How to evaluate the level of Song Huizong s poetry?

In terms of poetry, Song Huizong is not the top in the Song Dynasty, but it is definitely not bad, especially the word, among the emperors of all dynasties, Li Yu, Meng Chang, and Song Huizong are definitely first-class masters, and his poetry level can be seen from his small heavy mountain, Nian Nujiao, Jin Lian around the Phoenix Tower, etc.

Zhao Ji's poems, in the early stage, are mostly soft and beautiful playful works, until he was exiled, Zhao Ji after a major change, the words have declension, especially skill. Legend has it that he composed more than 100 lyrics on the way to the north, among which the song "Yanshan Pavilion and Seeing Apricot Blossoms in the North" marks his high maturity in poetry art. Near-writers have "Song Huizong Ci".

Huizong's words follow in the footsteps of Zhou Bangyan.

His level of poetry should be quite high, because after all, he lived in the Song Dynasty, and he was an emperor, and poetry was very popular in the Song Dynasty at that time, so his level should be quite high.

Song Huizong's poetry creation has made certain achievements, and is the core of the temple royal poet group, which is especially reflected in the development of palace poetry and Taoist poetry, and has made good breakthroughs and expansion in the field of palace poetry and Taoist poetry.

If you are good at discovering the highlights of his poems, you will find that it is still worth studying, but if you don't know it, you will feel that it is very ordinary, and there is nothing outstanding about it.

Although Song Huizong was not a dutiful emperor, his poetry level was still first-class, comparable to the poets of the time, and he also left many famous poems and famous sentences in history.

In the Song Dynasty, the poetry and songs were very advanced, as a poet in the Song Dynasty, Song Huizong had an extremely high level of writing, and he personally liked this person very much.

We all know that Song Huizong is a famous emperor of calligraphy and painting, he not only can write and paint, but also vigorously develop painting, widely gather painters, create the Xuanhe Painting Academy, and cultivate a number of outstanding painters such as Wang Ximeng, Zhang Zeduan, Li Tang and so on.

1. A first-class literati and a third-rate emperor.

2. Zhao Ji of Song Huizong (1082-1135), the eleventh son of Song Shenzong, was the eighth emperor of the Song Dynasty of China and the last emperor of the Northern Song Dynasty. Although he was mediocre, he left many anecdotes about him in the world of painting and calligraphy.

3. Although he is incompetent in governing the country, his artistic talent is quite high. His calligraphy is called the thin gold body by the world, and the "Book History Meeting" commented: "Huizong is cursive, the gesture is vigorous, the beginner Tanhu Xue Ji, change its law, self-named thin gold book, the meaning of nature, can not be traced to seek also." ”

4. The hand-me-down paintings include "Hibiscus Brocade Chicken", "Pond Late Autumn", etc., and are good at poetry. His paintings attach great importance to sketching, especially good at painting flowers and birds, emphasizing details, and are known for their precision and realism.

Historical evaluation: Song Huizong Zhao Ji's calligraphy attainments are very high, if you want to find an emperor to compare the manuscript of the bureau in history, there is probably only Li Yu, so Song Huizong is also known as Little Li Yu. In terms of calligraphy, it seems that Song Huizong and Zhao Ji's calligraphy is better than Li Yu.

There are not many calligraphy of Zhao Ji of Song Huizong that have been passed down to future generations, but each one is a classic. Because Song Huizong created the thin gold body, no one has been able to surpass him in this kind of calligraphy. Now leave immortal thin gold calligraphy works such as "Thin Gold Thousand Character Text", "Want to Borrow Wind and Frost Two Poems", "Summer Poems", "Ouyang Inquire Zhang Han Tiba" and so on, each of which is a classic.

Song Huizong, like most calligraphers, has a certain preference for thousand-character writing, and the two thousand-character inscriptions he left behind can reflect his profound calligraphy skills and show extraordinary artistic charm. One of them is written to Tong Guan, each line has ten words, about a hundred lines before and after, and one word is an inch in size. Song Huizong's calligraphy teacher was Xue Yao in the Tang Dynasty, as the saying goes, the master leads the door, and the practice depends on the individual.

Song Huizong's calligraphy attainments also surpassed Xue Yao, his calligraphy structure is very open, and the strokes are strong, which can be described as unique. Contemporary calligraphy and painting connoisseurs also praise Song Huizong's calligraphy and painting, thinking that his calligraphy structure is very handsome and upright, although the pen is sharp and thin, but it is not heavy, and the strokes are very delicate and strong.

The thin gold body of Song Huifeng Suizong is an original in the history of calligraphy, which can be called unique, and it can be said to be second to none in the calligraphy of the first emperor of Litang. The font is frustrated, thin and sharp, quite delicate and elegant.

Huizong of the Song Dynasty integrated the bamboo orchid painting method into calligraphy, forming a unique clear and beautiful posture and round cardinal state. This is different from the solemn regular script of the Tang Dynasty, and different from the magnificent landscape paintings of the Northern Song Dynasty, which may be related to the decline of the Song Dynasty, and may not be able to give people a sense of gorgeous shock, but it is a concentrated expression of personality and personal thinking and emotion. This had a profound impact on the literati painting of the Southern Song Dynasty and the literati calligraphy of the Yuan and Ming dynasties.