. Among them, especially the word "zhi", some are free and easy to circulate, and some are neat and orderly, with different sizes and different positions, and various postures.

Wang Xizhi's calligraphy features:

Good at calligraphy, good at li, grass, Kai, line of each body, fine study of the body, heart copy hand chasing, widely learn from the strengths, prepare the fine body, smelt in a furnace, get rid of the Han and Wei pen style, become a family, far-reaching influence. The style is peaceful and natural, the gestures are euphemistic and subtle, and the style is beautiful and beautiful.

In the history of calligraphy, it is called together with Zhong Xuan"King Zhong", together with his son Wang Xianzhi, they are called "two kings". Li Zhimin commented: "Wang Xizhi's calligraphy not only expresses the simplicity and Xuanyuan based on the philosophy of Lao Zhuang, but also expresses the Chonghe based on the Confucian golden mean. ”