What is the earliest monograph on literary theory in China?

Wenxin Carving the Dragon is the first systematic literary theory monograph in China (the author is Liu Xian, who was in the Southern Dynasty. It was written in the second year of the reign of Emperor Xingyuan (501 502) of the Southern Dynasty Qi and Emperor Zhongzhong. It is the first literary theory monograph with a rigorous system in the history of Chinese literary theory and criticism.

The book consists of four parts: general introduction, stylistic theory, creation theory, and critical commentary. The general essay includes the five chapters from "The Original Dao" to "Distinguishing the Sao", which clearly put forward the fundamental principles of literary criticism and is the "pivot of literature" in the whole book. Among them, the three articles "The Original Way", "Zhengsheng", and "Zongjing" are the keys to understanding the whole book.

According to the "original to the end", "the interpretation of the name to the meaning", "the selection of texts to the final", and "the reason to the system", the origin and evolution of each body, and its different characteristics, are discussed. The Theory of Creation includes 19 articles from "Divine Thought" to "General Technique", which are analyzed and analyzed, and the basic methods of literary creation are discussed. Among them, "Divine Thought" discusses artistic conception; "Physique" is a treatise on the style of the writer; The chapter "Sentiment" discusses the literary relationship of the work.

It is detailed and profound, far more than its predecessors. The theory of criticism and appreciation includes 5 articles from "Chronology" to "Program". Among them, the chapter "Bosom Friend" discusses the methods and attitudes of criticism and appreciation; The chapter "Talent Strategy" reviews the talents and contributions of writers from different perspectives; The chapter "Cheng Qi" discusses the importance of the writer's moral cultivation.

Finally, the Preface describes the author's motivations, attitudes, and principles for writing the book.

Introduction: The first systematic monograph on literary theory and criticism in China is Liu Xian's Wenxin Carving Dragon

Moreover, he was the first to put forward a systematic literary theory and a clear view of literary history, and discussed the changes in the development of literature in the pre-Qin, Han, Wei, Jin, and Song dynasties under the literary background of that era. Next, I would like to introduce this book to you.

1. The status of "Wenxin Carving Dragon".

Wenxin Carving Dragon has a certain status in history, and he gave the concept of literary history in Chinese history, and Liu Xie.

Emphasizing the relationship between the content and form of a literature, he also emphasized an artistic imagination, which paved a new path for later generations of literati to open up the development of literature. Liu Xian's "Wenxin Carving Dragon" is an epoch-making masterpiece in the history of China's literary criticism, it has established a complete and rigorous literary theory system, the content is very rich, it has a total of 50 articles, respectively, the general outline of stylistic theory creation ** academic criticism and literary history theory, the content is very rich.

2. What kind of impact will it have on future generations?

Wenxin Carving the Dragon systematically discusses the inheritance and innovation of the form and content of literature, and emphasizes the basic characteristics of the concrete image of artistic thinking activities in the process of exploring and researching the conception of literary creation. It provided a certain reference for the literary creation of later generations and standardized the literary creation at that time. In his star carving dragon, Liu Jie not only summarized and recalled literary theory and literary criticism, but also put forward his own certain views when standardizing literary creation.

This has a profound impact on later generations, and it is a monograph on literary theory with a rigorous theoretical structure and detailed discussions, and it is also Chinese literature.

A masterpiece of criticism in history, it has a certain reference significance for later generations to write.

All in all, "Wenxin Carving Dragon" is a work of high artistic value. If you are interested in him, you can read it yourself and feel the creative level of the literati of that era.

The Southern Dynasty writer Liu Xian's "Wenxin Carving Dragon". Written during the reign of Emperor Qi and Emperor He of the Southern Dynasty, this book is the first literary theory monograph in the history of Chinese literary theory. The book is divided into 10 volumes and 50 articles, based on the aesthetic ideas and theories laid down by Confucius, the origin of literary creation, and the aesthetic laws of Zhongmin's appreciation and evaluation of works.

The first is "Wenxin Carving Dragon". The author is Liu Xian. This Qingqiao work is mainly from the period when the literature of the Northern and Southern Dynasties was in decline, and it is a work with a complete structure and a complete chain of trembling and a strong theoretical work.

This book is called "Wenxin Carving Dragon", which was written by Liu Xian, who changed the judgment of the Shidan Hall of the Northern and Southern Dynasties, and he is the author.

Liu Xian's"Wenxin Carving Dragon".It is the first systematic monograph on literary theory and criticism in China. He put forward a systematic literary theory and a clear view of literary history, and combined with the literary background of the times, he made a brief comment on each representative writer and representative. This paper discusses the changes in the development of literature in the pre-Qin, Han, Wei, Jin, and Song dynasties, and establishes the most important literary theoretical works of the Wei, Jin, Southern and Northern Dynasties.

The book also systematically discusses the relationship between literary form and content, inheritance and innovation. We should more consciously understand the artistic nature and characteristics of literature, and create a literary image thinking.

A precedent for research. In the process of exploring and researching the concept of literary creation, the basic characteristics of the concrete image of artistic thinking activities are emphasized, and the problem of image thinking in artistic creation is preliminarily proposed. This paper comprehensively summarizes the previous aesthetic achievements, the aesthetic essence of language and literature, and the aesthetic laws of creative appreciation.

Each part of "Wenxin Carving Dragon" is related to each other and has a strict system. It is an unprecedented work in the history of ancient Chinese literary criticism and a treasure of Chinese literary theoretical heritage. It has important reference value for us to engage in literary creation and literary criticism, and is useful for the study of ancient China to the Southern Qi Dynasty.

The development of literature is an indispensable foundation, which deserves our attention and good study. Its success is outstanding, unprecedented and universally recognized.

The main aesthetic categories proposed by Liu Xian are all in pairs。Although one of the two sides of the conflict is dominant, he emphasizes both sides rather than one. In the discourses of Tao and literature, emotion and collection, truth and strangeness, China and reality, love and ambition, the style and bones, and the hidden and the explicit, they all follow this criterion, embodying the classical aesthetic ideal of reconciling various artistic factors.

Liu Xian's special emphasis is on Confucianism.

The masculine beauty of the Liang Dynasty was expressed.

The tendency of the style of rectification is very good. His discourse on the strength of personality embodied this and had an important impact on later generations.

Liu Xian's "Wenxin Carving Dragon", many of his works are influenced by him, and the value is now very high.

1. On paper, I finally feel shallow, and I never know that I have to do it.

2. The black hair does not know how to study early, and the white head regrets studying late.

3. Reading is not aware of the deep spring, and every inch of time is golden.

4. The poems and books on the pillow are good, and the scenery in front of the door is good.

5. The three watches are lit and the five watches are when the boys are studying.

6, there is no need to hate when marrying a wife, there is a woman in the book who is like jade.

7. Read more than 10,000 books, and write like a god.

8. If you don't read in January, your ears and eyes will be refreshed.

9. Wealth must be obtained from hard work, and men must read five carts of books.

10, Gui Zhining has no five acres of garden, and the original intention of reading is Yuanyuan.

11. Books should be read quickly, and guests will not come.

12. Half an acre of square pond is opened, and the sky and clouds and shadows wander together.

13, the weak crown makes Rouhan, and Zhuo Ju looks at the group book.

14, the ashes of the pit are not cold and the Shandong is chaotic, and Liu Xiang originally did not study.

15. Reading is not a Confucian sour, and the Prancing Horse enters Jincheng Pass.

16. Strange texts are appreciated, and doubts are analyzed.

17. People learn to know, and they don't learn unnatural.

Wenxin Carving the Dragon is China's first masterpiece of aesthetics and literary theory, as well as a work of literary criticism, completed during the Northern and Southern Dynasties of China.

Wenxin Carving the Dragon is a literary theory monograph with a theoretical system, rigorous structure, and detailed exposition written by Liu Xian, a literary theorist of the Southern Chinese Dynasty. The book was written in 501 502 A.D. (the second year of the Southern Dynasty Qi and Emperor Shengshu. "Wenxin Carving Dragon" is a masterpiece of article writing theory that is "big and thoughtful" and "deep in literature and science".

Wenxin Carving Dragon is divided into two parts, "upper and lower", with 25 articles in each part, including "General Theory", "Stylistic Theory", "Creation Theory", "Critical Commentary", "General Preface" and other five parts. Among them, there are 5 general essays, on the "pivot of literature", laying a theoretical foundation; There are 20 essays on stylistics, each of which is divided into one or two or three genres.

19 articles on creation, including the creative process, writer's style, literary quality relationship, writing skills, and rhetorical rhythm. 5 reviews are criticized, criticizing the literary style and the achievements of writers in the past era from different angles, and making a ** criticism method, which is also a wonderful part of the book; The last "Preface" is the general preface of the book, which explains the purpose of his creation and the intention of the deployment of the book.

The first systematic monograph on literary theory in China is "Wenxin Carving Dragon".

Wenxin Carving the Dragon is a literary theory monograph with a theoretical system, rigorous structure and meticulous exposition created by Liu Xian, a literary theorist of the Southern Chinese Dynasty. It was written in 501 502 AD. It is the first literary theory monograph in the history of Chinese literary theory criticism that has a rigorous system and is "large and thoughtful".

The name of Liu Xian's "Wenxin Carving Dragon" comes from the book "Qin" by Huang Lao Taoist Huanyuan. Its interpretation of the "Preface" cloud: "The words of the husband and the heart of the text are also the intentions of the text, and the former Juanzi (Huanyuan) "Qin Heart", Wang Sun Qiaoxin, the heart is beautiful, so it is used. ”

The theoretical system of "Wenxin Carving Dragon".

1. The theory is based on the hundreds of schools of thought before the Southern Dynasties of China, absorbing the dry lead of many people, and taking its essence to remove its dross. Its depth is wide, and its content is mixed. It can be called the mastery of the past saints, the literary sect of the eternal generations, and the literary work of inheriting the past and the future.

Readers must read! It is of great significance in the history of Chinese literary and artistic theory and has had a huge and far-reaching impact on later generations.

2. The focus of the book is: general theory, that is, the theoretical basis and guiding ideology of the book; stylistics, a systematic and thorough classification of the genre; Creation theory, sub-discussion of the creative process, the writer's personality style, the relationship between text and quality, and writing skills, etc.; Criticize the style and achievements of the writers of the previous generation, and criticize the praise method of the mountain.